Canon T6i vs Panasonic FZ2500
The Canon EOS Rebel T6i (called Canon 750D in some regions) and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were revealed to the public, respectively, in February 2015 and September 2016. The T6i is a DSLR, while the FZ2500 is a fixed lens compact. The cameras are based on an APS-C (T6i) and an one-inch (FZ2500) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T6i and the Panasonic Lumix DMC-FZ2500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon T6i and the Panasonic FZ2500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ2500 is notably larger (6 percent) than the Canon T6i. In this context, it is worth noting that neither the T6i nor the FZ2500 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens built in, whereas the T6i is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the T6i and their specifications in the Canon EF Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|2.||Panasonic FZ2500||138 mm||102 mm||135 mm||915 g||350||n||Sep 2016||1,199|
|3.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|4.||Canon T7i||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749|
|5.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|6.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|7.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|8.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|9.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|10.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|11.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|12.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|13.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299|
|14.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249|
|15.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899|
|16.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899|
|17.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon T6i features an APS-C sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the T6i offers a higher resolution than the FZ2500 (20MP), but the T6i nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 2.41μm for the FZ2500) due to its larger sensor. However, the FZ2500 is a somewhat more recent model (by 1 year and 7 months) than the T6i, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon T6i implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T6i for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic FZ2500 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The T6i has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel T6i has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2500 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|14.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|15.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|17.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the FZ2500 provides a better video resolution than the T6i. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), while the T6i has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ2500 offers a wider field of view (100%) than the one in the T6i (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the FZ2500 has a higher magnification (0.74x vs 0.51x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon T6i and Panasonic FZ2500 in connection with corresponding information for a sample of similar cameras.
|14.||Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|15.||Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|17.||Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the T6i and the FZ2500 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T6i and Panasonic Lumix DMC-FZ2500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|14.||Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|15.||Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|17.||Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the T6i has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the T6i was succeeded by the Canon T7i. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Canon T6i and the Panasonic FZ2500? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS Rebel T6i:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (440 versus 350) on a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in February 2015).
Reasons to prefer the Panasonic Lumix DMC-FZ2500:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.51x).
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the T6i requires a separate lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More modern: Was introduced somewhat (1 year and 7 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (11 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T6i and the Panasonic FZ2500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the T6i and the FZ2500 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T6i||5/5||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|2.||Panasonic FZ2500||..||+||82/100||4.5/5||5/5||Sep 2016||1,199|
|3.||Canon 77D||4.5/5||..||82/100||4.5/5||4/5||Feb 2017||899|
|4.||Canon T7i||4.5/5||..||80/100||4.5/5||4/5||Feb 2017||749|
|5.||Canon T6s||5/5||+||77/100||4.5/5||4.5/5||Feb 2015||649|
|6.||Canon T5||3/5||+||..||4/5||4.5/5||Feb 2014||449|
|7.||Canon T5i||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|8.||Canon T4i||4/5||+ +||77/100||4.5/5||4.5/5||Jun 2012||849|
|9.||Canon T1i||..||+ +||74/100||4.5/5||4.5/5||Mar 2009||799|
|10.||Canon XSi||..||+ +||+ +||4/5||4.5/5||Jan 2008||799|
|11.||Canon XTi||..||+ +||+ +||o||4/5||Aug 2006||799|
|12.||Canon XT||..||80/100||+ +||o||..||Feb 2005||899|
|13.||Fujifilm X100F||5/5||+||83/100||4.5/5||4.5/5||Jan 2017||1,299|
|14.||Leica V-LUX 5||..||..||..||4/5||4/5||Jul 2019||1,249|
|15.||Panasonic FZ1000 II||..||..||83/100||4.5/5||4.5/5||Feb 2019||899|
|16.||Panasonic FZ1000||4/5||+ +||82/100||4.5/5||4.5/5||Jun 2014||899|
|17.||Sony RX100 IV||4.5/5||+ +||85/100||4/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon T6i vs Panasonic FZ2500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T6i||Panasonic FZ2500|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-480mm f/2.8-4.5|
|Launch Date||February 2015||September 2016|
|Launch Price||USD 749||USD 1,199|
|Sensor Specs||Canon T6i||Panasonic FZ2500|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.3 x 14.9 mm||13.2 x 8.8 mm|
|Sensor Area||332.27 mm2||116.16 mm2|
|Sensor Diagonal||26.8 mm||15.9 mm|
|Sensor Resolution||24 Megapixels||20 Megapixels|
|Image Resolution||6000 x 4000 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.72 μm||2.41 μm|
|Pixel Density||7.22 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||125 - 12,800 ISO|
|ISO Boost||100 - 25,600 ISO||80 - 25,600 ISO|
|Image Processor||DIGIC 6||Venus|
|DXO Sensor Quality (score)||71||..|
|DXO Color Depth (bits)||22.7||..|
|DXO Dynamic Range (EV)||12.0||..|
|DXO Low Light (ISO)||919||..|
|Screen Specs||Canon T6i||Panasonic FZ2500|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon T6i||Panasonic FZ2500|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon T6i||Panasonic FZ2500|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon T6i||Panasonic FZ2500|
|Battery Life (CIPA)||440 shots per charge||350 shots per charge|
132 x 101 x 78 mm
(5.2 x 4.0 x 3.1 in)
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
|Camera Weight||555 g (19.6 oz)||915 g (32.3 oz)|
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