Fujifilm X-Pro2 vs Olympus E-P7

The Fujifilm X-Pro2 and the Olympus PEN E-P7 are two enthusiast cameras that were revealed to the public, respectively, in January 2016 and June 2021. Both the X-Pro2 and the E-P7 are mirrorless interchangeable lens cameras that are based on an APS-C (X-Pro2) and a Four Thirds (E-P7) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Olympus provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm X-Pro2		Olympus E-P7
Mirrorless system camera		Mirrorless system camera
Fujifilm X mount lenses		Micro Four Thirds lenses
24 MP – APS-C sensor		20.2 MP – Four Thirds sensor
1080/60p Video		4K/30p Video
ISO 200-12,800 (100 - 51,200)		ISO 200-25,600
Electronic viewfinder (2360k dots)		No viewfinder, LCD framing
3.0" LCD – 1620k dots		3.0" LCD – 1040k dots
Fixed screen (not touch-sensitive)		Tilting touchscreen
8 shutter flaps per second		8.7 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		not weather sealed
350 shots per battery charge		360 shots per battery charge
141 x 83 x 46 mm, 495 g		118 x 69 x 38 mm, 337 g

Check X-Pro2 offers at
ebay.com
Check E-P7 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro2 and the Olympus PEN E-P7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm X-Pro2 and the Olympus E-P7. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The X-Pro2 can be obtained in two different colors (black, graphite), while the E-P7 is available in three color-versions (black, silver, white).

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P7 is considerably smaller (30 percent) than the Fujifilm X-Pro2. Moreover, the E-P7 is markedly lighter (32 percent) than the X-Pro2. It is worth mentioning in this context that the X-Pro2 is splash and dust resistant, while the E-P7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Micro Four Thirds Lens Catalog (E-P7). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the X-Pro2 gets 350 shots out of its Fujifilm NP-W126 battery, while the E-P7 can take 360 images on a single charge of its Olympus BLS-50 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm X-Pro2	141 mm	83 mm	46 mm	495 g	350	Y	Jan 2016	EUR 1 799	ebay.com
2.		Olympus E-P7	118 mm	69 mm	38 mm	337 g	360	n	Jun 2021	EUR 799	amazon.com
3.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	EUR 2 099	amazon.com
4.		Fujifilm X-E3	121 mm	74 mm	43 mm	337 g	350	n	Sep 2017	EUR 899	ebay.com
5.		Fujifilm X-Pro1	140 mm	82 mm	43 mm	450 g	300	n	Jan 2012	EUR 1 599	ebay.com
6.		Fujifilm X-Pro3	141 mm	83 mm	46 mm	497 g	440	Y	Oct 2019	EUR 1 899	amazon.com
7.		Fujifilm X-T1	129 mm	90 mm	47 mm	440 g	350	Y	Jan 2014	EUR 1 199	ebay.com
8.		Fujifilm X-T2	133 mm	92 mm	49 mm	507 g	340	Y	Jul 2016	EUR 1 699	ebay.com
9.		Fujifilm X-T3	133 mm	93 mm	59 mm	539 g	390	Y	Sep 2018	EUR 1 499	ebay.com
10.		Fujifilm X-T20	118 mm	83 mm	41 mm	383 g	350	n	Jan 2017	EUR 799	ebay.com
11.		Fujifilm X100F	127 mm	75 mm	52 mm	469 g	390	n	Jan 2017	EUR 1 399	ebay.com
12.		Fujifilm X100V	128 mm	75 mm	53 mm	478 g	420	Y	Feb 2020	EUR 1 499	ebay.com
13.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	EUR 599	ebay.com
14.		Olympus E-M10 IV	122 mm	84 mm	49 mm	383 g	360	n	Aug 2020	EUR 699	amazon.com
15.		Olympus E-P2	121 mm	70 mm	36 mm	355 g	300	n	Nov 2009	EUR 699	ebay.com
16.		Olympus E-P3	122 mm	69 mm	34 mm	369 g	330	n	Jun 2011	EUR 699	ebay.com
17.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	EUR 999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-P7 was launched at a markedly lower price (by 53 percent) than the X-Pro2, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm X-Pro2 features an APS-C sensor and the Olympus E-P7 a Four Thirds sensor. The sensor area in the E-P7 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-Pro2 has a native 3:2 aspect ratio, while the one in the E-P7 offers a 4:3 aspect.

With 24MP, the X-Pro2 offers a higher resolution than the E-P7 (20.2MP), but the X-Pro2 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.34μm for the E-P7) due to its larger sensor. However, the E-P7 is a much more recent model (by 5 years and 4 months) than the X-Pro2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-P7 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm X-Pro2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Olympus PEN E-P7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. The X-Pro2 uses Fujifilm's X-Trans layout of photosites, while the E-P7 employs the more common Bayer array.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm X-Pro2	APS-C	24.0	6000	4000	1080/60p	23.7	13.0	1608	80
2.		Olympus E-P7	Four Thirds	20.2	5184	3888	4K/30p	23.4	13.3	1494	77
3.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
4.		Fujifilm X-E3	APS-C	24.0	6000	4000	4K/30p	23.9	13.3	1764	82
5.		Fujifilm X-Pro1	APS-C	16.0	4896	3264	1080/24p	23.1	12.3	1238	74
6.		Fujifilm X-Pro3	APS-C	26.0	6240	4160	4K/30p	24.1	13.6	1968	84
7.		Fujifilm X-T1	APS-C	16.0	4896	3264	1080/60p	23.5	12.7	1426	77
8.		Fujifilm X-T2	APS-C	24.0	6000	4000	4K/30p	23.8	13.1	1653	81
9.		Fujifilm X-T3	APS-C	26.0	6240	4160	4K/60p	24.0	13.4	1853	83
10.		Fujifilm X-T20	APS-C	24.0	6000	4000	4K/30p	23.9	13.2	1704	81
11.		Fujifilm X100F	APS-C	24.0	6000	4000	1080/60p	23.9	13.2	1704	81
12.		Fujifilm X100V	APS-C	26.0	6240	4160	4K/30p	24.2	13.6	1996	84
13.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
14.		Olympus E-M10 IV	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.2	1402	76
15.		Olympus E-P2	Four Thirds	12.2	4032	3024	720/30p	21.5	10.4	505	56
16.		Olympus E-P3	Four Thirds	12.2	4032	3024	1080/60i	20.8	10.1	536	51
17.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the E-P7 provides a better video resolution than the X-Pro2. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P7 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Fujifilm X-Pro2 and Olympus E-P7 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm X-Pro2	2360	n	3.0 / 1620	fixed	n	1/8000s	8.0/s	n	n
2.		Olympus E-P7	none	n	3.0 / 1040	tilting	Y	1/4000s	8.7/s	Y	Y
3.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
4.		Fujifilm X-E3	2360	n	3.0 / 1040	fixed	Y	1/4000s	8.0/s	n	n
5.		Fujifilm X-Pro1	1440	n	3.0 / 1230	fixed	n	1/4000s	6.0/s	n	n
6.		Fujifilm X-Pro3	3690	n	3.0 / 1620	tilting	Y	1/8000s	8.0/s	n	n
7.		Fujifilm X-T1	2360	n	3.0 / 1040	tilting	n	1/4000s	8.0/s	n	n
8.		Fujifilm X-T2	2360	n	3.0 / 1040	full-flex	n	1/8000s	8.0/s	n	n
9.		Fujifilm X-T3	3690	n	3.0 / 1040	full-flex	Y	1/8000s	11.0/s	n	n
10.		Fujifilm X-T20	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
11.		Fujifilm X100F	2360	n	3.0 / 1040	fixed	n	1/4000s	8.0/s	Y	n
12.		Fujifilm X100V	3690	n	3.0 / 1620	tilting	Y	1/4000s	11.0/s	n	n
13.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
14.		Olympus E-M10 IV	2360	n	3.0 / 1040	tilting	Y	1/4000s	15.0/s	Y	Y
15.		Olympus E-P2	optional	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
16.		Olympus E-P3	optional	n	3.0 / 614	fixed	Y	1/4000s	3.0/s	Y	Y
17.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-P7 has a touchscreen, while the X-Pro2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X-Pro2 and the Olympus E-P7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the X-Pro2 and the E-P7 write their files to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-P7 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s (the second slot of the X-Pro2 supports only UHS-I, though).

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro2 and Olympus PEN E-P7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm X-Pro2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
2.		Olympus E-P7	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
3.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Fujifilm X-E3	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
5.		Fujifilm X-Pro1	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Fujifilm X-Pro3	Y	stereo / mono	Y	-	-	3.1	Y	-	Y
7.		Fujifilm X-T1	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
8.		Fujifilm X-T2	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
9.		Fujifilm X-T3	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
10.		Fujifilm X-T20	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
11.		Fujifilm X100F	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
12.		Fujifilm X100V	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
13.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Olympus E-M10 IV	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
15.		Olympus E-P2	Y	stereo / -	-	-	mini	2.0	-	-	-
16.		Olympus E-P3	Y	stereo / -	-	-	mini	2.0	-	-	-
17.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-

It is notable that the X-Pro2 has a microphone port, which is missing on the E-P7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the E-P7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The E-P7 is a recent model that features in the current product line-up of Olympus. In contrast, the X-Pro2 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the X-Pro2 was succeeded by the Fujifilm X-Pro3. Further information on the features and operation of the X-Pro2 and E-P7 can be found, respectively, in the Fujifilm X-Pro2 Manual (free pdf) or the online Olympus E-P7 Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Fujifilm X-Pro2 or the Olympus E-P7 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Fujifilm X-Pro2:

• More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been available for much longer (launched in January 2016).

Arguments in favor of the Olympus PEN E-P7:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More compact: Is smaller (118x69mm vs 141x83mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 158g or 32 percent) and is thus easier to take along.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More affordable: Was introduced into a lower priced category (53 percent cheaper at launch).
• More modern: Reflects 5 years and 4 months of technical progress since the X-Pro2 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the E-P7 comes out slightly ahead of the X-Pro2 (12 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm X-Pro2 and the Olympus E-P7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-Pro2 or the E-P7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm X-Pro2	..	+	..	83/100	4.5/5	4.5/5	Jan 2016	EUR 1 799	ebay.com
2.		Olympus E-P7	4/5	..	4.5/5	..	..	4.5/5	Jun 2021	EUR 799	amazon.com
3.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	EUR 2 099	amazon.com
4.		Fujifilm X-E3	4.5/5	+	4.5/5	84/100	4.5/5	4.5/5	Sep 2017	EUR 899	ebay.com
5.		Fujifilm X-Pro1	5/5	+ +	..	79/100	4.5/5	4.5/5	Jan 2012	EUR 1 599	ebay.com
6.		Fujifilm X-Pro3	4/5	+	4/5	85/100	4/5	..	Oct 2019	EUR 1 899	amazon.com
7.		Fujifilm X-T1	5/5	+ +	..	84/100	5/5	5/5	Jan 2014	EUR 1 199	ebay.com
8.		Fujifilm X-T2	5/5	+ +	..	86/100	4.5/5	5/5	Jul 2016	EUR 1 699	ebay.com
9.		Fujifilm X-T3	5/5	+ +	4.5/5	88/100	5/5	5/5	Sep 2018	EUR 1 499	ebay.com
10.		Fujifilm X-T20	5/5	+ +	5/5	82/100	5/5	4.5/5	Jan 2017	EUR 799	ebay.com
11.		Fujifilm X100F	5/5	+	3.9/5	83/100	4.5/5	4.5/5	Jan 2017	EUR 1 399	ebay.com
12.		Fujifilm X100V	5/5	+ +	4.5/5	86/100	5/5	4.5/5	Feb 2020	EUR 1 499	ebay.com
13.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	EUR 599	ebay.com
14.		Olympus E-M10 IV	4.5/5	..	5/5	81/100	4.5/5	4.5/5	Aug 2020	EUR 699	amazon.com
15.		Olympus E-P2	3/5	+	..	69/100	4/5	4.5/5	Nov 2009	EUR 699	ebay.com
16.		Olympus E-P3	..	83/100	..	74/100	4.5/5	4.5/5	Jun 2011	EUR 699	ebay.com
17.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	EUR 999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Check X-Pro2 offers at
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Check E-P7 price at
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