Canon T6i vs Olympus E-PM2
The Canon EOS Rebel T6i (called Canon 750D in some regions) and the Olympus PEN E-PM2 are two digital cameras that were officially introduced, respectively, in February 2015 and September 2012. The T6i is a DSLR, while the E-PM2 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T6i) and a Four Thirds (E-PM2) sensor. The Canon has a resolution of 24 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T6i and the Olympus PEN E-PM2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon T6i and the Olympus E-PM2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-PM2 can be obtained in four different colors (black, silver, red, white), while the T6i is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-PM2 is considerably smaller (47 percent) than the Canon T6i. Moreover, the E-PM2 is substantially lighter (52 percent) than the T6i. In this context, it is worth noting that neither the T6i nor the E-PM2 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T6i) and the Micro Four Thirds Lens Catalog (E-PM2). Mirrorless cameras, such as the E-PM2, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon T6i||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|2.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499|
|3.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|4.||Canon T7i||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749|
|5.||Canon T6s||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|6.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|7.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|8.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|9.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|10.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|11.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|12.||Canon XT||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|13.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|14.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|15.||Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599|
|16.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|17.||Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-PM2 was launched at a markedly lower price (by 33 percent) than the T6i, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon T6i features an APS-C sensor and the Olympus E-PM2 a Four Thirds sensor. The sensor area in the E-PM2 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the T6i has a native 3:2 aspect ratio, while the one in the E-PM2 offers a 4:3 aspect.
With 24MP, the T6i offers a higher resolution than the E-PM2 (15.9MP), but the T6i has marginally smaller individual pixels (pixel pitch of 3.72μm versus 3.76μm for the E-PM2). However, the T6i is a much more recent model (by 2 years and 4 months) than the E-PM2, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon T6i implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T6i for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-PM2 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The T6i has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS Rebel T6i has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 100-25600. The corresponding ISO settings for the Olympus PEN E-PM2 are ISO 100 to ISO 25600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|13.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|14.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|15.||Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|16.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|17.||Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/30p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the T6i has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the E-PM2 relies on live view and the rear LCD for framing. That said, the E-PM2 can be equipped with an optional viewfinder – the VF-4. The following table reports on some other key feature differences and similarities of the Canon T6i, the Olympus E-PM2, and comparable cameras.
|1.||Canon T6i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|2.||Olympus E-PM2||optional||n||3.0 / 460||fixed||Y||1/4000s||8.0||n||Y|
|3.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|4.||Canon T7i||optical||n||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|5.||Canon T6s||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|6.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|7.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|8.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|9.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4||Y||n|
|10.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5||Y||n|
|11.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0||Y||n|
|12.||Canon XT||optical||n||1.8 / 115||fixed||n||1/4000s||3.0||Y||n|
|13.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|14.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|15.||Olympus E-PL6||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0||n||Y|
|16.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0||n||Y|
|17.||Olympus E-PM1||optional||n||3.0 / 460||fixed||n||1/4000s||5.5||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The T6i has one, while the E-PM2 does not. While the built-in flash of the T6i is not very powerful, it can at times be useful as a fill-in light.The T6i has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the E-PM2 does not have a selfie-screen.
Concerning the storage of imaging data, both the T6i and the E-PM2 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T6i and Olympus PEN E-PM2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T6i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|2.||Olympus E-PM2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon T7i||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon T6s||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|10.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|11.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Canon XT||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Olympus E-PL6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Olympus E-PM1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the T6i has a microphone port, which is missing on the E-PM2. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the T6i and the E-PM2 have been discontinued, but can regularly be found used on eBay. The T6i was replaced by the Canon T7i, while the E-PM2 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So how do things add up? Is the Canon T6i better than the Olympus E-PM2 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS Rebel T6i:
- More detail: Offers more megapixels (24 vs 15.9MP) with a 25% higher linear resolution.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Can take more shots (440 versus 360) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 2 years and 4 months of technical progress since the E-PM2 launch.
Reasons to prefer the Olympus PEN E-PM2:
- Faster burst: Shoots at higher frequency (8 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (110x64mm vs 132x101mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 286g or 52 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the T6i is the clear winner of the match-up (12 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T6i and the Olympus E-PM2 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the T6i and the E-PM2 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T6i||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|2.||Olympus E-PM2||3/5||..||..||77/100||5/5||4.5/5||Sep 2012||499|
|3.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899|
|4.||Canon T7i||4.5/5||..||3.5/5||80/100||4.5/5||4/5||Feb 2017||749|
|5.||Canon T6s||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|6.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|7.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|8.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|9.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|10.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|11.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799|
|12.||Canon XT||..||80/100||..||+ +||o||..||Feb 2005||899|
|13.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|14.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|15.||Olympus E-PL6||..||..||..||..||..||..||May 2013||599|
|16.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599|
|17.||Olympus E-PM1||..||86/100||..||71/100||4.5/5||4.5/5||Jun 2011||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 300D vs Olympus E-PM2
- Canon R6 vs Canon T6i
- Canon SX70 vs Olympus E-PM2
- Canon SX740 vs Olympus E-PM2
- Canon T6i vs Fujifilm X-H1
- Canon T6i vs Fujifilm XP140
- Canon T6i vs Nikon D610
- Canon T6i vs Panasonic GH5
- Canon T6i vs Sony RX100 III
- Nikon D2Xs vs Olympus E-PM2
- Nikon D800E vs Olympus E-PM2
- Olympus E-PM2 vs Pentax 645Z
Specifications: Canon T6i vs Olympus E-PM2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T6i||Olympus E-PM2|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2015||September 2012|
|Launch Price||USD 749||USD 499|
|Sensor Specs||Canon T6i||Olympus E-PM2|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.9 Megapixels|
|Image Resolution||6000 x 4000 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.72 μm||3.76 μm|
|Pixel Density||7.22 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||DIGIC 6||TruePic VI|
|DXO Sensor Quality (score)||71||72|
|DXO Color Depth (bits)||22.7||22.7|
|DXO Dynamic Range (EV)||12.0||12.2|
|DXO Low Light (ISO)||919||932|
|Screen Specs||Canon T6i||Olympus E-PM2|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Canon T6i||Olympus E-PM2|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||8 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon T6i||Olympus E-PM2|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon T6i||Olympus E-PM2|
|Battery Life (CIPA)||440 shots per charge||360 shots per charge|
132 x 101 x 78 mm
(5.2 x 4.0 x 3.1 in)
110 x 64 x 34 mm
(4.3 x 2.5 x 1.3 in)
|Camera Weight||555 g (19.6 oz)||269 g (9.5 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.