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Fujifilm X-E3 versus Sony A6500

The Fujifilm X-E3 and the Sony Alpha A6500 are two digital cameras that were officially introduced, respectively, in September 2017 and October 2016. Both the X-E3 and the A6500 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Fujifilm X-E3 vs Sony A6500

An illustration of the physical size and weight of the Fujifilm X-E3 and the Sony A6500 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the X-E3 – represents the basis for the calculations across all the size and weight measures).

Snapsort Fujifilm X-E3 vs Sony A6500
Compare X-E3 versus A6500 top
Compare X-E3 and A6500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably smaller (10 percent) than the Fujifilm X-E3. However, the A6500 is markedly heavier (34 percent) than the X-E3. It is noteworthy in this context that the A6500 is splash and dust-proof, while the X-E3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can find an overview of optics for the two cameras in the Fujinon X Lens Catalog (X-E3) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Fujifilm X-E3» 4.8 in 2.9 in 1.7 in 11.9 oz 350 n Sep 2017 899 i i Fujifilm X-E3
Sony A6500« 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Canon M6« » 4.4 in 2.7 in 1.8 in 13.8 oz 295 n Feb 2017 779 i i Canon M6
Fujifilm X-A5« » 4.6 in 2.7 in 1.6 in 12.7 oz 450 n Jan 2018 399 i i Fujifilm X-A5
Fujifilm X-T20« » 4.6 in 3.3 in 1.6 in 13.5 oz 350 n Jan 2017 899 i i Fujifilm X-T20
Fujifilm X70« » 4.4 in 2.5 in 1.7 in 12.0 oz 330 n Jan 2016 799- i Fujifilm X70
Fujifilm X-A3« » 4.6 in 2.6 in 1.6 in 12.0 oz 410 n Aug 2016 399 i i Fujifilm X-A3
Fujifilm X-E2S« » 5.1 in 3.0 in 1.5 in 12.3 oz 350 n Jan 2016 699- i Fujifilm X-E2S
Fujifilm X-A10« » 4.6 in 2.6 in 1.6 in 11.7 oz 410 n Dec 2016 399 i i Fujifilm X-A10
Fujifilm X-T10« » 4.6 in 3.3 in 1.6 in 13.4 oz 350 n May 2015 799- i Fujifilm X-T10
Fujifilm X-E2« » 5.1 in 3.0 in 1.5 in 12.3 oz 350 n Oct 2013 999- i Fujifilm X-E2
Olympus PEN-F« » 4.9 in 2.8 in 1.5 in 15.1 oz 330 n Jan 2016 1,199 i i Olympus PEN-F
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Sony RX100 V« » 4.0 in 2.3 in 1.6 in 10.5 oz 220 n Oct 2016 999 i i Sony RX100 V
Sony A7« » 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-E3 was launched at a markedly lower price (by 36 percent) than the A6500, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Fujifilm X-E3 vs Sony A6500

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Fujifilm X-E3 and Sony A6500 sensor measures

Even though the X-E3 has a slightly larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the X-E3 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.92μm versus 3.91μm for the A6500), which gives it a potential advantage in terms of light gathering capacity. In addition, the X-E3 is a somewhat more recent model (by 11 months) than the A6500, and its sensor might have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the X-E3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

X-E3 versus A6500 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Fujifilm X-E3» APS-C 24.0 6000 40004K/30p----Fujifilm X-E3
Sony A6500« APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Canon M6« » APS-C 24.0 6000 40001080/60p----Canon M6
Fujifilm X-A5« » APS-C 24.0 6000 40004K/15p----Fujifilm X-A5
Fujifilm X-T20« » APS-C 24.0 6000 40004K/30p----Fujifilm X-T20
Fujifilm X70« » APS-C 16.0 4896 32641080/60p----Fujifilm X70
Fujifilm X-A3« » APS-C 24.0 6000 40001080/60p----Fujifilm X-A3
Fujifilm X-E2S« » APS-C 16.0 4896 32641080/60p----Fujifilm X-E2S
Fujifilm X-A10« » APS-C 16.0 4896 32641080/30p----Fujifilm X-A10
Fujifilm X-T10« » APS-C 16.0 4896 32641080/60p----Fujifilm X-T10
Fujifilm X-E2« » APS-C 16.0 4896 32641080/60p----Fujifilm X-E2
Olympus PEN-F« » Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Sony RX100 V« » 1-inch 20.0 5472 36484K/30p22.812.458670Sony RX100 V
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).

 

Feature comparison: Fujifilm X-E3 vs Sony A6500

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-E3 offers a slightly higher resolution than the one in the A6500 (2360k vs 2300k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-E3, the Sony A6500, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Fujifilm X-E3»2360 n 3.0 1040 fixed Y 4000 8.0 n n Fujifilm X-E3
Sony A6500«2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Canon M6« »- n 3.0 1040 tilting Y 4000 9.0 Y n Canon M6
Fujifilm X-A5« »- n 3.0 1040 tilting Y 4000 6.0 Y n Fujifilm X-A5
Fujifilm X-T20« »2360 n 3.0 1040 tilting Y 4000 8.0 Y n Fujifilm X-T20
Fujifilm X70« »- n 3.0 1040 tilting Y 4000 8.0 Y n Fujifilm X70
Fujifilm X-A3« »- n 3.0 1040 tilting Y 4000 6.0 Y n Fujifilm X-A3
Fujifilm X-E2S« »2360 n 3.0 1040 fixed n 4000 7.0 Y n Fujifilm X-E2S
Fujifilm X-A10« »- n 3.0 1040 tilting n 4000 6.0 Y n Fujifilm X-A10
Fujifilm X-T10« »2360 n 3.0 920 tilting n 4000 8.0 Y n Fujifilm X-T10
Fujifilm X-E2« »2360 n 3.0 1040 fixed n 4000 7.0 Y n Fujifilm X-E2
Olympus PEN-F« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus PEN-F
Panasonic GX8« »2360 n 3.0 1040 swivel Y 8000 10.0 n Y Panasonic GX8
Sony A9« »3686 n 3.0 1440 tilting Y 8000 20.0 n Y Sony A9
Sony A6300« »2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Sony RX100 V« »2359 n 3.0 1229 tilting n 2000 24.0 Y Y Sony RX100 V
Sony A7« »2400 n 3.0 1230 tilting n 8000 5.0 n n Sony A7

Both the X-E3 and the A6500 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The A6500 replaced the earlier Sony A6300, while the X-E3 followed on from the Fujifilm X-E2S.

Review summary: Fujifilm X-E3 vs Sony A6500

So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X-E3 and the Sony A6500? The listing below highlights the relative strengths of the two models.

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Arguments in favor of the Fujifilm X-E3:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • Less heavy: Is lighter (by 116g or 26 percent) and hence easier to carry around.
  • More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).
  • More modern: Is somewhat more recent (announced 11 months after the A6500).

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Reasons to prefer the Sony Alpha A6500:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • More heavily discounted: Has been on the market for longer (launched in October 2016).

If the count of relative strengths (bullet points above) is taken as a measure, the A6500 emerges as the winner of the match-up (7 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

X-E3 05:07 A6500

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the X-E3 and the A6500 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Fujifilm X-E3»Rec84/1004.5/54.5/54.5/5 Sep 2017 899 i i Fujifilm X-E3
Sony A6500«HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Canon M6« »-80/1004/54.5/54/5 Feb 2017 779 i i Canon M6
Fujifilm X-A5« »--4/54/53.5/5 Jan 2018 399 i i Fujifilm X-A5
Fujifilm X-T20« »HiRec82/1005/5-4.5/5 Jan 2017 899 i i Fujifilm X-T20
Fujifilm X70« »-76/1004.5/54/54.5/5 Jan 2016 799- i Fujifilm X70
Fujifilm X-A3« »-74/1004.5/5-4/5 Aug 2016 399 i i Fujifilm X-A3
Fujifilm X-E2S« »-77/1004.5/5-4.5/5 Jan 2016 699- i Fujifilm X-E2S
Fujifilm X-A10« »--4/5-4/5 Dec 2016 399 i i Fujifilm X-A10
Fujifilm X-T10« »HiRec80/1005/54/55/5 May 2015 799- i Fujifilm X-T10
Fujifilm X-E2« »-80/1004.5/5-5/5 Oct 2013 999- i Fujifilm X-E2
Olympus PEN-F« »-82/1004.5/54.5/55/5 Jan 2016 1,199 i i Olympus PEN-F
Panasonic GX8« »Rec82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
Sony A9« »HiRec89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
Sony A6300« »Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Sony RX100 V« »HiRec83/1004/55/54.5/5 Oct 2016 999 i i Sony RX100 V
Sony A7« »HiRec80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, kindly get in touch, and I will try to locate and add the respective data to the application.

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