Canon T6 vs Sony RX10 II
The Canon EOS Rebel T6 (called Canon 1300D in some regions) and the Sony Cyber-shot DSC-RX10 II are two digital cameras that were officially introduced, respectively, in March 2016 and June 2015. The T6 is a DSLR, while the RX10 II is a fixed lens compact. The cameras are based on an APS-C (T6) and an one-inch (RX10 II) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS Rebel T6 and the Sony Cyber-shot DSC-RX10 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon T6 and the Sony RX10 II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX10 II is notably smaller (13 percent) than the Canon T6. It is noteworthy in this context that the RX10 II is splash and dust-proof, while the T6 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX10 II has a lens built in, whereas the T6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the T6 and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the T6 gets 500 shots out of its LP-E10 battery, while the RX10 II can take 400 images on a single charge of its NP-FW50 power pack. The power pack in the RX10 II can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon T6||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|2.||Sony RX10 II||129 mm||88 mm||102 mm||813 g||400||Y||Jun 2015||1,299|
|3.||Canon T7||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|4.||Canon T100||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|5.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|6.||Canon G3 X||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999|
|7.||Canon T5||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|8.||Canon SL1||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|9.||Canon T5i||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|10.||Canon T4i||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|11.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|12.||Canon T3i||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|13.||Canon T2i||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|14.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449|
|15.||Sony RX10 III||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499|
|16.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|17.||Sony RX10||129 mm||88 mm||102 mm||813 g||420||Y||Oct 2013||1,299|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon T6 features an APS-C sensor and the Sony RX10 II an one-inch sensor. The sensor area in the RX10 II is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the RX10 II offers a higher resolution of 20 megapixels, compared with 17.9 MP of the T6. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.41μm versus 4.31μm for the T6). Moreover, it should be noted that the T6 is a somewhat more recent model (by 9 months) than the RX10 II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Sony RX10 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX10 II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Canon T6 are 25.9 x 17.3 inches or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inches or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inches or 43.9 x 29.3 cm for excellent quality prints.
The Canon EOS Rebel T6 has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Sony Cyber-shot DSC-RX10 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 64-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|6.||Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|15.||Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
|16.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the RX10 II provides a better video resolution than the T6. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX10 II has an electronic viewfinder (2359k dots), while the T6 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the RX10 II offers a wider field of view (100%) than the one in the T6 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the RX10 II has a higher magnification (0.70x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon T6, the Sony RX10 II, and comparable cameras.
|1.||Canon T6||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|2.||Sony RX10 II||2359||Y||3.0 / 1229||tilting||n||1/3200s||14.0/s||Y||Y|
|3.||Canon T7||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon T100||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|6.||Canon G3 X||optional||n||3.2 / 1620||tilting||Y||1/2000s||5.9/s||Y||Y|
|7.||Canon T5||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|8.||Canon SL1||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9/s||Y||n|
|9.||Canon T5i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|10.||Canon T4i||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|11.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|12.||Canon T3i||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|13.||Canon T2i||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|14.||Canon XS||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|15.||Sony RX10 III||2359||Y||3.0 / 1229||tilting||n||1/2000s||14.0/s||Y||Y|
|16.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|17.||Sony RX10||1440||Y||3.0 / 1229||tilting||n||1/3200s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the RX10 II, but is missing on the T6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX10 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The T6 writes its imaging data to SDXC cards, while the RX10 II uses SDXC or Memory Stick PRO Duo cards. The RX10 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the T6 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS Rebel T6 and Sony Cyber-shot DSC-RX10 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon T6||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|2.||Sony RX10 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon T7||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon T100||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|6.||Canon G3 X||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|7.||Canon T5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|8.||Canon SL1||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon T5i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon T4i||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Canon T3i||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|13.||Canon T2i||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|14.||Canon XS||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Sony RX10 III||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX10||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the RX10 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The T6 does not feature such a mic input.
Both the T6 and the RX10 II have been discontinued, but can regularly be found used on eBay. The RX10 II was replaced by the Sony RX10 III, while the T6 was followed by the Canon T7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Canon T6 or the Sony RX10 II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS Rebel T6:
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/3200s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (500 versus 400) on a single battery charge.
- More modern: Is somewhat more recent (announced 9 months after the RX10 II).
Arguments in favor of the Sony Cyber-shot DSC-RX10 II:
- More detail: Has more megapixels (20 vs 17.9MP), which boosts linear resolution by 6%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.50x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (14 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the T6 requires a separate lens.
- More compact: Is smaller (129x88mm vs 129x101mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been on the market for longer (launched in June 2015).
If the count of individual advantages (bullet points above) is taken as a guide, the RX10 II is the clear winner of the contest (19 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon T6 and the Sony RX10 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the T6 and the RX10 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon T6||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449|
|2.||Sony RX10 II||5/5||+ +||..||82/100||4.5/5||4/5||Jun 2015||1,299|
|3.||Canon T7||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|4.||Canon T100||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|5.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|6.||Canon G3 X||3.5/5||+||..||..||4.5/5||4/5||Jun 2015||999|
|7.||Canon T5||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|8.||Canon SL1||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|9.||Canon T5i||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|10.||Canon T4i||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|11.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|12.||Canon T3i||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|13.||Canon T2i||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|14.||Canon XS||..||82/100||..||+ +||3.5/5||4.5/5||Jun 2008||449|
|15.||Sony RX10 III||5/5||+||..||84/100||4.5/5||4.5/5||Mar 2016||1,499|
|16.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|17.||Sony RX10||5/5||+||..||80/100||4.5/5||4.5/5||Oct 2013||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 500D vs Sony RX10 II
- Canon 700D vs Canon T6
- Canon 750D vs Sony RX10 II
- Canon T6 vs Fujifilm X-T20
- Canon T6 vs Fujifilm XF10
- Canon T6 vs Leica S2
- Canon T6 vs Nikon D700
- Canon T6 vs Panasonic ZS80
- Fujifilm X100T vs Sony RX10 II
- Leica D-LUX Typ 109 vs Sony RX10 II
- Panasonic FZ100 vs Sony RX10 II
- Panasonic L10 vs Sony RX10 II
Specifications: Canon T6 vs Sony RX10 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon T6||Sony RX10 II|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-200mm f/2.8|
|Launch Date||March 2016||June 2015|
|Launch Price||USD 449||USD 1,299|
|Sensor Specs||Canon T6||Sony RX10 II|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.3 x 14.9 mm||13.2 x 8.8 mm|
|Sensor Area||332.27 mm2||116.16 mm2|
|Sensor Diagonal||26.8 mm||15.9 mm|
|Sensor Resolution||17.9 Megapixels||20 Megapixels|
|Image Resolution||5184 x 3456 pixels||5472 x 3648 pixels|
|Pixel Pitch||4.31 μm||2.41 μm|
|Pixel Density||5.39 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 12,800 ISO||64 - 25,600 ISO|
|Image Processor||DIGIC 4+||BIONZ X|
|DXO Sensor Quality (score)||..||70|
|DXO Color Depth (bits)||..||23.0|
|DXO Dynamic Range (EV)||..||12.6|
|DXO Low Light (ISO)||..||531|
|Screen Specs||Canon T6||Sony RX10 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon T6||Sony RX10 II|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/3200s|
|Continuous Shooting||3 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon T6||Sony RX10 II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Canon T6||Sony RX10 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
129 x 88 x 102 mm
(5.1 x 3.5 x 4.0 in)
|Camera Weight||485 g (17.1 oz)||813 g (28.7 oz)|
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