Canon 80D vs Panasonic GH5s
The Canon EOS 80D and the Panasonic Lumix DC-GH5s are two enthusiast cameras that were officially introduced, respectively, in February 2016 and January 2018. The 80D is a DSLR, while the GH5s is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (80D) and a Four Thirds (GH5s) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 9.9 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 80D||Panasonic GH5s|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|24 MP, APS-C Sensor||9.9 MP, Four Thirds Sensor|
|1080/60p Video||4K/60p Video|
|ISO 100-16000 (100-25600)||ISO 160-51200 (80-204800)|
|Optical viewfinder||Electronic viewfinder (3680k dots)|
|3.0" LCD, 1040k dots||3.2" LCD, 1620k dots|
|Swivel touchscreen||Swivel touchscreen|
|7 shutter flaps per second||12 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|960 shots per battery charge||440 shots per battery charge|
|139 x 105 x 79 mm, 730 g||139 x 98 x 87 mm, 660 g|
Body comparison: Canon 80D vs Panasonic GH5s
The physical size and weight of the Canon 80D and the Panasonic GH5s are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH5s is notably smaller (7 percent) than the Canon 80D. Moreover, the GH5s is markedly lighter (10 percent) than the 80D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (80D) and the Micro Four Thirds Lens Catalog (GH5s). Mirrorless cameras, such as the GH5s, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 80D»||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Panasonic GH5s«||5.5 in||3.9 in||3.4 in||23.3 oz||440||Y||Jan 2018||2,499||Panasonic GH5s|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon T6i« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-||Canon T6i|
|Canon T6s« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||849||-||Canon T6s|
|Canon 7D II« »||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-||Canon 70D|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||-||Canon 60D|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||-||Nikon D7200|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic FZ300« »||5.2 in||3.6 in||4.6 in||24.4 oz||380||Y||Jul 2015||599||Panasonic FZ300|
|Panasonic GH4« »||5.2 in||3.7 in||3.3 in||19.8 oz||500||Y||Feb 2014||1,499||-||Panasonic GH4|
|Panasonic GH3« »||5.2 in||3.7 in||3.2 in||19.4 oz||540||Y||Sep 2012||1,299||-||Panasonic GH3|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||-||Panasonic G2|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||-||Sony RX10 II|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 80D was launched at a markedly lower price (by 52 percent) than the GH5s, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Canon 80D vs Panasonic GH5s
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 80D features an APS-C sensor and the Panasonic GH5s a Four Thirds sensor. The sensor area in the GH5s is 33 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 80D has a native 3:2 aspect ratio, while the one in the GH5s offers a 4:3 aspect.
With 24MP, the 80D offers a higher resolution than the GH5s (9.9MP), but the 80D has smaller individual pixels (pixel pitch of 3.75μm versus 4.77μm for the GH5s). Moreover, the GH5s is a somewhat more recent model (by 1 year and 10 months) than the 80D, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GH5s has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The 80D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Canon EOS 80D has a native sensitivity range from ISO 100 to ISO 16000, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DC-GH5s are ISO 160 to ISO 51200, with the possibility to increase the ISO range to 80-204800..
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 80D»||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Panasonic GH5s«||Four Thirds||9.9||3680||2700||4K/60p||-||-||-||-||Panasonic GH5s|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon T6i« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71||Canon T6i|
|Canon T6s« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon T6s|
|Canon 7D II« »||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon 60D« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Nikon D7500« »||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D7200« »||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic FZ300« »||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ300|
|Panasonic GH4« »||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Panasonic GH3« »||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71||Panasonic GH3|
|Panasonic G2« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Sony RX10 II« »||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GH5s provides a better video resolution than the 80D. It can shoot movie footage at 4K/60p, while the Canon is limited to 1080/60p.
Feature comparison: Canon 80D vs Panasonic GH5s
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GH5s has an electronic viewfinder (3680k dots), while the 80D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon 80D, the Panasonic GH5s, and comparable cameras.
|Canon 80D»||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 80D|
|Panasonic GH5s«||3680||n||3.2||1620||swivel||Y||8000||12.0||n||n||Panasonic GH5s|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n||Canon 6D Mark II|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||2000||5.9||Y||Y||Canon G3 X|
|Canon T6i« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon T6i|
|Canon T6s« »||optical||Y||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon T6s|
|Canon 7D II« »||optical||Y||3.0||1040||fixed||n||8000||10.0||Y||n||Canon 7D II|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 70D|
|Canon 60D« »||optical||Y||3.0||1040||swivel||n||8000||5.3||Y||n||Canon 60D|
|Nikon D7500« »||optical||Y||3.2||922||tilting||Y||8000||8.0||Y||n||Nikon D7500|
|Nikon D7200« »||optical||Y||3.2||1229||fixed||n||8000||6.0||Y||n||Nikon D7200|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||Y||Panasonic GH5|
|Panasonic FZ300« »||1440||n||3.0||1040||swivel||Y||4000||12.0||Y||Y||Panasonic FZ300|
|Panasonic GH4« »||2359||n||3.0||1036||swivel||Y||8000||12.0||Y||n||Panasonic GH4|
|Panasonic GH3« »||1746||n||3.0||614||swivel||Y||4000||6.0||Y||n||Panasonic GH3|
|Panasonic G2« »||1440||n||3.0||460||swivel||Y||4000||2.6||Y||n||Panasonic G2|
|Sony RX10 II« »||2359||Y||3.0||1229||tilting||n||3200||14.0||Y||Y||Sony RX10 II|
One difference between the cameras concerns the presence of an on-board flash. The 80D has one, while the GH5s does not. While the built-in flash of the 80D is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the GH5s features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the 80D and the GH5s write their files to SDXC cards. The GH5s features dual card slots, which can be very useful in case a memory card fails. In contrast, the 80D only has one slot.
Connectivity comparison: Canon 80D vs Panasonic GH5s
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 80D and Panasonic Lumix DC-GH5s and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 80D»||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Panasonic GH5s«||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5s|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon G3 X« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon T6i« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6i|
|Canon T6s« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon T6s|
|Canon 7D II« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon 60D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Nikon D7500« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D7200« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic FZ300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ300|
|Panasonic GH4« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Panasonic GH3« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Panasonic GH3|
|Panasonic G2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Sony RX10 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
Studio photographers will appreciate that the Panasonic GH5s (unlike the 80D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 80D and the GH5s are recent models that feature in their makers' current product line-up. The 80D replaced the earlier Canon 70D, while the GH5s does not have a direct predecessor.
Review summary: Canon 80D vs Panasonic GH5s
So how do things add up? Which of the two cameras – the Canon 80D or the Panasonic GH5s – has the upper hand? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 80D:
- More detail: Offers more megapixels (24 vs 9.9MP) with a 58% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (960 versus 440) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (52 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2016).
Arguments in favor of the Panasonic Lumix DC-GH5s:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Faster burst: Shoots at higher frequency (12 vs 7 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Was introduced somewhat (1 year and 10 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the GH5s is the clear winner of the contest (14 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the 80D and the GH5s in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Canon 80D vs Panasonic GH5s
This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Canon 80D»||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||Canon 80D|
|Panasonic GH5s«||-||84/100||4.5/5||-||4.5/5||Jan 2018||2,499||Panasonic GH5s|
|Canon 6D Mark II« »||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon G3 X« »||Rec||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Canon T6i« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-||Canon T6i|
|Canon T6s« »||Rec||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||849||-||Canon T6s|
|Canon 7D II« »||Rec||84/100||4/5||5/5||4.5/5||Sep 2014||1,799||Canon 7D II|
|Canon 70D« »||HiRec||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Canon 60D« »||Rec||79/100||4/5||5/5||4.5/5||Aug 2010||1,399||-||Canon 60D|
|Nikon D7500« »||HiRec||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299||Nikon D7500|
|Nikon D7200« »||HiRec||84/100||4.5/5||4/5||4.5/5||Mar 2015||1,199||-||Nikon D7200|
|Panasonic GH5« »||HiRec||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic FZ300« »||HiRec||-||4.5/5||4.5/5||4.5/5||Jul 2015||599||Panasonic FZ300|
|Panasonic GH4« »||HiRec||85/100||5/5||5/5||5/5||Feb 2014||1,499||-||Panasonic GH4|
|Panasonic GH3« »||HiRec||79/100||4.5/5||5/5||4.5/5||Sep 2012||1,299||-||Panasonic GH3|
|Panasonic G2« »||-||72/100||4/5||4/5||4.5/5||Mar 2010||599||-||Panasonic G2|
|Sony RX10 II« »||HiRec||82/100||4.5/5||4.5/5||4/5||Jun 2015||1,299||-||Sony RX10 II|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 10D vs Nikon D200
- Canon 1D C vs Sony A9
- Canon 7D II vs Canon SL2
- Fujifilm X-E2 vs Olympus E-P5
- Kodak AZ901 vs Panasonic TZ200
- Nikon D70 vs Nikon D7000
- Nikon D800 vs Sony A6500
- Panasonic GF6 vs Sony A7 II
- Sony A5100 vs Nikon P900
- Sony A7 III vs Sony RX1R II
- Sony NEX-5N vs Olympus E-PL1
- Sony RX100 II vs Sony A7 II
Specifications: Canon 80D vs Panasonic GH5s
|Camera Model||Canon 80D||Panasonic GH5s|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2016||January 2018|
|Launch Price||USD 1199||USD 2499|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.5 x 15.0 mm||17.3 x 15.0 mm|
|Sensor Area||337.5 mm2||224.9 mm2|
|Sensor Diagonal||27 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||9.9 Megapixels|
|Image Resolution||6000 x 4000 pixels||3680 x 2700 pixels|
|Pixel Pitch||3.75 μm||4.77 μm|
|Pixel Density||7.11 MP/cm2||4.42 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/60p Video|
|ISO Setting||100-16000 ISO||160-51200 ISO|
|ISO Boost||100-25600 ISO||80-204800 ISO|
|Image Processor||DIGIC 6||Venus 10|
|DXO Sensor Quality (score)||79||..|
|DXO Color Depth (bits)||23.6||..|
|DXO Dynamic Range (EV)||13.2||..|
|DXO Low Light (ISO)||1135||..|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||n/a||3680k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||1040k dots||1620k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Maximum Shutter Speed||1/8000s||1/8000s|
|Continuous Shooting||7 shutter flaps/s||12 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||mini HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||LP-E6N power pack||DMW-BLF19 power pack|
|Battery Life (CIPA)||960 shots per charge||440 shots per charge|
139 x 105 x 79 mm
(5.5 x 4.1 x 3.1 in)
139 x 98 x 87 mm
(5.5 x 3.9 x 3.4 in)
|Camera Weight||730 g (25.8 oz)||660 g (23.3 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.