Canon T6i vs Panasonic G5
The Canon EOS Rebel T6i (called Canon 750D in some regions) and the Panasonic Lumix DMC-G5 are two digital cameras that were announced, respectively, in February 2015 and July 2012. The T6i is a DSLR, while the G5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T6i) and a Four Thirds (G5) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T6i and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon T6i and the Panasonic G5. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The G5 can be obtained in two different colors (black, silver), while the T6i is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is notably smaller (25 percent) than the Canon T6i. Moreover, the G5 is markedly lighter (29 percent) than the T6i. In this context, it is worth noting that neither the T6i nor the G5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T6i) and the Micro Four Thirds Lens Catalog (G5). Mirrorless cameras, such as the G5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon T6i||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749|
|Panasonic G5||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599|
|Canon 77D||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899|
|Canon T7i||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749|
|Canon T6s||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649|
|Canon T5||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449|
|Canon T5i||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649|
|Canon T4i||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849|
|Canon T1i||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799|
|Canon XSi||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799|
|Canon XTi||5.0 in||3.3 in||2.6 in||19.6 oz||370||n||Aug 2006||799|
|Canon XT||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899|
|Panasonic G7||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649|
|Panasonic G6||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599|
|Panasonic G3||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599|
|Panasonic GX1||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||699|
|Panasonic G10||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G5 was launched at a somewhat lower price (by 20 percent) than the T6i, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon T6i features an APS-C sensor and the Panasonic G5 a Four Thirds sensor. The sensor area in the G5 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the T6i has a native 3:2 aspect ratio, while the one in the G5 offers a 4:3 aspect.
With 24MP, the T6i offers a higher resolution than the G5 (15.9MP), but the T6i has marginally smaller individual pixels (pixel pitch of 3.72μm versus 3.76μm for the G5). However, the T6i is a much more recent model (by 2 years and 6 months) than the G5, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon T6i implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T6i for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G5 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The T6i has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel T6i has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
|Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G5 provides a faster frame rate than the T6i. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G5 has an electronic viewfinder (1440k dots), while the T6i has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G5 offers a wider field of view (100%) than the one in the T6i (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G5 has a higher magnification (0.70x vs 0.51x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon T6i, the Panasonic G5, and comparable cameras.
Concerning the storage of imaging data, both the T6i and the G5 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T6i and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
It is notable that the T6i has a microphone port, which is missing on the G5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the T6i and the G5 have been discontinued, but can regularly be found used on eBay. The G5 was replaced by the Panasonic G6, while the T6i was followed by the Canon T7i. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is the Canon T6i better than the Panasonic G5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS Rebel T6i:
- More detail: Offers more megapixels (24 vs 15.9MP) with a 25% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Longer lasting: Can take more shots (440 versus 320) on a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 2 years and 6 months of technical progress since the G5 launch.
Reasons to prefer the Panasonic Lumix DMC-G5:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.51x).
- Faster burst: Shoots at higher frequency (6 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x83mm vs 132x101mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 159g or 29 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was released into a lower priced segment (20 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in July 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the T6i emerges as the winner of the contest (13 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T6i and the Panasonic G5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the T6i or the G5 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon T6i||..||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749|
|Panasonic G5||+ +||..||4.5/5||4.5/5||4.5/5||Jul 2012||599|
|Canon 77D||..||82/100||4.5/5||4.5/5||4/5||Feb 2017||899|
|Canon T7i||..||80/100||4.5/5||4/5||4/5||Feb 2017||749|
|Canon T6s||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649|
|Canon T5||+||..||4/5||4/5||4.5/5||Feb 2014||449|
|Canon T5i||..||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649|
|Canon T4i||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849|
|Canon T1i||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799|
|Canon XSi||+ +||+ +||4/5||5/5||4.5/5||Jan 2008||799|
|Canon XTi||+ +||+ +||o||4.5/5||4/5||Aug 2006||799|
|Canon XT||80/100||+ +||o||o||..||Feb 2005||899|
|Panasonic G7||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649|
|Panasonic G6||+ +||..||5/5||..||4.5/5||Apr 2013||599|
|Panasonic G3||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599|
|Panasonic GX1||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699|
|Panasonic G10||..||70/100||4/5||..||4/5||Mar 2010||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark II vs Canon T6i
- Canon G1 X Mark II vs Canon T6i
- Canon M3 vs Panasonic G5
- Canon M50 vs Panasonic G5
- Canon SX50 vs Panasonic G5
- Canon T6i vs Nikon D3500
- Canon T6i vs Nikon D4S
- Canon T6i vs Panasonic FZ2500
- Canon T6i vs Sony RX100 II
- Panasonic G110 vs Panasonic G5
- Panasonic G5 vs Sony A68
- Panasonic G5 vs Sony NEX-3
Specifications: Canon T6i vs Panasonic G5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T6i||Panasonic G5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2015||July 2012|
|Launch Price||USD 749||USD 599|
|Sensor Specs||Canon T6i||Panasonic G5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.9 Megapixels|
|Image Resolution||6000 x 4000 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.72 μm||3.76 μm|
|Pixel Density||7.22 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||160 - 12,800 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||DIGIC 6||Venus VII FHD|
|DXO Sensor Quality (score)||71||..|
|DXO Color Depth (bits)||22.7||..|
|DXO Dynamic Range (EV)||12.0||..|
|DXO Low Light (ISO)||919||..|
|Screen Specs||Canon T6i||Panasonic G5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon T6i||Panasonic G5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||6 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon T6i||Panasonic G5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon T6i||Panasonic G5|
|Battery Life (CIPA)||440 shots per charge||320 shots per charge|
132 x 101 x 78 mm
(5.2 x 4.0 x 3.1 in)
120 x 83 x 71 mm
(4.7 x 3.3 x 2.8 in)
|Camera Weight||555 g (19.6 oz)||396 g (14.0 oz)|
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