Fujifilm X-E2S vs Pentax K-3
The Fujifilm X-E2S and the Pentax K-3 are two digital cameras that were revealed to the public, respectively, in January 2016 and October 2013. The X-E2S is a mirrorless interchangeable lens camera, while the K-3 is a DSLR. Both cameras are equipped with an APS-C sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Pentax provides 24.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-E2S and the Pentax K-3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-E2S and the Pentax K-3. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-3 is notably larger (35 percent) than the Fujifilm X-E2S. Moreover, the K-3 is substantially heavier (129 percent) than the X-E2S. It is noteworthy in this context that the K-3 is splash and dust-proof, while the X-E2S does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699||ebay.com|
|2.||Pentax K-3||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299||ebay.com|
|3.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199||ebay.com|
|4.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899||ebay.com|
|5.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899||ebay.com|
|6.||Fujifilm X70||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799||ebay.com|
|7.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399||ebay.com|
|8.||Fujifilm X-A10||117 mm||67 mm||40 mm||331 g||410||n||Dec 2016||399||ebay.com|
|9.||Fujifilm X-A2||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399||ebay.com|
|10.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799||ebay.com|
|11.||Fujifilm X-E2||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999||ebay.com|
|12.||Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699||ebay.com|
|13.||Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649||ebay.com|
|14.||Pentax KP||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099||ebay.com|
|15.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099||ebay.com|
|16.||Pentax K-5 II||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2012||1,099||ebay.com|
|17.||Pentax K-5||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-E2S was launched at a markedly lower price (by 46 percent) than the K-3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the K-3 offers a higher resolution of 24.1 megapixels, compared with 16 MP of the X-E2S. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.90μm versus 4.80μm for the X-E2S). Moreover, it should be noted that the X-E2S is much more recent (by 2 years and 3 months) than the K-3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Pentax K-3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-3 for good quality output (200 dots per inch) amounts to 30.1 x 20 inches or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inches or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inches or 50.9 x 33.9 cm. The corresponding values for the Fujifilm X-E2S are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The X-E2S has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-E2S has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-51200. The corresponding ISO settings for the Pentax K-3 are ISO 100 to ISO 51200 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. The X-E2S uses Fujifilm's X-Trans layout of photosites, while the K-3 employs the more common Bayer array.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|13.||Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.4||904||71|
|15.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|16.||Pentax K-5 II||APS-C||16.1||4928||3264||1080/25p||23.8||14.1||1235||82|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the X-E2S provides a higher frame rate than the K-3. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-E2S has an electronic viewfinder (2360k dots), while the K-3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the K-3 has a higher magnification than the one of the X-E2S (0.63x vs 0.41x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Fujifilm X-E2S, the Pentax K-3, and comparable cameras.
|1.||Fujifilm X-E2S||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|2.||Pentax K-3||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3/s||Y||Y|
|3.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|4.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0/s||n||n|
|5.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|6.||Fujifilm X70||optional||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|7.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|8.||Fujifilm X-A10||none||n||3.0 / 1040||tilting||n||1/4000s||6.0/s||Y||n|
|9.||Fujifilm X-A2||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|10.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0/s||Y||n|
|11.||Fujifilm X-E2||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|12.||Fujifilm X-M1||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|13.||Panasonic G7||2360||n||3.0 / 1040||swivel||Y||1/4000s||7.0/s||Y||n|
|14.||Pentax KP||optical||n||3.0 / 921||tilting||n||1/6000s||7.0/s||Y||Y|
|15.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3/s||n||Y|
|16.||Pentax K-5 II||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0/s||Y||Y|
|17.||Pentax K-5||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the K-3 and the X-E2S is in-body image stabilization (IBIS). The K-3 reduces the risk of handshake-induced blur with all attached lenses, while the X-E2S offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-E2S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-E2S and the Pentax K-3 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-E2S and the K-3 write their files to SDXC cards. The K-3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-E2S only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-E2S and Pentax K-3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-E2S||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Pentax K-3||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|3.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|4.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|6.||Fujifilm X70||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Fujifilm X-A10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Fujifilm X-A2||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|10.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Fujifilm X-E2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Fujifilm X-M1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|13.||Panasonic G7||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Pentax KP||Y||stereo / mono||Y||-||-||2.0||Y||-||-|
|15.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|16.||Pentax K-5 II||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Pentax K-5||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the X-E2S offers wifi support, while the K-3 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Pentax K-3 (unlike the X-E2S) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-E2S and the K-3 have been discontinued, but can regularly be found used on ebay. The K-3 was replaced by the Pentax K-3 II, while the X-E2S was followed by the Fujifilm X-E3. Further information on the features and operation of the X-E2S and K-3 can be found, respectively, in the Fujifilm X-E2S Manual (free pdf) or the online Pentax K-3 Manual.
So what is the bottom line? Is there a clear favorite between the Fujifilm X-E2S and the Pentax K-3? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm X-E2S:
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (129x75mm vs 131x100mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 450g or 56 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (46 percent cheaper at launch).
- More modern: Reflects 2 years and 3 months of technical progress since the K-3 launch.
Reasons to prefer the Pentax K-3:
- More detail: Has more megapixels (24.1 vs 16MP), which boosts linear resolution by 23%.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.41x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8.3 vs 7 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (560 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in October 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the K-3 is the clear winner of the contest (15 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-E2S and the Pentax K-3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the X-E2S or the K-3 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-E2S||4.5/5||..||..||77/100||4.5/5||4.5/5||Jan 2016||699||ebay.com|
|2.||Pentax K-3||4/5||..||..||83/100||5/5||5/5||Oct 2013||1,299||ebay.com|
|3.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199||ebay.com|
|4.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899||ebay.com|
|5.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899||ebay.com|
|6.||Fujifilm X70||4.5/5||..||..||76/100||4.5/5||4.5/5||Jan 2016||799||ebay.com|
|7.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399||ebay.com|
|8.||Fujifilm X-A10||..||..||..||..||4/5||4/5||Dec 2016||399||ebay.com|
|9.||Fujifilm X-A2||4/5||..||..||..||4.5/5||4.5/5||Jan 2015||399||ebay.com|
|10.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799||ebay.com|
|11.||Fujifilm X-E2||4/5||..||..||80/100||4.5/5||5/5||Oct 2013||999||ebay.com|
|12.||Fujifilm X-M1||3/5||+||..||77/100||4.5/5||4.5/5||Jun 2013||699||ebay.com|
|13.||Panasonic G7||4/5||+ +||..||80/100||5/5||4.5/5||May 2015||649||ebay.com|
|14.||Pentax KP||4/5||..||3/5||82/100||5/5||4.5/5||Jan 2017||1,099||ebay.com|
|15.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099||ebay.com|
|16.||Pentax K-5 II||5/5||..||..||80/100||5/5||4.5/5||Sep 2012||1,099||ebay.com|
|17.||Pentax K-5||4/5||..||..||83/100||5/5||4.5/5||Sep 2010||1,099||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon D30 vs Pentax K-3
- Canon T2i vs Pentax K-3
- Fujifilm X-E2S vs Fujifilm X-T20
- Fujifilm X-E2S vs Nikon B600
- Fujifilm X-E2S vs Olympus E-M10
- Fujifilm X-E2S vs Olympus E-M5 III
- Fujifilm X-E2S vs Panasonic GF2
- Fujifilm X-E2S vs Sony A7 II
- Fujifilm X-E3 vs Pentax K-3
- Fujifilm X100S vs Pentax K-3
- Leica D-LUX 7 vs Pentax K-3
- Pentax K-3 vs Sony A99
Specifications: Fujifilm X-E2S vs Pentax K-3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-E2S||Pentax K-3|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Pentax K mount lenses|
|Launch Date||January 2016||October 2013|
|Launch Price||USD 699||USD 1,299|
|Sensor Specs||Fujifilm X-E2S||Pentax K-3|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.6 x 15.6 mm||23.5 x 15.6 mm|
|Sensor Area||368.16 mm2||366.6 mm2|
|Sensor Diagonal||28.3 mm||28.2 mm|
|Sensor Resolution||16 Megapixels||24.1 Megapixels|
|Image Resolution||4896 x 3264 pixels||6016 x 4000 pixels|
|Pixel Pitch||4.80 μm||3.90 μm|
|Pixel Density||4.34 MP/cm2||6.56 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||200 - 6,400 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Image Processor||EXR Processor II||PRIME III|
|DXO Sensor Quality (score)||..||80|
|DXO Color Depth (bits)||..||23.7|
|DXO Dynamic Range (EV)||..||13.4|
|DXO Low Light (ISO)||..||1216|
|Screen Specs||Fujifilm X-E2S||Pentax K-3|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Fujifilm X-E2S||Pentax K-3|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||7 shutter flaps/s||8.3 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-E2S||Pentax K-3|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-E2S||Pentax K-3|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||560 shots per charge|
129 x 75 x 37 mm
(5.1 x 3.0 x 1.5 in)
131 x 100 x 77 mm
(5.2 x 3.9 x 3.0 in)
|Camera Weight||350 g (12.3 oz)||800 g (28.2 oz)|
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