Fujifilm X70 vs Sony A6500
The Fujifilm X70 and the Sony Alpha A6500 are two digital cameras that were revealed to the public, respectively, in January 2016 and October 2016. The X70 is a fixed lens compact, while the A6500 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X70 and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X70 and the Sony A6500 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X70 can be obtained in two different colors (black, silver), while the A6500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably larger (11 percent) than the Fujifilm X70. It is noteworthy in this context that the A6500 is splash and dust-proof, while the X70 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X70 has a lens built in, whereas the A6500 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6500 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the X70 gets 330 shots out of its NP-95 battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm X70||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799|
|2.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|3.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|4.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|5.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499|
|6.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|7.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|8.||Fujifilm X-A10||117 mm||67 mm||40 mm||331 g||410||n||Dec 2016||399|
|9.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|10.||Fujifilm X-A2||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399|
|11.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|12.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|13.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|14.||Ricoh GR II||117 mm||63 mm||35 mm||251 g||320||n||Jun 2015||699|
|15.||Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399|
|16.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|17.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X70 was launched at a lower price than the A6500, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A6500 offers a higher resolution of 24 megapixels, compared with 16 MP of the X70. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 4.80μm for the X70). However, it should be noted that the A6500 is a somewhat more recent model (by 8 months) than the X70, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the X70 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Fujifilm X70 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The Fujifilm X70 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|3.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|4.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|12.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|13.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|14.||Ricoh GR II||APS-C||16.1||4928||3264||1080/30p||23.6||13.7||1078||80|
|17.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6500 provides a better video resolution than the X70. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6500 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X70 relies on live view and the rear LCD for framing. That said, the X70 can be equipped with an optional viewfinder – the VF-X21. The adjacent table lists some of the other core features of the Fujifilm X70 and Sony A6500 along with similar information for a selection of comparators.
|1.||Fujifilm X70||optional||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|2.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
|3.||Canon G7 X Mark II||none||n||3.0 / 1040||tilting||Y||1/2000s||8.0||Y||Y|
|4.||Canon G5 X||2360||n||3.0 / 1040||swivel||Y||1/2000s||5.9||Y||Y|
|5.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0||Y||n|
|6.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0||n||n|
|7.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|8.||Fujifilm X-A10||none||n||3.0 / 1040||tilting||n||1/4000s||6.0||Y||n|
|9.||Fujifilm X-E2S||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0||Y||n|
|10.||Fujifilm X-A2||none||n||3.0 / 920||tilting||n||1/4000s||5.6||Y||n|
|11.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0||Y||n|
|12.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|13.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|14.||Ricoh GR II||optional||n||3.0 / 1230||fixed||n||1/4000s||4.0||Y||n|
|15.||Sony A6600||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||n||Y|
|16.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|17.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||n|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X70 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X70 writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X70 and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X70||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Canon G7 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G5 X||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|5.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|7.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|8.||Fujifilm X-A10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Fujifilm X-E2S||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|10.||Fujifilm X-A2||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|11.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|14.||Ricoh GR II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony A6600||Y||stereo / mono||Y||Y||YES||2.0||Y||Y||Y|
|16.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|17.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
Both the X70 and the A6500 have been discontinued, but can regularly be found used on eBay. The X70 was replaced by the Fujifilm XF10, while the A6500 was followed by the Sony A6600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
So what is the bottom line? Which of the two cameras – the Fujifilm X70 or the Sony A6500 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm X70:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the A6500 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A6500).
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in January 2016).
Arguments in favor of the Sony Alpha A6500:
- More detail: Has more megapixels (24 vs 16MP), which boosts linear resolution by 23%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Was introduced somewhat (8 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the A6500 emerges as the winner of the match-up (10 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X70 and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X70 or the A6500. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X70||4.5/5||..||..||76/100||4.5/5||4.5/5||Jan 2016||799|
|2.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|3.||Canon G7 X Mark II||4.5/5||+ +||..||81/100||4.5/5||4.5/5||Feb 2016||699|
|4.||Canon G5 X||5/5||+ +||..||78/100||4.5/5||4.5/5||Oct 2015||799|
|5.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499|
|6.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899|
|7.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|8.||Fujifilm X-A10||..||..||..||..||4/5||4/5||Dec 2016||399|
|9.||Fujifilm X-E2S||4.5/5||..||..||77/100||4.5/5||4.5/5||Jan 2016||699|
|10.||Fujifilm X-A2||4/5||..||..||..||4.5/5||4.5/5||Jan 2015||399|
|11.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799|
|12.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199|
|13.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|14.||Ricoh GR II||..||..||..||..||4.5/5||4.5/5||Jun 2015||699|
|15.||Sony A6600||4/5||+||4/5||83/100||4.5/5||4/5||Aug 2019||1,399|
|16.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|17.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon M200 vs Sony A6500
- Canon M50 vs Fujifilm X70
- Canon T100 vs Sony A6500
- Fujifilm X70 vs Leica D-LUX 5
- Fujifilm X70 vs Leica TL
- Fujifilm X70 vs Nikon P950
- Fujifilm X70 vs Nikon Z6
- Fujifilm X70 vs Panasonic ZS80
- Leica CL vs Sony A6500
- Panasonic FZ1000 II vs Sony A6500
- Sony A6100 vs Sony A6500
- Sony A6500 vs Sony RX100 II
Specifications: Fujifilm X70 vs Sony A6500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X70||Sony A6500|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28mm f/2.8-16||Sony E mount lenses|
|Launch Date||January 2016||October 2016|
|Launch Price||USD 799||USD 1,399|
|Sensor Specs||Fujifilm X70||Sony A6500|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.6 x 15.6 mm||23.5 x 15.6 mm|
|Sensor Area||368.16 mm2||366.6 mm2|
|Sensor Diagonal||28.3 mm||28.2 mm|
|Sensor Resolution||16 Megapixels||24 Megapixels|
|Image Resolution||4896 x 3264 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.80 μm||3.91 μm|
|Pixel Density||4.34 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||100 - 51,200 ISO|
|Image Processor||EXR Processor II||BIONZ X|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||24.5|
|DXO Dynamic Range (EV)||..||13.7|
|DXO Low Light (ISO)||..||1405|
|Screen Specs||Fujifilm X70||Sony A6500|
|Viewfinder Type||Viewfinder optional||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||922k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Fujifilm X70||Sony A6500|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||8 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||no shake reduction||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X70||Sony A6500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Fujifilm X70||Sony A6500|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||330 shots per charge||350 shots per charge|
|In-Camera Charging||USB charging||USB charging|
113 x 64 x 44 mm
(4.4 x 2.5 x 1.7 in)
120 x 67 x 53 mm
(4.7 x 2.6 x 2.1 in)
|Camera Weight||340 g (12.0 oz)||453 g (16.0 oz)|
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