Fujifilm X-E2S vs Sony A6500
The Fujifilm X-E2S and the Sony Alpha A6500 are two digital cameras that were announced, respectively, in January 2016 and October 2016. Both the X-E2S and the A6500 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-E2S||Sony A6500|
|Mirrorless system camera||Mirrorless system camera|
|Fujifilm X mount lenses||Sony E mount lenses|
|16 MP, APS-C Sensor||24 MP, APS-C Sensor|
|1080/60p Video||4K/30p Video|
|ISO 200-6400 (100-51200)||ISO 100-25600 (100-51200)|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (2359k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 922k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|7 shutter flaps per second||11 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|350 shots per battery charge||350 shots per battery charge|
|129 x 75 x 37 mm, 350 g||120 x 67 x 53 mm, 453 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E2S and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-E2S and the Sony A6500. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-E2S can be obtained in two different colors (black, silver), while the A6500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably smaller (17 percent) than the Fujifilm X-E2S. However, the A6500 is markedly heavier (29 percent) than the X-E2S. It is noteworthy in this context that the A6500 is splash and dust-proof, while the X-E2S does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-E2S) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The power pack in the A6500 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm X-E2S»||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||Fujifilm X-E2S|
|Sony A6500«||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||Sony A6500|
|Fujifilm X-E3« »||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X-T20« »||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X70« »||4.4 in||2.5 in||1.7 in||12.0 oz||330||n||Jan 2016||799||Fujifilm X70|
|Fujifilm X-A10« »||4.6 in||2.6 in||1.6 in||11.7 oz||410||n||Dec 2016||399||Fujifilm X-A10|
|Fujifilm X-A2« »||4.6 in||2.6 in||1.6 in||12.3 oz||410||n||Jan 2015||399||Fujifilm X-A2|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||Fujifilm X-T10|
|Fujifilm X-A1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Sep 2013||399||Fujifilm X-A1|
|Fujifilm X-E2« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||Fujifilm X-E2|
|Fujifilm X-M1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699||Fujifilm X-M1|
|Fujifilm X-E1« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Sep 2012||999||Fujifilm X-E1|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||Panasonic GX8|
|Sony A6600« »||4.7 in||2.6 in||2.7 in||17.7 oz||810||Y||Aug 2019||1,399||Sony A6600|
|Sony A6300« »||4.7 in||2.6 in||1.9 in||14.3 oz||400||Y||Feb 2016||999||Sony A6300|
|Sony A77« »||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||Sony A77|
|Sony NEX-7« »||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||Sony NEX-7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-E2S was launched at a markedly lower price (by 50 percent) than the A6500, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A6500 offers a higher resolution of 24 megapixels, compared with 16 MP of the X-E2S. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 4.80μm for the X-E2S). However, it should be noted that the A6500 is a somewhat more recent model (by 8 months) than the X-E2S, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the X-E2S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Fujifilm X-E2S are 24.5 x 16.3 inch or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inch or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inch or 41.5 x 27.6 cm for excellent quality prints.
The Fujifilm X-E2S has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm X-E2S||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-E2S|
|Sony A6500||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Fujifilm X-E3||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-E3|
|Fujifilm X-T20||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-T20|
|Fujifilm X70||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X70|
|Fujifilm X-A10||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-A10|
|Fujifilm X-A2||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-A2|
|Fujifilm X-T10||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-T10|
|Fujifilm X-A1||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-A1|
|Fujifilm X-E2||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-E2|
|Fujifilm X-M1||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-M1|
|Fujifilm X-E1||APS-C||16.0||4896||3264||1080/24p||..||..||..||..||Fujifilm X-E1|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Sony A6600||APS-C||24.0||6000||4000||4K/30p||23.8||13.4||1497||82||Sony A6600|
|Sony A6300||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony A77||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
|Sony NEX-7||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6500 provides a better video resolution than the X-E2S. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-E2S offers a slightly higher resolution than the one in the A6500 (2360k vs 2359k dots). The table below summarizes some of the other core capabilities of the Fujifilm X-E2S and Sony A6500 in connection with corresponding information for a sample of similar cameras.
|Fujifilm X-E2S||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2S|
|Sony A6500||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Fujifilm X-E3||2360||n||3.0||1040||fixed||Y||1/4000s||8.0||n||n||Fujifilm X-E3|
|Fujifilm X-T20||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T20|
|Fujifilm X70||optional||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X70|
|Fujifilm X-A10||none||n||3.0||1040||tilting||n||1/4000s||6.0||Y||n||Fujifilm X-A10|
|Fujifilm X-A2||none||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A2|
|Fujifilm X-T10||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Fujifilm X-A1||none||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A1|
|Fujifilm X-E2||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2|
|Fujifilm X-M1||none||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-M1|
|Fujifilm X-E1||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X-E1|
|Panasonic GX8||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Sony A6600||2359||n||3.0||922||tilting||Y||1/4000s||11.0||n||Y||Sony A6600|
|Sony A6300||2359||n||3.0||922||tilting||n||1/4000s||11.0||Y||n||Sony A6300|
|Sony A77||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
|Sony NEX-7||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The A6500 has a touchscreen, while the X-E2S has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-E2S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-E2S writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E2S and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-E2S||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2S|
|Sony A6500||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Fujifilm X-E3||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-E3|
|Fujifilm X-T20||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T20|
|Fujifilm X70||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X70|
|Fujifilm X-A10||-||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A10|
|Fujifilm X-A2||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A2|
|Fujifilm X-T10||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Fujifilm X-A1||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A1|
|Fujifilm X-E2||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2|
|Fujifilm X-M1||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-M1|
|Fujifilm X-E1||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Fujifilm X-E1|
|Panasonic GX8||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Sony A6600||Y||stereo||mono||Y||Y||YES||2.0||Y||Y||Y||Sony A6600|
|Sony A6300||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony A77||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
|Sony NEX-7||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
Both the X-E2S and the A6500 have been discontinued, but can regularly be found used on eBay. The X-E2S was replaced by the Fujifilm X-E3, while the A6500 was followed by the Sony A6600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
So what is the bottom line? Is there a clear favorite between the Fujifilm X-E2S and the Sony A6500? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Fujifilm X-E2S:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Less heavy: Is lighter (by 103g or 23 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2016).
Reasons to prefer the Sony Alpha A6500:
- More detail: Has more megapixels (24 vs 16MP), which boosts linear resolution by 23%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.41x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (11 vs 7 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 129x75mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Was introduced somewhat (8 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the A6500 is the clear winner of the contest (12 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E2S and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X-E2S or the A6500 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D vs Fujifilm X-E2S
- Canon G5 X vs Fujifilm X-E2S
- Canon T100 vs Sony A6500
- Canon T7i vs Fujifilm X-E2S
- Fujifilm X-E2S vs Nikon D1X
- Fujifilm X-E2S vs Nikon D300
- Fujifilm X-E2S vs Nikon D5500
- Fujifilm X-E2S vs Panasonic LX15
- Leica C-LUX vs Sony A6500
- Leica T vs Sony A6500
- Olympus E-P2 vs Sony A6500
- Pentax Q vs Sony A6500
Specifications: Fujifilm X-E2S vs Sony A6500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-E2S||Sony A6500|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Sony E mount lenses|
|Launch Date||January 2016||October 2016|
|Launch Price||USD 699||USD 1399|
|Sensor Specs||Fujifilm X-E2S||Sony A6500|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.6 x 15.6 mm||23.5 x 15.6 mm|
|Sensor Area||368.16 mm2||366.6 mm2|
|Sensor Diagonal||28.3 mm||28.2 mm|
|Sensor Resolution||16 Megapixels||24 Megapixels|
|Image Resolution||4896 x 3264 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.80 μm||3.91 μm|
|Pixel Density||4.34 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||200-6400 ISO||100-25600 ISO|
|ISO Boost||100-51200 ISO||100-51200 ISO|
|Image Processor||EXR Processor II||BIONZ X|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||24.5|
|DXO Dynamic Range (EV)||..||13.7|
|DXO Low Light (ISO)||..||1405|
|Screen Specs||Fujifilm X-E2S||Sony A6500|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X-E2S||Sony A6500|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||7 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-E2S||Sony A6500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Fujifilm X-E2S||Sony A6500|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 75 x 37 mm
(5.1 x 3.0 x 1.5 in)
120 x 67 x 53 mm
(4.7 x 2.6 x 2.1 in)
|Camera Weight||350 g (12.3 oz)||453 g (16.0 oz)|
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