Canon Rebel vs Panasonic FZ2500
The Canon EOS Digital Rebel (called Canon 300D in some regions) and the Panasonic Lumix DMC-FZ2500 (labelled Panasonic FZ2000 in some countries) are two digital cameras that were officially introduced, respectively, in August 2003 and September 2016. The Rebel is a DSLR, while the FZ2500 is a fixed lens compact. The cameras are based on an APS-C (Rebel) and an one-inch (FZ2500) sensor. The Canon has a resolution of 6.3 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon Rebel||Panasonic FZ2500|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-480mm f/2.8-4.5|
|6.3 MP, APS-C Sensor||20 MP, 1" Sensor|
|no Video||4K/30p Video|
|ISO 100-1,600||ISO 125-12,800 (80 - 25,600)|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|1.8 LCD, 118k dots||3.0 LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|2.5 shutter flaps per second||12 shutter flaps per second|
|400 shots per battery charge||350 shots per battery charge|
|142 x 99 x 72 mm, 649 g||138 x 102 x 135 mm, 915 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Digital Rebel and the Panasonic Lumix DMC-FZ2500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon Rebel and the Panasonic FZ2500. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon Rebel and the Panasonic FZ2500 are of equal size. In this context, it is worth noting that neither the Rebel nor the FZ2500 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ2500 has a lens built in, whereas the Rebel is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the Rebel and their specifications in the Canon EF Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon Rebel||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899|
|Panasonic FZ2500||5.4 in||4.0 in||5.3 in||32.3 oz||350||n||Sep 2016||1,199|
|Canon T7i||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749|
|Canon T6s||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649|
|Canon T4i||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849|
|Canon T3i||5.2 in||3.9 in||3.1 in||20.1 oz||440||n||Feb 2011||599|
|Canon T1i||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799|
|Canon XTi||5.0 in||3.3 in||2.6 in||19.6 oz||370||n||Aug 2006||799|
|Canon XT||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899|
|Canon 20D||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499|
|Canon 10D||5.9 in||4.2 in||3.0 in||30.0 oz||500||n||Feb 2003||1,999|
|Fujifilm X100F||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299|
|Leica V-LUX 5||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249|
|Nikon D70||5.5 in||4.4 in||3.1 in||24.0 oz||400||n||Jan 2004||999|
|Panasonic FZ1000 II||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Feb 2019||899|
|Panasonic FZ1000||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899|
|Sony RX100 IV||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon Rebel features an APS-C sensor and the Panasonic FZ2500 an one-inch sensor. The sensor area in the FZ2500 is 66 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the FZ2500 offers a higher resolution of 20 megapixels, compared with 6.3 MP of the Rebel. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 7.38μm for the Rebel). However, it should be noted that the FZ2500 is much more recent (by 13 years and 1 month) than the Rebel, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic FZ2500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ2500 for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Canon Rebel are 15.4 x 10.2 inches or 39 x 26 cm for good quality, 12.3 x 8.2 inches or 31.2 x 20.8 cm for very good quality, and 10.2 x 6.8 inches or 26 x 17.3 cm for excellent quality prints.
The Canon EOS Digital Rebel has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DMC-FZ2500 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. The FZ2500 indeed provides for movie recording, while the Rebel does not. The highest resolution format that the FZ2500 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ2500 has an electronic viewfinder (2360k dots), while the Rebel has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ2500 offers a wider field of view (100%) than the one in the Rebel (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the FZ2500 has a higher magnification (0.74x vs 0.55x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon Rebel, the Panasonic FZ2500, and comparable cameras.
|Leica V-LUX 5||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|Panasonic FZ1000 II||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ2500 has a touchscreen, while the Rebel has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The FZ2500 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the Rebel does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ2500 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ2500 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The Rebel writes its imaging data to Compact Flash cards, while the FZ2500 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Digital Rebel and Panasonic Lumix DMC-FZ2500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Leica V-LUX 5||Y||stereo||mono||-||-||micro||2.0||Y||-||Y|
|Panasonic FZ1000 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the FZ2500 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the Rebel does not provide wifi capability.
The FZ2500 is a recent model that features in the current product line-up of Panasonic. In contrast, the Rebel has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the Rebel was succeeded by the Canon XT. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon Rebel and the Panasonic FZ2500? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS Digital Rebel:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (400 versus 350) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in August 2003).
Reasons to prefer the Panasonic Lumix DMC-FZ2500:
- More detail: Has more megapixels (20 vs 6.3MP), which boosts linear resolution by 78%.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.55x).
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 118k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the Rebel requires a separate lens.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 13 years and 1 month of technical progress since the Rebel launch.
If the count of relative strengths (bullet points above) is taken as a measure, the FZ2500 is the clear winner of the contest (18 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon Rebel and the Panasonic FZ2500 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the Rebel and the FZ2500 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon Rebel||..||+ +||..||o||..||Aug 2003||899|
|Panasonic FZ2500||+||82/100||4.5/5||4.5/5||5/5||Sep 2016||1,199|
|Canon T7i||..||80/100||4.5/5||4/5||4/5||Feb 2017||749|
|Canon T6s||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649|
|Canon T4i||+ +||77/100||4.5/5||4.5/5||4.5/5||Jun 2012||849|
|Canon T3i||o||77/100||4.5/5||5/5||4.5/5||Feb 2011||599|
|Canon T1i||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799|
|Canon XTi||+ +||+ +||o||4.5/5||4/5||Aug 2006||799|
|Canon XT||80/100||+ +||o||o||..||Feb 2005||899|
|Canon 20D||..||+ +||..||o||..||Aug 2004||1,499|
|Canon 10D||..||+ +||..||o||..||Feb 2003||1,999|
|Fujifilm X100F||+||83/100||4.5/5||..||4.5/5||Jan 2017||1,299|
|Leica V-LUX 5||..||..||4/5||..||4/5||Jul 2019||1,249|
|Nikon D70||..||+ +||..||o||..||Jan 2004||999|
|Panasonic FZ1000 II||..||83/100||4.5/5||..||4.5/5||Feb 2019||899|
|Panasonic FZ1000||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899|
|Sony RX100 IV||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 60D vs Panasonic FZ2500
- Canon M3 vs Canon Rebel
- Canon Rebel vs Canon T2i
- Canon Rebel vs Nikon D750
- Canon Rebel vs Panasonic FZ150
- Canon Rebel vs Panasonic G1
- Canon Rebel vs Sony A5000
- Canon Rebel vs Sony A7S
- Canon Rebel vs Sony RX1
- Canon XC10 vs Panasonic FZ2500
- Nikon D5200 vs Panasonic FZ2500
- Panasonic FZ2500 vs Sony A6100
Specifications: Canon Rebel vs Panasonic FZ2500
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon Rebel||Panasonic FZ2500|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-480mm f/2.8-4.5|
|Launch Date||August 2003||September 2016|
|Launch Price||USD 899||USD 1,199|
|Sensor Specs||Canon Rebel||Panasonic FZ2500|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.7 x 15.1 mm||13.2 x 8.8 mm|
|Sensor Area||342.77 mm2||116.16 mm2|
|Sensor Diagonal||27.3 mm||15.9 mm|
|Sensor Resolution||6.3 Megapixels||20 Megapixels|
|Image Resolution||3072 x 2048 pixels||5472 x 3648 pixels|
|Pixel Pitch||7.38 μm||2.41 μm|
|Pixel Density||1.84 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 1,600 ISO||125 - 12,800 ISO|
|ISO Boost||no Enhancement||80 - 25,600 ISO|
|DXO Sensor Quality (score)||55||..|
|DXO Color Depth (bits)||21.0||..|
|DXO Dynamic Range (EV)||10.8||..|
|DXO Low Light (ISO)||544||..|
|Screen Specs||Canon Rebel||Panasonic FZ2500|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View|
|Rear LCD Size||1.8inch||3.0inch|
|LCD Resolution||118k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon Rebel||Panasonic FZ2500|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||2.5 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon Rebel||Panasonic FZ2500|
|USB Connector||USB 1.1||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon Rebel||Panasonic FZ2500|
|Battery Life (CIPA)||400 shots per charge||350 shots per charge|
142 x 99 x 72 mm
(5.6 x 3.9 x 2.8 in)
138 x 102 x 135 mm
(5.4 x 4.0 x 5.3 in)
|Camera Weight||649 g (22.9 oz)||915 g (32.3 oz)|
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