Canon G1 X Mark III vs Fujifilm X-Pro1
The Canon PowerShot G1 X Mark III and the Fujifilm X-Pro1 are two enthusiast cameras that were announced, respectively, in October 2017 and January 2012. The G1X Mark III is a fixed lens compact, while the X-Pro1 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X Mark III and the Fujifilm X-Pro1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon G1 X Mark III and the Fujifilm X-Pro1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro1 is notably larger (28 percent) than the Canon G1 X Mark III. It is worth mentioning in this context that the G1X Mark III is splash and dust resistant, while the X-Pro1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X Mark III has a lens built in, whereas the X-Pro1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-Pro1 and their specifications in the Fujinon X Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon G1 X Mark III||115 mm||78 mm||51 mm||399 g||200||Y||Oct 2017||1,299|
|2.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699|
|3.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|4.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|5.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|6.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|7.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|8.||Canon SX540||120 mm||82 mm||92 mm||442 g||205||n||Jan 2016||399|
|9.||Fujifilm X100V||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399|
|10.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299|
|11.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|12.||Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299|
|13.||Fujifilm X100S||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299|
|14.||Fujifilm X-E2||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999|
|15.||Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699|
|16.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|17.||Sony RX10 III||133 mm||94 mm||127 mm||1051 g||420||Y||Mar 2016||1,499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G1X Mark III was launched at a lower price than the X-Pro1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the X-Pro1 is 11 percent bigger. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Canon G1 X Mark III offers a higher resolution of 24 megapixels, compared with 16 MP of the Fujifilm X-Pro1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.72μm versus 4.80μm for the X-Pro1). However, it should be noted that the G1X Mark III is much more recent (by 5 years and 9 months) than the X-Pro1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the X-Pro1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon G1 X Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G1X Mark III for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Fujifilm X-Pro1 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The G1X Mark III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon PowerShot G1 X Mark III has a native sensitivity range from ISO 100 to ISO 25600. The corresponding ISO settings for the Fujifilm X-Pro1 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon G1 X Mark III||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|4.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|6.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|17.||Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G1X Mark III provides a higher frame rate than the X-Pro1. It can shoot video footage at 1080/60p, while the Fujifilm is limited to 1080/24p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the G1X Mark III offers a substantially higher resolution than the one in the X-Pro1 (2360k vs 1440k dots). The table below summarizes some of the other core capabilities of the Canon G1 X Mark III and Fujifilm X-Pro1 in connection with corresponding information for a sample of similar cameras.
|1.||Canon G1 X Mark III||2360||n||3.0 / 1040||swivel||Y||1/2000s||9.0||Y||Y|
|2.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0||n||n|
|3.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0||Y||n|
|4.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|5.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|6.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2||Y||Y|
|7.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|8.||Canon SX540||none||n||3.0 / 461||fixed||n||1/2000s||5.9||Y||Y|
|9.||Fujifilm X100V||3690||n||3.0 / 1620||tilting||Y||1/4000s||11.0||Y||n|
|10.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0||Y||n|
|11.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0||n||n|
|12.||Fujifilm X-T1||2360||n||3.0 / 1040||tilting||n||1/4000s||8.0||n||n|
|13.||Fujifilm X100S||2360||n||2.8 / 460||fixed||n||1/4000s||6.0||Y||n|
|14.||Fujifilm X-E2||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0||Y||n|
|15.||Fujifilm X-M1||none||n||3.0 / 920||tilting||n||1/4000s||5.6||Y||n|
|16.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0||Y||n|
|17.||Sony RX10 III||2359||Y||3.0 / 1229||tilting||n||1/2000s||14.0||Y||Y|
One difference between the cameras concerns the presence of an on-board flash. The G1X Mark III has one, while the X-Pro1 does not. While the built-in flash of the G1X Mark III is not very powerful, it can at times be useful as a fill-in light.The G1X Mark III has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the X-Pro1 does not have a selfie-screen.
The Canon G1 X Mark III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the G1X Mark III and the X-Pro1 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X Mark III and Fujifilm X-Pro1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon G1 X Mark III||Y||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|2.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|4.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|7.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|8.||Canon SX540||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|9.||Fujifilm X100V||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|10.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Fujifilm X-T1||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|13.||Fujifilm X100S||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|14.||Fujifilm X-E2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Fujifilm X-M1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|16.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|17.||Sony RX10 III||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the G1X Mark III offers wifi support, while the X-Pro1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Fujifilm X-Pro1 (unlike the G1X Mark III) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The G1X Mark III is a recent model that features in the current product line-up of Canon. In contrast, the X-Pro1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-Pro1 was succeeded by the Fujifilm X-Pro2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Which of the two cameras – the Canon G1 X Mark III or the Fujifilm X-Pro1 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon PowerShot G1 X Mark III:
- More detail: Offers more megapixels (24 vs 16MP) with a 23% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (9 vs 6 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Has a lens built-in, whereas the X-Pro1 requires a separate lens.
- More compact: Is smaller (115x78mm vs 140x82mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the X-Pro1).
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 5 years and 9 months of technical progress since the X-Pro1 launch.
Advantages of the Fujifilm X-Pro1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (300 versus 200) out of a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in January 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the G1X Mark III is the clear winner of the match-up (21 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X Mark III and the Fujifilm X-Pro1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the G1X Mark III and the X-Pro1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon G1 X Mark III||5/5||+||4/5||79/100||4.5/5||4.5/5||Oct 2017||1,299|
|2.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699|
|3.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|4.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|5.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|6.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|7.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|8.||Canon SX540||..||..||..||..||..||..||Jan 2016||399|
|9.||Fujifilm X100V||5/5||+ +||4.5/5||86/100||5/5||4.5/5||Feb 2020||1,399|
|10.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299|
|11.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|12.||Fujifilm X-T1||5/5||+ +||..||84/100||5/5||5/5||Jan 2014||1,299|
|13.||Fujifilm X100S||5/5||+ +||..||81/100||4.5/5||5/5||Jan 2013||1,299|
|14.||Fujifilm X-E2||4/5||..||..||80/100||4.5/5||5/5||Oct 2013||999|
|15.||Fujifilm X-M1||3/5||+||..||77/100||4.5/5||4.5/5||Jun 2013||699|
|16.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299|
|17.||Sony RX10 III||5/5||+||..||84/100||4.5/5||4.5/5||Mar 2016||1,499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 30D vs Fujifilm X-Pro1
- Canon G1 X Mark III vs Fujifilm GFX 50S
- Canon G1 X Mark III vs Nikon D5300
- Canon G1 X Mark III vs Olympus E-510
- Canon G1 X Mark III vs Olympus E-M10
- Canon G1 X Mark III vs Ricoh WG-6
- Canon G1 X Mark III vs Sony A7R IV
- Canon M5 vs Fujifilm X-Pro1
- Canon SX730 vs Fujifilm X-Pro1
- Canon T6 vs Fujifilm X-Pro1
- Fujifilm X-Pro1 vs Nikon Coolpix A
- Fujifilm X-Pro1 vs Sony A7 II
Specifications: Canon G1 X Mark III vs Fujifilm X-Pro1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X Mark III||Fujifilm X-Pro1|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-72mm f/2.8-5.6||Fujifilm X mount lenses|
|Launch Date||October 2017||January 2012|
|Launch Price||USD 1,299||USD 1,699|
|Sensor Specs||Canon G1 X Mark III||Fujifilm X-Pro1|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.6 x 15.6 mm|
|Sensor Area||332.27 mm2||368.16 mm2|
|Sensor Diagonal||26.8 mm||28.3 mm|
|Sensor Resolution||24 Megapixels||16 Megapixels|
|Image Resolution||6000 x 4000 pixels||4896 x 3264 pixels|
|Pixel Pitch||3.72 μm||4.80 μm|
|Pixel Density||7.22 MP/cm2||4.34 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/24p Video|
|ISO Setting||100 - 25,600 ISO||200 - 6,400 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||DIGIC 7||EXR Processor|
|Screen Specs||Canon G1 X Mark III||Fujifilm X-Pro1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1230k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon G1 X Mark III||Fujifilm X-Pro1|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||9 shutter flaps/s||6 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon G1 X Mark III||Fujifilm X-Pro1|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon G1 X Mark III||Fujifilm X-Pro1|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||200 shots per charge||300 shots per charge|
115 x 78 x 51 mm
(4.5 x 3.1 x 2.0 in)
140 x 82 x 43 mm
(5.5 x 3.2 x 1.7 in)
|Camera Weight||399 g (14.1 oz)||450 g (15.9 oz)|
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