Canon 77D versus Sony A6300
The Canon EOS 77D and the Sony Alpha A6300 are two digital cameras that were announced, respectively, in February 2017 and February 2016. The 77D is a DSLR, while the A6300 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel.
The physical size and weight of the Canon 77D and the Sony A6300 are illustrated in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the 77D – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is considerably smaller (39 percent) than the Canon 77D. Moreover, the A6300 is markedly lighter (25 percent) than the 77D. It is noteworthy in this context that the A6300 is splash and dust-proof, while the 77D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (77D) and the Sony E-Mount Lens Catalog (A6300). Mirrorless cameras, such as the A6300, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Canon 77D (⇒ rgt)||131 mm||100 mm||76 mm||540 g||600||no||2017||899||latest||check|
|Sony A6300 (⇒ lft)||120 mm||67 mm||49 mm||404 g||400||YES||2016||999||discont.||check|
|Canon 200D (⇒ lft | rgt)||122 mm||93 mm||70 mm||453 g||650||no||2017||549||latest||check|
|Canon 800D (⇒ lft | rgt)||131 mm||100 mm||76 mm||532 g||600||no||2017||749||latest||check|
|Canon M6 (⇒ lft | rgt)||112 mm||68 mm||45 mm||390 g||295||no||2017||779||latest||check|
|Canon 1300D (⇒ lft | rgt)||129 mm||101 mm||78 mm||485 g||500||no||2016||449||latest||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Canon 750D (⇒ lft | rgt)||132 mm||101 mm||78 mm||555 g||440||no||2015||749||discont.||check|
|Canon 760D (⇒ lft | rgt)||132 mm||101 mm||78 mm||565 g||440||no||2015||849||discont.||check|
|Canon 650D (⇒ lft | rgt)||133 mm||100 mm||79 mm||575 g||440||no||2012||849||discont.||check|
|Canon 500D (⇒ lft | rgt)||129 mm||98 mm||62 mm||520 g||400||no||2009||799||discont.||check|
|Canon 450D (⇒ lft | rgt)||129 mm||98 mm||62 mm||524 g||500||no||2008||799||discont.||check|
|Sony A6500 (⇒ lft | rgt)||120 mm||67 mm||53 mm||453 g||350||YES||2016||1,399||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony A6000 (⇒ lft | rgt)||120 mm||67 mm||45 mm||344 g||360||no||2014||599||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 77D was somewhat cheaper (by 10 percent) than the A6300 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A6300 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (77D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the A6300 has a larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the A6300 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.91μm versus 3.72μm for the 77D), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the 77D is a somewhat more recent model (by 1 year) than the A6300, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 77D (⇒ rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Sony A6300 (⇒ lft)||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Canon 200D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79|
|Canon 800D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon M6 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
|Canon 1300D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||-||-||-||-|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon 750D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon 760D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon 650D (⇒ lft | rgt)||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62|
|Canon 500D (⇒ lft | rgt)||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63|
|Canon 450D (⇒ lft | rgt)||APS-C||12.2||4272||2848||no||21.9||10.8||692||61|
|Sony A6500 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony A6000 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6300 provides a better video resolution than the 77D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6300 has an electronic viewfinder (2300k dots), while the 77D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon 77D, the Sony A6300, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon 77D (⇒ rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.0||12||no|
|Sony A6300 (⇒ lft)||2300||no||3.0||922||tilting||no||4000||11.0||6||no|
|Canon 200D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||9.8||no|
|Canon 800D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||6.0||12||no|
|Canon M6 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||9.0||5||no|
|Canon 1300D (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.0||9.2||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Canon 750D (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon 760D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon 650D (⇒ lft | rgt)||optical||no||3||1040||swivel||YES||4000||5.0||YES||no|
|Canon 500D (⇒ lft | rgt)||optical||no||3.0||920||fixed||no||4000||3.4||YES||no|
|Canon 450D (⇒ lft | rgt)||optical||no||3.0||230||fixed||no||4000||3.5||YES||no|
|Sony A6500 (⇒ lft | rgt)||2300||no||3.0||922||tilting||YES||4000||11.0||6||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony A6000 (⇒ lft | rgt)||1440||no||3.0||922||tilting||no||4000||11.0||6||no|
The 77D is a current model that online retailers, such as amazon, will have in stock. In contrast, the A6300 has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the A6300 was succeeded by the Sony A6500.
So what conclusions can be drawn? Is there a clear favorite between the Canon 77D and the Canon 77D? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 77D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Longer lasting: Can take more shots (600 versus 400) on a single battery charge.
- More modern: Is somewhat more recent (announced 1 year after the A6300).
Arguments in favor of the Sony Alpha A6300:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (11 vs 6 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 131x100mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 136g or 25 percent) and is thus easier to take along.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More heavily discounted: Has been on the market for longer (launched in February 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the A6300 comes out slightly ahead of the 77D (8 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 77D or the A6300 handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon 77D (⇒ rgt)||..||82/100 Silver||4.5/5||..||4/5||2017||899||latest||check|
|Sony A6300 (⇒ lft)||Rec||85/100 Gold||5/5||5/5||5/5||2016||999||discont.||check|
|Canon 200D (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||-||4.5/5||2017||549||latest||check|
|Canon 800D (⇒ lft | rgt)||..||80/100 Gold||4.5/5||..||4/5||2017||749||latest||check|
|Canon M6 (⇒ lft | rgt)||-||80/100 Silver||4/5||4.5/5||4/5||2017||779||latest||check|
|Canon 1300D (⇒ lft | rgt)||reviewed||73/100||4/5||3.5/5||4/5||2016||449||latest||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Canon 750D (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon 760D (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon 650D (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||4.5/5||4.5/5||2012||849||discont.||check|
|Canon 500D (⇒ lft | rgt)||88/100 HiRec||74/100 HiRec||4.5/5||5/5||4.5/5||2009||799||discont.||check|
|Canon 450D (⇒ lft | rgt)||88/100 HiRec||HiRec||4/5||5/5||4.5/5||2008||799||discont.||check|
|Sony A6500 (⇒ lft | rgt)||HiRec||85/100 Silver||4.5/5||5/5||4.5/5||2016||1,399||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony A6000 (⇒ lft | rgt)||Rec||80/100 Gold||4.5/5||5/5||5/5||2014||599||discont.||check|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool. If you cannot find the camera you are interested in, please contact me, and I will try to update the database with the necessary infos.
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