Canon G5 X Mark II vs Panasonic GH6
The Canon PowerShot G5 X Mark II and the Panasonic Lumix DC-GH6 are two digital cameras that were announced, respectively, in July 2019 and February 2022. The G5X Mark II is a fixed lens compact, while the GH6 is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (G5X Mark II) and a Four Thirds (GH6) sensor. The Canon has a resolution of 20 megapixels, whereas the Panasonic provides 25 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G5 X Mark II and the Panasonic Lumix DC-GH6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Canon G5 X Mark II and the Panasonic GH6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH6 is considerably larger (104 percent) than the Canon G5 X Mark II. It is noteworthy in this context that the GH6 is splash and dust-proof, while the G5X Mark II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G5X Mark II has a lens built in, whereas the GH6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GH6 and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the G5X Mark II gets 230 shots out of its Canon NB-13L battery, while the GH6 can take 360 images on a single charge of its Panasonic DMW-BLK22 power pack. The power pack in the G5X Mark II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G5 X Mark II | 111 mm | 61 mm | 46 mm | 340 g | 230 | n | Jul 2019 | 899 | ebay.com | |
2. | Panasonic GH6 | 138 mm | 100 mm | 100 mm | 823 g | 360 | Y | Feb 2022 | 2,199 | amazon.com | |
3. | Canon G5 X | 112 mm | 76 mm | 44 mm | 353 g | 210 | n | Oct 2015 | 799 | ebay.com | |
4. | Canon G7 X Mark II | 106 mm | 61 mm | 42 mm | 319 g | 265 | n | Feb 2016 | 699 | ebay.com | |
5. | Canon G7 X Mark III | 105 mm | 61 mm | 41 mm | 304 g | 235 | n | Jul 2019 | 749 | amazon.com | |
6. | Canon M50 | 116 mm | 88 mm | 59 mm | 390 g | 235 | n | Feb 2018 | 779 | ebay.com | |
7. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | 399 | amazon.com | |
8. | Leica C-LUX | 113 mm | 67 mm | 46 mm | 340 g | 370 | n | Jun 2018 | 1,049 | ebay.com | |
9. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | 1,899 | amazon.com | |
10. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | 1,999 | ebay.com | |
11. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | 1,699 | amazon.com | |
12. | Panasonic LX100 II | 115 mm | 66 mm | 65 mm | 392 g | 300 | n | Aug 2018 | 999 | ebay.com | |
13. | Panasonic S5 | 133 mm | 98 mm | 82 mm | 714 g | 440 | Y | Sep 2020 | 1,999 | amazon.com | |
14. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | 1,999 | amazon.com | |
15. | Panasonic ZS200 | 111 mm | 65 mm | 45 mm | 340 g | 370 | n | Feb 2018 | 799 | amazon.com | |
16. | Sony RX100 VI | 102 mm | 58 mm | 43 mm | 301 g | 240 | n | Jun 2018 | 1,199 | ebay.com | |
17. | Sony ZV-1 | 105 mm | 60 mm | 44 mm | 294 g | 260 | n | May 2020 | 799 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G5X Mark II was launched at a lower price than the GH6, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G5 X Mark II features an one-inch sensor and the Panasonic GH6 a Four Thirds sensor. The sensor area in the GH6 is 94 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 2.0. The sensor in the G5X Mark II has a native 3:2 aspect ratio, while the one in the GH6 offers a 4:3 aspect.
With 25MP, the GH6 offers a higher resolution than the G5X Mark II (20MP), but the GH6 nevertheless has larger individual pixels (pixel pitch of 3.00μm versus 2.41μm for the G5X Mark II) due to its larger sensor. Moreover, the GH6 is a much more recent model (by 2 years and 7 months) than the G5X Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GH6 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic GH6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GH6 for good quality output (200 dots per inch) amounts to 28.9 x 21.7 inches or 73.4 x 55.1 cm, for very good quality (250 dpi) 23.1 x 17.3 inches or 58.7 x 44.1 cm, and for excellent quality (300 dpi) 19.3 x 14.5 inches or 48.9 x 36.7 cm. The corresponding values for the Canon G5 X Mark II are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
Unlike the G5X Mark II, the GH6 has the capacity to capture high quality composite images (100MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon PowerShot G5 X Mark II has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 125-25600. The corresponding ISO settings for the Panasonic Lumix DC-GH6 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
In terms of underlying technology, the G5X Mark II is build around a BSI-CMOS sensor, while the GH6 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G5 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 583 | 65 | |
2. | Panasonic GH6 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.4 | 1555 | 77 | |
3. | Canon G5 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.4 | 12.3 | 471 | 62 | |
4. | Canon G7 X Mark II | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 21.8 | 11.9 | 260 | 62 | |
5. | Canon G7 X Mark III | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.4 | 583 | 65 | |
6. | Canon M50 | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 23.8 | 13.3 | 1684 | 81 | |
7. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
8. | Leica C-LUX | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 481 | 64 | |
9. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
10. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
11. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
12. | Panasonic LX100 II | Four Thirds | 16.8 | 4736 | 3552 | 4K/30p | 22.8 | 12.7 | 979 | 72 | |
13. | Panasonic S5 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.1 | 14.5 | 2697 | 94 | |
14. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
15. | Panasonic ZS200 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.0 | 12.2 | 449 | 64 | |
16. | Sony RX100 VI | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.1 | 12.3 | 478 | 64 | |
17. | Sony ZV-1 | 1-inch | 20.0 | 5472 | 3648 | 4K/30p | 22.2 | 12.6 | 669 | 66 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GH6 provides a better video resolution than the G5X Mark II. It can shoot movie footage at 5.7K/60p, while the Canon is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GH6 offers a substantially higher resolution than the one in the G5X Mark II (3680k vs 2360k dots). The table below summarizes some of the other core capabilities of the Canon G5 X Mark II and Panasonic GH6 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G5 X Mark II | 2360 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 30/s | Y | Y | |
2. | Panasonic GH6 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
3. | Canon G5 X | 2360 | n | 3.0 / 1040 | swivel | Y | 1/2000s | 5.9/s | Y | Y | |
4. | Canon G7 X Mark II | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 8.0/s | Y | Y | |
5. | Canon G7 X Mark III | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 30/s | Y | Y | |
6. | Canon M50 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
7. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
8. | Leica C-LUX | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
9. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
10. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
11. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
12. | Panasonic LX100 II | 2764 | n | 3.0 / 1240 | fixed | Y | 1/4000s | 11.0/s | n | Y | |
13. | Panasonic S5 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 7.0/s | n | Y | |
14. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
15. | Panasonic ZS200 | 2330 | n | 3.0 / 1240 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
16. | Sony RX100 VI | 2359 | n | 3.0 / 1229 | tilting | Y | 1/2000s | 24.0/s | Y | Y | |
17. | Sony ZV-1 | none | n | 3.0 / 922 | swivel | Y | 1/2000s | 24.0/s | n | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The G5X Mark II has one, while the GH6 does not. While the built-in flash of the G5X Mark II is not very powerful, it can at times be useful as a fill-in light.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon G5 X Mark II and the Panasonic GH6 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The G5X Mark II writes its imaging data to SDXC cards, while the GH6 uses CFexpress (type B) or SDXC cards. The GH6 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G5X Mark II only has one slot. The GH6 supports UHS-II cards (on both slots), while the G5X Mark II can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G5 X Mark II and Panasonic Lumix DC-GH6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G5 X Mark II | - | stereo / mono | - | - | micro | 3.1 | Y | - | Y | |
2. | Panasonic GH6 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
3. | Canon G5 X | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
4. | Canon G7 X Mark II | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
5. | Canon G7 X Mark III | - | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
6. | Canon M50 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
7. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
8. | Leica C-LUX | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
9. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
10. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
11. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
12. | Panasonic LX100 II | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
13. | Panasonic S5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
14. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
15. | Panasonic ZS200 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
16. | Sony RX100 VI | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
17. | Sony ZV-1 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y |
It is notable that the GH6 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The G5X Mark II does not feature such a mic input.
Studio photographers will appreciate that the Panasonic GH6 (unlike the G5X Mark II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GH6 is a recent model that features in the current product line-up of Panasonic. In contrast, the G5X Mark II has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the G5X Mark II from Canon. Further information on the features and operation of the G5X Mark II and GH6 can be found, respectively, in the Canon G5 X Mark II Manual (free pdf) or the online Panasonic GH6 Manual.
Review summary
So how do things add up? Is the Canon G5 X Mark II better than the Panasonic GH6 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon PowerShot G5 X Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Faster burst: Shoots at higher frequency (30 vs 14 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the GH6 requires a separate lens.
- More compact: Is smaller (111x61mm vs 138x100mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GH6).
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in July 2019).
Reasons to prefer the Panasonic Lumix DC-GH6:
- More detail: Has more megapixels (25 vs 20MP), which boosts linear resolution by 10%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (5.7K/60p vs 4K/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3680k vs 2360k dots).
- More detailed LCD: Has a higher resolution rear screen (1840k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (360 versus 230) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 3.1).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 2 years and 7 months of technical progress since the G5X Mark II launch.
If the count of individual advantages (bullet points above) is taken as a guide, the GH6 is the clear winner of the contest (24 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G5 X Mark II and the Panasonic GH6 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G5X Mark II or the GH6. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon G5 X Mark II | 4/5 | + | 4/5 | 82/100 | .. | 4/5 | Jul 2019 | 899 | ebay.com | |
2. | Panasonic GH6 | 5/5 | + + | 5/5 | 87/100 | 5/5 | 5/5 | Feb 2022 | 2,199 | amazon.com | |
3. | Canon G5 X | 5/5 | + + | .. | 78/100 | 4.5/5 | 4.5/5 | Oct 2015 | 799 | ebay.com | |
4. | Canon G7 X Mark II | 4.5/5 | + + | .. | 81/100 | 4.5/5 | 4.5/5 | Feb 2016 | 699 | ebay.com | |
5. | Canon G7 X Mark III | .. | + + | 4/5 | 81/100 | 4/5 | .. | Jul 2019 | 749 | amazon.com | |
6. | Canon M50 | .. | + | 4/5 | 79/100 | .. | 3.5/5 | Feb 2018 | 779 | ebay.com | |
7. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | 399 | amazon.com | |
8. | Leica C-LUX | .. | .. | 3.5/5 | .. | 4.5/5 | 4/5 | Jun 2018 | 1,049 | ebay.com | |
9. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | 1,899 | amazon.com | |
10. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | 1,999 | ebay.com | |
11. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | 1,699 | amazon.com | |
12. | Panasonic LX100 II | 4.5/5 | + | 4.2/5 | 82/100 | 4.5/5 | 4.5/5 | Aug 2018 | 999 | ebay.com | |
13. | Panasonic S5 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Sep 2020 | 1,999 | amazon.com | |
14. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | 1,999 | amazon.com | |
15. | Panasonic ZS200 | .. | + + | 4.5/5 | 81/100 | 4.5/5 | 4.5/5 | Feb 2018 | 799 | amazon.com | |
16. | Sony RX100 VI | 4.5/5 | + + | .. | 83/100 | 4/5 | 4.5/5 | Jun 2018 | 1,199 | ebay.com | |
17. | Sony ZV-1 | 4/5 | + | 4/5 | 85/100 | 4/5 | 4.5/5 | May 2020 | 799 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G5 X Mark II vs Canon XTi
- Canon G5 X Mark II vs OM System TG-7
- Canon G5 X Mark II vs Panasonic FZ150
- Canon G5 X Mark II vs Samsung NX30
- Canon G5 X Mark II vs Sony HX95
- Canon G5 X Mark II vs Sony HX99
- Fujifilm X-T2 vs Panasonic GH6
- Leica C-LUX vs Panasonic GH6
- Nikon Coolpix A vs Panasonic GH6
- Olympus E-M5 III vs Panasonic GH6
- Panasonic G10 vs Panasonic GH6
- Panasonic GH6 vs Sony A1
Specifications: Canon G5 X Mark II vs Panasonic GH6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon G5 X Mark II | Panasonic GH6 |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 24-120mm f/1.8-2.8 | Micro Four Thirds lenses |
Launch Date | July 2019 | February 2022 |
Launch Price | USD 899 | USD 2,199 |
Sensor Specs | Canon G5 X Mark II | Panasonic GH6 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1" Sensor | Four Thirds Sensor |
Sensor Size | 13.2 x 8.8 mm | 17.3 x 13.0 mm |
Sensor Area | 116.16 mm2 | 224.9 mm2 |
Sensor Diagonal | 15.9 mm | 21.6 mm |
Crop Factor | 2.7x | 2.0x |
Sensor Resolution | 20 Megapixels | 25 Megapixels |
Image Resolution | 5472 x 3648 pixels | 5776 x 4336 pixels |
Pixel Pitch | 2.41 μm | 3.00 μm |
Pixel Density | 17.18 MP/cm2 | 11.14 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 4K/30p Video | 5.7K/60p Video |
ISO Setting | 125 - 12,800 ISO | 100 - 25,600 ISO |
ISO Boost | 125 - 25,600 ISO | 50 - 25,600 ISO |
Image Processor | DIGIC 8 | Venus |
Screen Specs | Canon G5 X Mark II | Panasonic GH6 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.76x | |
Viewfinder Resolution | 2360k dots | 3680k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1840k dots |
LCD Attachment | Tilting screen | Fully flexible screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon G5 X Mark II | Panasonic GH6 |
Focus System | Contrast-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/8000s |
Continuous Shooting | 30 shutter flaps/s | 14 shutter flaps/s |
Electronic Shutter | up to 1/25600s | up to 1/32000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | CFexB or SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | Dual UHS-II |
Connectivity Specs | Canon G5 X Mark II | Panasonic GH6 |
External Flash | no Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 3.1 | USB 3.2 |
HDMI Port | micro HDMI | full HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Canon G5 X Mark II | Panasonic GH6 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Canon NB-13L | Panasonic DMW-BLK22 |
Battery Life (CIPA) | 230 shots per charge | 360 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
111 x 61 x 46 mm (4.4 x 2.4 x 1.8 in) |
138 x 100 x 100 mm (5.4 x 3.9 x 3.9 in) |
Camera Weight | 340 g (12.0 oz) | 823 g (29.0 oz) |
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