Fujifilm GFX 50S II vs X-T10

The Fujifilm GFX 50S II and the Fujifilm X-T10 are two digital cameras that were announced, respectively, in September 2021 and May 2015. Both the GFX 50S II and the X-T10 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50S II) and an APS-C (X-T10) sensor. The GFX 50S II has a resolution of 51.1 megapixels, whereas the X-T10 provides 16 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 50S II		Fujifilm X-T10
Mirrorless system camera		Mirrorless system camera
Fujifilm G mount lenses		Fujifilm X mount lenses
51.1 MP – Medium Format sensor		16 MP – APS-C sensor
1080/30p Video		1080/60p Video
ISO 100-12,800 (50 - 102,400)		ISO 200-6,400 (100 - 51,200)
Electronic viewfinder (3690k dots)		Electronic viewfinder (2360k dots)
3.2" LCD – 2360k dots		3.0" LCD – 920k dots
Fully flexible touchscreen		Tilting screen (no touchscreen)
3 shutter flaps per second		8 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
440 shots per battery charge		350 shots per battery charge
150 x 104 x 87 mm, 900 g		118 x 83 x 41 mm, 381 g

Check GFX 50S II price at
amazon.com
Check X-T10 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S II and the Fujifilm X-T10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S II and the Fujifilm X-T10. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

The X-T10 can be obtained in two different colors (black, silver), while the GFX 50S II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T10 is considerably smaller (37 percent) than the Fujifilm GFX 50S II. Moreover, the X-T10 is substantially lighter (58 percent) than the GFX 50S II. It is worth mentioning in this context that the GFX 50S II is splash and dust resistant, while the X-T10 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50S II gets 440 shots out of its Fujifilm NP-W235 battery, while the X-T10 can take 350 images on a single charge of its Fujifilm NP-W126 power pack. The power pack in the GFX 50S II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
2.		Fujifilm X-T10	118 mm	83 mm	41 mm	381 g	350	n	May 2015	US$ 799	ebay.com
3.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	US$ 3 899	amazon.com
4.		Canon R5 C	142 mm	101 mm	111 mm	770 g	320	Y	Jan 2022	US$ 4 499	amazon.com
5.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
6.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
7.		Fujifilm GFX 100	156 mm	144 mm	75 mm	1320 g	800	Y	May 2019	US$ 9 999	ebay.com
8.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	US$ 7 499	amazon.com
9.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
10.		Fujifilm X-E2	129 mm	75 mm	37 mm	350 g	350	n	Oct 2013	US$ 999	ebay.com
11.		Fujifilm X-E2S	129 mm	75 mm	37 mm	350 g	350	n	Jan 2016	US$ 699	ebay.com
12.		Fujifilm X-M1	117 mm	67 mm	39 mm	330 g	350	n	Jun 2013	US$ 699	ebay.com
13.		Fujifilm X-T20	118 mm	83 mm	41 mm	383 g	350	n	Jan 2017	US$ 899	ebay.com
14.		Fujifilm X70	113 mm	64 mm	44 mm	340 g	330	n	Jan 2016	US$ 799	ebay.com
15.		Hasselblad X2D 100C	149 mm	106 mm	75 mm	895 g	420	Y	Sep 2022	US$ 8 199	amazon.com
16.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	US$ 3 699	amazon.com
17.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	US$ 6 499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-T10 was launched at a markedly lower price (by 80 percent) than the GFX 50S II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S II features a medium format sensor and the Fujifilm X-T10 an APS-C sensor. The sensor area in the X-T10 is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50S II has a native 4:3 aspect ratio, while the one in the X-T10 offers a 3:2 aspect.

With 51.1MP, the GFX 50S II offers a higher resolution than the X-T10 (16MP), but the GFX 50S II nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.80μm for the X-T10) due to its larger sensor. Moreover, the GFX 50S II is a much more recent model (by 6 years and 3 months) than the X-T10, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm GFX 50S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S II for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Fujifilm X-T10 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.

The X-T10 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the X-T10, the GFX 50S II has the capacity to capture high quality composite images (205MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 50S II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm X-T10 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the GFX 50S II uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-T10 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
2.		Fujifilm X-T10	APS-C	16.0	4896	3264	1080/60p	23.7	12.9	1546	79
3.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
4.		Canon R5 C	Full Frame	44.8	8192	5464	8k/60p	25.4	14.5	3082	96
5.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
6.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
7.		Fujifilm GFX 100	Medium Format	101.8	11648	8736	4K/30p	25.7	14.5	3227	99
8.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
9.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
10.		Fujifilm X-E2	APS-C	16.0	4896	3264	1080/60p	23.4	12.6	1400	77
11.		Fujifilm X-E2S	APS-C	16.0	4896	3264	1080/60p	23.7	13.0	1608	80
12.		Fujifilm X-M1	APS-C	16.0	4896	3264	1080/30p	23.4	12.6	1371	76
13.		Fujifilm X-T20	APS-C	24.0	6000	4000	4K/30p	23.9	13.2	1704	81
14.		Fujifilm X70	APS-C	16.0	4896	3264	1080/60p	23.7	13.0	1608	80
15.		Hasselblad X2D 100C	Medium Format	102.1	11656	8762	none	25.9	14.9	3550	101
16.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
17.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-T10 provides a faster frame rate than the GFX 50S II. It can shoot movie footage at 1080/60p, while the GFX 50S II is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the GFX 50S II offers a substantially higher resolution than the one in the X-T10 (3690k vs 2360k dots). The table below summarizes some of the other core capabilities of the Fujifilm GFX 50S II and Fujifilm X-T10 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
2.		Fujifilm X-T10	2360	n	3.0 / 920	tilting	n	1/4000s	8.0/s	Y	n
3.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
4.		Canon R5 C	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	n
5.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
6.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
7.		Fujifilm GFX 100	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
8.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
9.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
10.		Fujifilm X-E2	2360	n	3.0 / 1040	fixed	n	1/4000s	7.0/s	Y	n
11.		Fujifilm X-E2S	2360	n	3.0 / 1040	fixed	n	1/4000s	7.0/s	Y	n
12.		Fujifilm X-M1	none	n	3.0 / 920	tilting	n	1/4000s	5.6/s	Y	n
13.		Fujifilm X-T20	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
14.		Fujifilm X70	optional	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	n
15.		Hasselblad X2D 100C	5760	Y	3.6 / 2360	tilting	Y	1/4000s	3.3/s	n	Y
16.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
17.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the GFX 50S II, but is missing on the X-T10 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S II and the Fujifilm X-T10 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the GFX 50S II and the X-T10 write their files to SDXC cards. The GFX 50S II features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-T10 only has one slot. The GFX 50S II supports UHS-II cards (on both slots), while the X-T10 can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S II and Fujifilm X-T10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
2.		Fujifilm X-T10	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
3.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon R5 C	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
5.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
6.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
7.		Fujifilm GFX 100	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
8.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
9.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
10.		Fujifilm X-E2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
11.		Fujifilm X-E2S	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
12.		Fujifilm X-M1	Y	stereo / mono	-	-	mini	2.0	Y	-	-
13.		Fujifilm X-T20	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
14.		Fujifilm X70	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
15.		Hasselblad X2D 100C	Y	stereo / mono	-	-	-	3.2	Y	-	-
16.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
17.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the GFX 50S II has a headphone jack, which is not present on the X-T10 This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Studio photographers will appreciate that the Fujifilm GFX 50S II (unlike the X-T10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 50S II is a recent model that features in the current product line-up of Fujifilm. In contrast, the X-T10 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the X-T10 was succeeded by the Fujifilm X-T20. Further information on the features and operation of the GFX 50S II and X-T10 can be found, respectively, in the Fujifilm GFX 50S II Manual (free pdf) or the online Fujifilm X-T10 Manual.

Review summary

So how do things add up? Is the Fujifilm GFX 50S II better than the Fujifilm X-T10 or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Fujifilm GFX 50S II:

• More detail: Offers more megapixels (51.1 vs 16MP) with a 75% higher linear resolution.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.41x).
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 920k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Longer lasting: Can take more shots (440 versus 350) on a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 6 years and 3 months of technical progress since the X-T10 launch.

Reasons to prefer the Fujifilm X-T10:

• Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (118x83mm vs 150x104mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 519g or 58 percent) and is thus easier to take along.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in May 2015).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S II is the clear winner of the match-up (24 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 50S II and the Fujifilm X-T10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GFX 50S II and the X-T10 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
2.		Fujifilm X-T10	4.5/5	+ +	..	80/100	5/5	5/5	May 2015	US$ 799	ebay.com
3.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	US$ 3 899	amazon.com
4.		Canon R5 C	..	+ +	..	..	..	..	Jan 2022	US$ 4 499	amazon.com
5.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
6.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
7.		Fujifilm GFX 100	4.5/5	+ +	4.8/5	90/100	5/5	4.5/5	May 2019	US$ 9 999	ebay.com
8.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	US$ 7 499	amazon.com
9.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
10.		Fujifilm X-E2	4/5	..	..	80/100	4.5/5	5/5	Oct 2013	US$ 999	ebay.com
11.		Fujifilm X-E2S	4.5/5	..	..	77/100	4.5/5	4.5/5	Jan 2016	US$ 699	ebay.com
12.		Fujifilm X-M1	3/5	+	..	77/100	4.5/5	4.5/5	Jun 2013	US$ 699	ebay.com
13.		Fujifilm X-T20	5/5	+ +	5/5	82/100	5/5	4.5/5	Jan 2017	US$ 899	ebay.com
14.		Fujifilm X70	4.5/5	..	..	76/100	4.5/5	4.5/5	Jan 2016	US$ 799	ebay.com
15.		Hasselblad X2D 100C	4/5	..	5/5	..	..	..	Sep 2022	US$ 8 199	amazon.com
16.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	US$ 3 699	amazon.com
17.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	US$ 6 499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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