Canon T6 vs Panasonic GH3

The Canon EOS Rebel T6 (called Canon 1300D in some regions) and the Panasonic Lumix DMC-GH3 are two digital cameras that were officially introduced, respectively, in March 2016 and September 2012. The T6 is a DSLR, while the GH3 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (T6) and a Four Thirds (GH3) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 15.9 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon T6		Panasonic GH3
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Micro Four Thirds lenses
17.9 MP – APS-C sensor		15.9 MP – Four Thirds sensor
1080/30p Video		1080/60p Video
ISO 100-6,400 (100 - 12,800)		ISO 200-12,800 (125 - 25,600)
Optical viewfinder		Electronic viewfinder (1746k dots)
3.0" LCD – 920k dots		3.0" LCD – 614k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
3 shutter flaps per second		6 shutter flaps per second
not weather sealed		Weathersealed body
500 shots per battery charge		540 shots per battery charge
129 x 101 x 78 mm, 485 g		133 x 93 x 82 mm, 550 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T6 and the Panasonic Lumix DMC-GH3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon T6 and the Panasonic GH3. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH3 is notably smaller (5 percent) than the Canon T6. However, the GH3 is markedly heavier (13 percent) than the T6. It is noteworthy in this context that the GH3 is splash and dust-proof, while the T6 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (T6) and the Micro Four Thirds Lens Catalog (GH3). Mirrorless cameras, such as the GH3, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the T6 gets 500 shots out of its LP-E10 battery, while the GH3 can take 540 images on a single charge of its DMW-BLF19 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon T6	129 mm	101 mm	78 mm	485 g	500	n	Mar 2016	449	ebay.com
2.		Panasonic GH3	133 mm	93 mm	82 mm	550 g	540	Y	Sep 2012	1,299	ebay.com
3.		Canon T7	129 mm	101 mm	78 mm	475 g	500	n	Feb 2018	449	amazon.com
4.		Canon T100	129 mm	102 mm	77 mm	436 g	500	n	Feb 2018	399	amazon.com
5.		Canon 77D	131 mm	100 mm	76 mm	540 g	600	n	Feb 2017	899	ebay.com
6.		Canon SL2	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	549	ebay.com
7.		Canon M10	108 mm	67 mm	35 mm	301 g	255	n	Oct 2015	499	ebay.com
8.		Canon T6i	132 mm	101 mm	78 mm	555 g	440	n	Feb 2015	749	ebay.com
9.		Canon T6s	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	649	ebay.com
10.		Canon T5	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	449	ebay.com
11.		Canon T4i	133 mm	100 mm	79 mm	575 g	440	n	Jun 2012	849	ebay.com
12.		Canon T3	130 mm	100 mm	78 mm	495 g	700	n	Feb 2011	449	ebay.com
13.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
14.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
15.		Panasonic GH4	133 mm	93 mm	84 mm	560 g	500	Y	Feb 2014	1,499	ebay.com
16.		Panasonic G5	120 mm	83 mm	71 mm	396 g	320	n	Jul 2012	599	ebay.com
17.		Panasonic GH2	124 mm	90 mm	76 mm	442 g	330	n	Sep 2010	899	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The T6 was launched at a markedly lower price (by 65 percent) than the GH3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon T6 features an APS-C sensor and the Panasonic GH3 a Four Thirds sensor. The sensor area in the GH3 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the T6 has a native 3:2 aspect ratio, while the one in the GH3 offers a 4:3 aspect.

With 17.9MP, the T6 offers a higher resolution than the GH3 (15.9MP), but the T6 nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 3.76μm for the GH3) due to its larger sensor. Moreover, the T6 is a much more recent model (by 3 years and 5 months) than the GH3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.

The resolution advantage of the Canon T6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the T6 for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Panasonic GH3 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The Canon EOS Rebel T6 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-GH3 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 125-25600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the GH3 has a markedly higher DXO score than the T6 (overall score 5 points higher), which will translate into better image quality. The advantage is based on 0.7 bits higher color depth, 0.7 EV in additional dynamic range, and 0.1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon T6	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	781	66
2.		Panasonic GH3	Four Thirds	15.9	4608	3456	1080/60p	22.7	12.4	812	71
3.		Canon T7	APS-C	24.0	6000	4000	1080/30p	23.8	13.3	1684	81
4.		Canon T100	APS-C	17.9	5184	3456	1080/30p	21.9	11.4	695	63
5.		Canon 77D	APS-C	24.0	6000	4000	1080/60p	23.6	13.3	971	78
6.		Canon SL2	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
7.		Canon M10	APS-C	17.9	5184	3456	1080/30p	22.2	11.4	753	65
8.		Canon T6i	APS-C	24.0	6000	4000	1080/30p	22.7	12.0	919	71
9.		Canon T6s	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
10.		Canon T5	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
11.		Canon T4i	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	722	62
12.		Canon T3	APS-C	12.2	4272	2848	720/30p	21.9	11.0	755	62
13.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
14.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
15.		Panasonic GH4	Four Thirds	15.9	4608	3456	4K/30p	23.2	12.8	791	74
16.		Panasonic G5	Four Thirds	15.9	4608	3456	1080/60p	21.4	11.6	618	61
17.		Panasonic GH2	Four Thirds	15.9	4608	3456	1080/60i	21.2	11.3	655	60
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GH3 provides a faster frame rate than the T6. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the GH3 has an electronic viewfinder (1746k dots), while the T6 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GH3 offers a wider field of view (100%) than the one in the T6 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GH3 has a higher magnification (0.67x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon T6 and Panasonic GH3 in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon T6	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
2.		Panasonic GH3	1746	n	3.0 / 614	swivel	Y	1/4000s	6.0/s	Y	n
3.		Canon T7	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
4.		Canon T100	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
5.		Canon 77D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
6.		Canon SL2	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
7.		Canon M10	none	n	3.0 / 1040	tilting	Y	1/4000s	4.6/s	Y	n
8.		Canon T6i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
9.		Canon T6s	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
10.		Canon T5	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
11.		Canon T4i	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
12.		Canon T3	optical	n	2.7 / 230	fixed	n	1/4000s	3.0/s	Y	n
13.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
14.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
15.		Panasonic GH4	2359	n	3.0 / 1036	swivel	Y	1/8000s	12.0/s	Y	n
16.		Panasonic G5	1440	n	3.0 / 920	swivel	Y	1/4000s	6.0/s	Y	n
17.		Panasonic GH2	1534	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GH3 has a touchscreen, while the T6 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GH3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GH3 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the T6 and the GH3 write their files to SDXC cards. The GH3 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T6 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T6 and Panasonic Lumix DMC-GH3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon T6	Y	mono / mono	-	-	mini	2.0	Y	Y	-
2.		Panasonic GH3	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
3.		Canon T7	Y	mono / mono	-	-	mini	2.0	Y	Y	-
4.		Canon T100	Y	mono / mono	-	-	mini	2.0	Y	Y	-
5.		Canon 77D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
6.		Canon SL2	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
7.		Canon M10	-	stereo / mono	-	-	mini	2.0	Y	Y	-
8.		Canon T6i	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
9.		Canon T6s	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
10.		Canon T5	Y	mono / mono	-	-	mini	2.0	-	-	-
11.		Canon T4i	Y	stereo / mono	Y	-	mini	2.0	-	-	-
12.		Canon T3	Y	stereo / mono	-	-	mini	2.0	-	-	-
13.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
14.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
15.		Panasonic GH4	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Panasonic G5	Y	stereo / mono	-	-	mini	2.0	-	-	-
17.		Panasonic GH2	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the GH3 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The T6 lacks such a headphone port.

Studio photographers will appreciate that the Panasonic GH3 (unlike the T6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the T6 and the GH3 have been discontinued, but can regularly be found used on ebay. The GH3 was replaced by the Panasonic GH4, while the T6 was followed by the Canon T7. Further information on the features and operation of the T6 and GH3 can be found, respectively, in the Canon T6 Manual (free pdf) or the online Panasonic GH3 Manual.

Review summary

So what conclusions can be drawn? Is the Canon T6 better than the Panasonic GH3 or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Canon EOS Rebel T6:

• More detail: Offers more megapixels (17.9 vs 15.9MP) with a 8% higher linear resolution.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More detailed LCD: Has a higher resolution rear screen (920k vs 614k dots).
• Less heavy: Is lighter (by 65g or 12 percent) and hence easier to carry around.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More affordable: Was introduced into a lower priced category (65 percent cheaper at launch).
• More modern: Reflects 3 years and 5 months of technical progress since the GH3 launch.

Reasons to prefer the Panasonic Lumix DMC-GH3:

• Better image quality: Scores markedly higher (5 points) in the DXO overall evaluation.
• More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
• Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.67x vs 0.50x).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More heavily discounted: Has been around for much longer (launched in September 2012).

If the number of relative strengths (bullet points above) is taken as a guide, the GH3 is the clear winner of the contest (19 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon T6 and the Panasonic GH3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the T6 or the GH3 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon T6	4/5	o	4/5	73/100	4/5	4/5	Mar 2016	449	ebay.com
2.		Panasonic GH3	5/5	+ +	..	79/100	4.5/5	4.5/5	Sep 2012	1,299	ebay.com
3.		Canon T7	..	o	3.5/5	..	3.5/5	3.5/5	Feb 2018	449	amazon.com
4.		Canon T100	..	o	3/5	..	3.5/5	3.5/5	Feb 2018	399	amazon.com
5.		Canon 77D	4.5/5	..	4/5	82/100	4.5/5	4/5	Feb 2017	899	ebay.com
6.		Canon SL2	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	549	ebay.com
7.		Canon M10	..	..	..	..	..	4/5	Oct 2015	499	ebay.com
8.		Canon T6i	5/5	..	..	75/100	4.5/5	4.5/5	Feb 2015	749	ebay.com
9.		Canon T6s	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	649	ebay.com
10.		Canon T5	3/5	+	..	..	4/5	4.5/5	Feb 2014	449	ebay.com
11.		Canon T4i	4/5	+ +	..	77/100	4.5/5	4.5/5	Jun 2012	849	ebay.com
12.		Canon T3	..	80/100	..	69/100	4/5	4.5/5	Feb 2011	449	ebay.com
13.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
14.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
15.		Panasonic GH4	5/5	+ +	..	85/100	5/5	5/5	Feb 2014	1,499	ebay.com
16.		Panasonic G5	3/5	+ +	..	..	4.5/5	4.5/5	Jul 2012	599	ebay.com
17.		Panasonic GH2	5/5	+ +	..	79/100	4.5/5	5/5	Sep 2010	899	ebay.com
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

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