Canon T7i versus Fujifilm X-T20
The Canon EOS Rebel T7i (called Canon 800D in some regions) and the Fujifilm X-T20 are two digital cameras that were revealed to the public, respectively, in February 2017 and January 2017. The T7i is a DSLR, while the X-T20 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel.
An illustration of the physical size and weight of the Canon T7i and the Fujifilm X-T20 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the T7i – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T20 is notably smaller (25 percent) than the Canon T7i. Moreover, the X-T20 is markedly lighter (28 percent) than the T7i. In this context, it is worth noting that neither the T7i nor the X-T20 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (T7i) and the Fujinon X Lens Catalog (X-T20). Mirrorless cameras, such as the X-T20, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon T7i (⇒ rgt)||5.2 in||3.9 in||3.0 in||18.8 oz||600||no||2017||749||latest||check|
|Fujifilm X-T20 (⇒ lft)||4.6 in||3.3 in||1.6 in||13.5 oz||350||no||2017||899||latest||check|
|Canon 77D (⇒ lft | rgt)||5.2 in||3.9 in||3.0 in||19.0 oz||600||no||2017||899||latest||check|
|Canon M100 (⇒ lft | rgt)||4.3 in||2.6 in||1.4 in||10.7 oz||295||no||2017||499||latest||check|
|Canon M6 (⇒ lft | rgt)||4.4 in||2.7 in||1.8 in||13.8 oz||295||no||2017||779||latest||check|
|Canon SL2 (⇒ lft | rgt)||4.8 in||3.7 in||2.8 in||16.0 oz||650||no||2017||549||latest||check|
|Canon 80D (⇒ lft | rgt)||5.5 in||4.1 in||3.1 in||25.8 oz||960||YES||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||4.6 in||3.5 in||2.4 in||15.1 oz||295||no||2016||979||latest||check|
|Canon T6 (⇒ lft | rgt)||5.1 in||4.0 in||3.1 in||17.1 oz||500||no||2016||449||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||4.2 in||2.4 in||1.7 in||11.3 oz||265||no||2016||699||latest||check|
|Canon T6i (⇒ lft | rgt)||5.2 in||4.0 in||3.1 in||19.6 oz||440||no||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||5.2 in||4.0 in||3.1 in||19.9 oz||440||no||2015||849||discont.||check|
|Fujifilm X-E3 (⇒ lft | rgt)||4.8 in||2.9 in||1.7 in||11.9 oz||350||no||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||4.6 in||2.6 in||1.6 in||12.0 oz||410||no||2016||399||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||4.6 in||3.3 in||1.6 in||13.4 oz||350||no||2015||799||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The T7i was launched at a somewhat lower price (by 17 percent) than the X-T20, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the X-T20 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (T7i) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the X-T20 has a larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the X-T20 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.92μm versus 3.72μm for the T7i), which gives it a potential advantage in terms of light gathering capacity. The two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the X-T20 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon T7i (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Fujifilm X-T20 (⇒ lft)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Canon 77D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon M100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon M6 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon SL2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon T6 (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||-||-||-||-|
|Canon G7 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon T6i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon T6s (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-A3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-T10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-T20 provides a better video resolution than the T7i. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-T20 has an electronic viewfinder (2360k dots), while the T7i has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon T7i and Fujifilm X-T20 along with similar information for a selection of comparators. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Canon T7i (⇒ rgt)||optical||no||3.0||1040||swivel||YES||4000||6.0||12||no|
|Fujifilm X-T20 (⇒ lft)||2360||no||3.0||1040||tilting||YES||4000||8.0||5||no|
|Canon 77D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.0||12||no|
|Canon M100 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.1||5||no|
|Canon M6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||9.0||5||no|
|Canon SL2 (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||9.8||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon T6 (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.0||9.2||no|
|Canon G7 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||no|
|Canon T6i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon T6s (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X-A3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||7||no|
|Fujifilm X-T10 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||8.0||5||no|
Both the T7i and the X-T20 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-T20 replaced the earlier Fujifilm X-T10, while the T7i followed on from the Canon T6i.
So what is the bottom line? Which of the two cameras – the Canon T7i or the Fujifilm X-T20 – has the upper hand? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS Rebel T7i:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Longer lasting: Can take more shots (600 versus 350) on a single battery charge.
- More affordable: Was introduced into a lower priced segment (17 percent cheaper at launch).
Arguments in favor of the Fujifilm X-T20:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (8 vs 6 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (118x83mm vs 131x100mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 149g or 28 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
If the number of relative strengths (bullet points above) is taken as a guide, the X-T20 emerges as the winner of the match-up (7 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the T7i or the X-T20 handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon T7i (⇒ rgt)||..||80/100 Gold||4.5/5||..||4/5||2017||749||latest||check|
|Fujifilm X-T20 (⇒ lft)||HiRec||82/100 Silver||5/5||..||4.5/5||2017||899||latest||check|
|Canon 77D (⇒ lft | rgt)||..||82/100 Silver||4.5/5||..||4/5||2017||899||latest||check|
|Canon M100 (⇒ lft | rgt)||..||..||4/5||..||3.5/5||2017||499||latest||check|
|Canon M6 (⇒ lft | rgt)||-||80/100 Silver||4/5||4.5/5||4/5||2017||779||latest||check|
|Canon SL2 (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||-||4.5/5||2017||549||latest||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon T6 (⇒ lft | rgt)||reviewed||73/100||4/5||3.5/5||4/5||2016||449||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Canon T6i (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Fujifilm X-E3 (⇒ lft | rgt)||..||84/100 Gold||4.5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||-||74/100||4.5/5||-||4/5||2016||399||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4/5||5/5||2015||799||discont.||check|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
If you would like to see a different side-by-side camera review, just use the search menu below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If the camera you are interested in is not available, please contact me, and I will try to locate and add the respective data to the application.
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