Fujifilm GFX 50S II vs Leica M11
The Fujifilm GFX 50S II and the Leica M11 (Typ 2416) are two digital cameras that were revealed to the public, respectively, in September 2021 and January 2022. The GFX 50S II is a mirrorless interchangeable lens camera, while the M11 is a rangefinder-focusing mirrorless. The cameras are based on a medium format (GFX 50S II) and a full frame (M11) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Leica provides 60.3 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S II and the Leica M11 (Typ 2416)? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Fujifilm GFX 50S II and the Leica M11. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The M11 can be obtained in two different colors (black, silver), while the GFX 50S II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica M11 is notably smaller (29 percent) than the Fujifilm GFX 50S II. Moreover, the M11 is markedly lighter (29 percent) than the GFX 50S II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the GFX 50S II gets 440 shots out of its Fujifilm NP-W235 battery, while the M11 can take 700 images on a single charge of its Leica BP-SCL7 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50S II | 150 mm | 104 mm | 87 mm | 900 g | 440 | Y | Sep 2021 | 3,999 | amazon.com | |
2. | Leica M11 | 139 mm | 80 mm | 39 mm | 640 g | 700 | Y | Jan 2022 | 8,995 | amazon.com | |
3. | Canon R5 C | 142 mm | 101 mm | 111 mm | 770 g | 320 | Y | Jan 2022 | 4,499 | amazon.com | |
4. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | 3,899 | amazon.com | |
5. | Fujifilm GFX 100 II | 152 mm | 117 mm | 99 mm | 1030 g | 540 | Y | Sep 2023 | 7,499 | amazon.com | |
6. | Fujifilm GFX 100S | 150 mm | 104 mm | 87 mm | 900 g | 460 | Y | Jan 2021 | 5,999 | amazon.com | |
7. | Fujifilm GFX 100 | 156 mm | 144 mm | 75 mm | 1320 g | 800 | Y | May 2019 | 9,999 | ebay.com | |
8. | Fujifilm GFX 50R | 161 mm | 97 mm | 66 mm | 775 g | 400 | Y | Sep 2018 | 4,499 | ebay.com | |
9. | Fujifilm GFX 50S | 148 mm | 94 mm | 91 mm | 740 g | 400 | Y | Sep 2016 | 6,499 | ebay.com | |
10. | Hasselblad X2D 100C | 149 mm | 106 mm | 75 mm | 895 g | 420 | Y | Sep 2022 | 8,199 | amazon.com | |
11. | Leica Q3 | 130 mm | 80 mm | 93 mm | 743 g | 350 | Y | May 2023 | 5,995 | amazon.com | |
12. | Leica M10-R | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jul 2020 | 8,295 | ebay.com | |
13. | Leica M10-P | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Aug 2018 | 7,995 | ebay.com | |
14. | Leica M10 | 139 mm | 80 mm | 39 mm | 660 g | 210 | Y | Jan 2017 | 6,595 | ebay.com | |
15. | Leica M Typ 240 | 139 mm | 80 mm | 42 mm | 680 g | 500 | Y | Sep 2012 | 6,950 | ebay.com | |
16. | Panasonic S1R | 149 mm | 110 mm | 97 mm | 1016 g | 380 | Y | Feb 2019 | 3,699 | amazon.com | |
17. | Sony A1 | 129 mm | 97 mm | 81 mm | 737 g | 530 | Y | Jan 2021 | 6,499 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GFX 50S II was launched at a markedly lower price (by 56 percent) than the M11, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50S II features a medium format sensor and the Leica M11 a full frame sensor. The sensor area in the M11 is 40 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.0. The sensor in the GFX 50S II has a native 4:3 aspect ratio, while the one in the M11 offers a 3:2 aspect.
Despite having a smaller sensor, the M11 offers a higher resolution of 60.3 megapixels, compared with 51.1 MP of the GFX 50S II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.79μm versus 5.33μm for the GFX 50S II). However, it should be noted that the M11 is a somewhat more recent model (by 4 months) than the GFX 50S II, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Leica M11 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M11 for good quality output (200 dots per inch) amounts to 47.6 x 31.6 inches or 121 x 80.4 cm, for very good quality (250 dpi) 38.1 x 25.3 inches or 96.8 x 64.3 cm, and for excellent quality (300 dpi) 31.8 x 21.1 inches or 80.7 x 53.6 cm. The corresponding values for the Fujifilm GFX 50S II are 41.3 x 31 inches or 104.9 x 78.6 cm for good quality, 33 x 24.8 inches or 83.9 x 62.9 cm for very good quality, and 27.5 x 20.6 inches or 69.9 x 52.4 cm for excellent quality prints.
Unlike the M11, the GFX 50S II has the capacity to capture high quality composite images (205MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm GFX 50S II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Leica M11 (Typ 2416) are ISO 64 to ISO 50000 (no boost).
In terms of underlying technology, the GFX 50S II is build around a CMOS sensor, while the M11 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50S II | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.9 | 14.8 | 3456 | 100 | |
2. | Leica M11 | Full Frame | 60.3 | 9528 | 6328 | none | 26.3 | 14.8 | 3376 | 100 | |
3. | Canon R5 C | Full Frame | 44.8 | 8192 | 5464 | 8k/60p | 25.4 | 14.5 | 3082 | 96 | |
4. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
5. | Fujifilm GFX 100 II | Medium Format | 101.8 | 11648 | 8736 | 8K/30p | 25.9 | 15.0 | 3651 | 101 | |
6. | Fujifilm GFX 100S | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.8 | 14.7 | 3391 | 100 | |
7. | Fujifilm GFX 100 | Medium Format | 101.8 | 11648 | 8736 | 4K/30p | 25.7 | 14.5 | 3227 | 99 | |
8. | Fujifilm GFX 50R | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.7 | 14.4 | 3169 | 98 | |
9. | Fujifilm GFX 50S | Medium Format | 51.1 | 8256 | 6192 | 1080/30p | 25.4 | 14.1 | 2977 | 96 | |
10. | Hasselblad X2D 100C | Medium Format | 102.1 | 11656 | 8762 | none | 25.9 | 14.9 | 3550 | 101 | |
11. | Leica Q3 | Full Frame | 60.3 | 9528 | 6328 | 8K/30p | 25.4 | 14.7 | 3216 | 96 | |
12. | Leica M10-R | Full Frame | 40.9 | 7864 | 5200 | none | 25.3 | 14.3 | 2924 | 95 | |
13. | Leica M10-P | Full Frame | 23.8 | 5952 | 3992 | none | 25.1 | 14.1 | 2739 | 93 | |
14. | Leica M10 | Full Frame | 23.8 | 5952 | 3992 | none | 24.4 | 13.2 | 2133 | 86 | |
15. | Leica M Typ 240 | Full Frame | 23.7 | 5952 | 3976 | 1080/25p | 24.0 | 13.3 | 1860 | 84 | |
16. | Panasonic S1R | Full Frame | 46.7 | 8368 | 5584 | 4K/60p | 26.4 | 14.1 | 3525 | 100 | |
17. | Sony A1 | Full Frame | 49.8 | 8640 | 5760 | 8k/30p | 25.9 | 14.5 | 3163 | 98 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The GFX 50S II indeed provides movie recording capabilities, while the M11 does not. The highest resolution format that the GFX 50S II can use is 1080/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GFX 50S II has an electronic viewfinder (3690k dots), while the M11 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GFX 50S II has a higher magnification than the one of the M11 (0.77x vs 0.73x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Fujifilm GFX 50S II and Leica M11 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50S II | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | Y | |
2. | Leica M11 | optical | n | 3.0 / 2333 | fixed | Y | 1/4000s | 4.5/s | n | n | |
3. | Canon R5 C | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | n | |
4. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
5. | Fujifilm GFX 100 II | 9440 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 8.0/s | n | Y | |
6. | Fujifilm GFX 100S | 3690 | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
7. | Fujifilm GFX 100 | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 5.0/s | n | Y | |
8. | Fujifilm GFX 50R | 3690 | n | 3.2 / 2360 | tilting | Y | 1/4000s | 3.0/s | n | n | |
9. | Fujifilm GFX 50S | optional | Y | 3.2 / 2360 | full-flex | Y | 1/4000s | 3.0/s | n | n | |
10. | Hasselblad X2D 100C | 5760 | Y | 3.6 / 2360 | tilting | Y | 1/4000s | 3.3/s | n | Y | |
11. | Leica Q3 | 5760 | n | 3.0 / 1840 | tilting | Y | 1/2000s | 15.0/s | n | Y | |
12. | Leica M10-R | optical | n | 3.0 / 1037 | fixed | Y | 1/4000s | 4.5/s | n | n | |
13. | Leica M10-P | optical | n | 3.0 / 1037 | fixed | Y | 1/4000s | 5.0/s | n | n | |
14. | Leica M10 | optical | n | 3.0 / 1037 | fixed | n | 1/4000s | 5.0/s | n | n | |
15. | Leica M Typ 240 | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | n | n | |
16. | Panasonic S1R | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
17. | Sony A1 | 9437 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the GFX 50S II, but is missing on the M11 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S II and the Leica M11 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 50S II and the M11 write their files to SDXC cards. The GFX 50S II features dual card slots, which can be very useful in case a memory card fails. In contrast, the M11 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S II and Leica M11 (Typ 2416) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50S II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | - | |
2. | Leica M11 | Y | - / - | - | - | - | 3.2 | Y | - | Y | |
3. | Canon R5 C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
4. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
5. | Fujifilm GFX 100 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
6. | Fujifilm GFX 100S | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
7. | Fujifilm GFX 100 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
8. | Fujifilm GFX 50R | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
9. | Fujifilm GFX 50S | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | - | |
10. | Hasselblad X2D 100C | Y | stereo / mono | - | - | - | 3.2 | Y | - | - | |
11. | Leica Q3 | Y | stereo / mono | - | - | micro | 3.1 | Y | - | Y | |
12. | Leica M10-R | Y | - / - | - | - | - | - | Y | - | - | |
13. | Leica M10-P | Y | - / - | - | - | - | - | Y | - | - | |
14. | Leica M10 | Y | - / - | - | - | - | - | Y | - | - | |
15. | Leica M Typ 240 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
16. | Panasonic S1R | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
17. | Sony A1 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y |
Studio photographers will appreciate that the Fujifilm GFX 50S II (unlike the M11) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GFX 50S II and the M11 are recent models that are part of the current product line-up. The GFX 50S II replaced the earlier Fujifilm GFX 50S, while the M11 followed on from the Leica M10. Further information on the features and operation of the GFX 50S II and M11 can be found, respectively, in the Fujifilm GFX 50S II Manual (free pdf) or the online Leica M11 Manual.
Review summary
So what is the bottom line? Is the Fujifilm GFX 50S II better than the Leica M11 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm GFX 50S II:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.73x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in September 2021).
Arguments in favor of the Leica M11 (Typ 2416):
- More detail: Has more megapixels (60.3 vs 51.1MP), which boosts linear resolution by 11%.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster burst: Shoots at higher frequency (4.5 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (139x80mm vs 150x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 260g or 29 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (700 versus 440) out of a single battery charge.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More modern: Was introduced somewhat (4 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S II is the clear winner of the match-up (16 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the GFX 50S II and the M11 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm GFX 50S II | 5/5 | .. | 5/5 | 87/100 | .. | 5/5 | Sep 2021 | 3,999 | amazon.com | |
2. | Leica M11 | 4.5/5 | .. | 4.5/5 | .. | 4.5/5 | 4.5/5 | Jan 2022 | 8,995 | amazon.com | |
3. | Canon R5 C | .. | + + | .. | .. | .. | .. | Jan 2022 | 4,499 | amazon.com | |
4. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | 3,899 | amazon.com | |
5. | Fujifilm GFX 100 II | 5/5 | + | 5/5 | .. | .. | 4.5/5 | Sep 2023 | 7,499 | amazon.com | |
6. | Fujifilm GFX 100S | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jan 2021 | 5,999 | amazon.com | |
7. | Fujifilm GFX 100 | 4.5/5 | + + | 4.8/5 | 90/100 | 5/5 | 4.5/5 | May 2019 | 9,999 | ebay.com | |
8. | Fujifilm GFX 50R | 5/5 | .. | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2018 | 4,499 | ebay.com | |
9. | Fujifilm GFX 50S | .. | .. | 4.5/5 | 85/100 | 5/5 | 4.5/5 | Sep 2016 | 6,499 | ebay.com | |
10. | Hasselblad X2D 100C | 4/5 | .. | 5/5 | .. | .. | .. | Sep 2022 | 8,199 | amazon.com | |
11. | Leica Q3 | 5/5 | .. | 4.5/5 | .. | .. | 4.5/5 | May 2023 | 5,995 | amazon.com | |
12. | Leica M10-R | 4.5/5 | .. | 4/5 | .. | .. | 4/5 | Jul 2020 | 8,295 | ebay.com | |
13. | Leica M10-P | .. | .. | 3/5 | .. | .. | 4/5 | Aug 2018 | 7,995 | ebay.com | |
14. | Leica M10 | 4.5/5 | .. | .. | .. | 4/5 | 4.5/5 | Jan 2017 | 6,595 | ebay.com | |
15. | Leica M Typ 240 | 4/5 | .. | .. | .. | 4/5 | .. | Sep 2012 | 6,950 | ebay.com | |
16. | Panasonic S1R | 4.5/5 | .. | 4.6/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2019 | 3,699 | amazon.com | |
17. | Sony A1 | 5/5 | o | 4.5/5 | 93/100 | 4.5/5 | 5/5 | Jan 2021 | 6,499 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G5 X vs Fujifilm GFX 50S II
- Canon M50 vs Fujifilm GFX 50S II
- Fujifilm GFX 50S II vs Leica Q2
- Fujifilm GFX 50S II vs Leica Q3
- Fujifilm GFX 50S II vs Leica S Typ 007
- Fujifilm GFX 50S vs Fujifilm GFX 50S II
- Leica D-LUX 7 vs Leica M11
- Leica M11 vs Panasonic G9 II
- Leica M11 vs Panasonic G90
- Leica M11 vs Sony A7C II
- Leica M11 vs Sony A7R IV
- Leica M11 vs Sony A7S
Specifications: Fujifilm GFX 50S II vs Leica M11
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm GFX 50S II | Leica M11 |
---|---|---|
Camera Type | Mirrorless system camera | Rangefinder camera |
Camera Lens | Fujifilm G mount lenses | Leica M mount lenses |
Launch Date | September 2021 | January 2022 |
Launch Price | USD 3,999 | USD 8,995 |
Sensor Specs | Fujifilm GFX 50S II | Leica M11 |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | Medium Format Sensor | Full Frame Sensor |
Sensor Size | 44.0 x 33.0 mm | 36.0 x 24.0 mm |
Sensor Area | 1452 mm2 | 864 mm2 |
Sensor Diagonal | 55 mm | 43.3 mm |
Crop Factor | 0.79x | 1.0x |
Sensor Resolution | 51.1 Megapixels | 60.3 Megapixels |
Image Resolution | 8256 x 6192 pixels | 9528 x 6328 pixels |
Pixel Pitch | 5.33 μm | 3.79 μm |
Pixel Density | 3.52 MP/cm2 | 6.98 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 1080/30p Video | no Video |
ISO Setting | 100 - 12,800 ISO | 64 - 50,000 ISO |
ISO Boost | 50 - 102,400 ISO | no Enhancement |
Image Processor | X Processor 4 | Maestro III |
DXO Sensor Quality (score) | .. | 100 |
DXO Color Depth (bits) | .. | 26.3 |
DXO Dynamic Range (EV) | .. | 14.8 |
DXO Low Light (ISO) | .. | 3376 |
Screen Specs | Fujifilm GFX 50S II | Leica M11 |
Viewfinder Type | Electronic viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.77x | 0.73x |
Viewfinder Resolution | 3690k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 2360k dots | 2333k dots |
LCD Attachment | Fully flexible screen | Fixed screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Fujifilm GFX 50S II | Leica M11 |
Focus System | Contrast-detect AF | Manual Focus |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 3 shutter flaps/s | 4.5 shutter flaps/s |
Electronic Shutter | up to 1/16000s | up to 1/16000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | no handshake reduction |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | Dual UHS-II | UHS-II |
Connectivity Specs | Fujifilm GFX 50S II | Leica M11 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.2 | USB 3.2 |
HDMI Port | micro HDMI | no HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Fujifilm GFX 50S II | Leica M11 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Fujifilm NP-W235 | Leica BP-SCL7 |
Battery Life (CIPA) | 440 shots per charge | 700 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
150 x 104 x 87 mm (5.9 x 4.1 x 3.4 in) |
139 x 80 x 39 mm (5.5 x 3.1 x 1.5 in) |
Camera Weight | 900 g (31.7 oz) | 640 g (22.6 oz) |
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