Canon 6D vs Olympus E-M1
The Canon EOS 6D and the Olympus OM-D E-M1 are two enthusiast cameras that were announced, respectively, in September 2012 and September 2013. The 6D is a DSLR, while the E-M1 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D) and a Four Thirds (E-M1) sensor. The Canon has a resolution of 20 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 6D and the Olympus OM-D E-M1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 6D and the Olympus E-M1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The E-M1 can be obtained in two different colors (black, silver), while the 6D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 is notably smaller (24 percent) than the Canon 6D. Moreover, the E-M1 is substantially lighter (35 percent) than the 6D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (6D) and the Micro Four Thirds Lens Catalog (E-M1). Mirrorless cameras, such as the E-M1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|2.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|4.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|5.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|6.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|7.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|8.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|9.||Canon 1D X||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799|
|10.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|11.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|12.||Nikon D600||141 mm||113 mm||82 mm||850 g||900||Y||Sep 2012||2,099|
|13.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|14.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|15.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|16.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|17.||Olympus E-M5||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-M1 was launched at a markedly lower price (by 33 percent) than the 6D, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 6D features a full frame sensor and the Olympus E-M1 a Four Thirds sensor. The sensor area in the E-M1 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 6D has a native 3:2 aspect ratio, while the one in the E-M1 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 20MP, the 6D offers a higher resolution than the E-M1 (15.9MP), but the 6D nevertheless has larger individual pixels (pixel pitch of 6.57μm versus 3.76μm for the E-M1) due to its larger sensor. However, the E-M1 is a somewhat more recent model (by 11 months) than the 6D, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the E-M1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 6D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 6D for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Olympus E-M1 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The E-M1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 6D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus OM-D E-M1 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 6D has a notably higher overall DXO score than the E-M1 (overall score 9 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.8 bits higher color depth, 0.6 EV of lower dynamic range, and 1.6 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|2.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|4.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|5.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|6.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|8.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|9.||Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|10.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|11.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|12.||Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|13.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|14.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|15.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|16.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|17.||Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/30p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M1 has an electronic viewfinder (2360k dots), while the 6D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the E-M1 offers a wider field of view (100%) than the one in the 6D (97%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-M1 has a higher magnification (0.74x vs 0.71x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 6D and Olympus E-M1 in connection with corresponding information for a sample of similar cameras.
|1.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|2.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0/s||n||Y|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5/s||n||n|
|4.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0/s||n||n|
|5.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|6.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0/s||Y||n|
|7.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|8.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0/s||n||n|
|9.||Canon 1D X||optical||Y||3.2 / 1040||fixed||n||1/8000s||14.0/s||n||n|
|10.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9/s||n||n|
|11.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0/s||Y||n|
|12.||Nikon D600||optical||Y||3.0 / 921||fixed||n||1/4000s||5.5/s||Y||n|
|13.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|14.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|15.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|16.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|17.||Olympus E-M5||1440||n||3.0 / 610||tilting||Y||1/4000s||9.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 6D, but is missing on the E-M1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 6D and the E-M1 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 6D and Olympus OM-D E-M1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|2.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|5.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|6.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|7.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|8.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|9.||Canon 1D X||Y||mono / -||Y||-||mini||2.0||-||-||-|
|10.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|12.||Nikon D600||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|13.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|14.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|16.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|17.||Olympus E-M5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
Studio photographers will appreciate that the Olympus E-M1 (unlike the 6D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 6D has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 6D and the E-M1 have been discontinued, but can regularly be found used on eBay. The 6D was replaced by the Canon 6D Mark II, while the E-M1 was followed by the Olympus E-M1 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So how do things add up? Is the Canon 6D better than the Olympus E-M1 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 6D:
- More detail: Offers more megapixels (20 vs 15.9MP) with a 14% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores markedly higher (9 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (1.6 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Longer lasting: Can take more shots (1090 versus 350) on a single battery charge.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More heavily discounted: Has been on the market for longer (launched in September 2012).
Reasons to prefer the Olympus OM-D E-M1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More dynamic range: Captures a broader range of light and dark details (0.6 EV of extra DR).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 97%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.71x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 4.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (130x94mm vs 145x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 273g or 35 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More modern: Was introduced somewhat (11 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M1 is the clear winner of the contest (19 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 6D and the Olympus E-M1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 6D and the E-M1 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|2.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|4.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|5.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|6.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|7.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|8.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|9.||Canon 1D X||5/5||..||..||..||4.5/5||4.5/5||Oct 2011||6,799|
|10.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|11.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|12.||Nikon D600||4/5||+ +||..||87/100||5/5||4.5/5||Sep 2012||2,099|
|13.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|14.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199|
|15.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|16.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|17.||Olympus E-M5||4/5||+ +||..||80/100||4.5/5||5/5||Feb 2012||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5DS vs Olympus E-M1
- Canon 6D vs Epson R-D1
- Canon 6D vs Fujifilm GFX 100
- Canon 6D vs Nikon P7800
- Canon 6D vs Nikon W300
- Canon 6D vs Panasonic L1
- Canon 6D vs Sony A68
- Canon G16 vs Olympus E-M1
- Canon G7 X Mark III vs Olympus E-M1
- Canon SX740 vs Olympus E-M1
- Nikon D7100 vs Olympus E-M1
- Olympus E-M1 vs Panasonic S1R
Specifications: Canon 6D vs Olympus E-M1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 6D||Olympus E-M1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2012||September 2013|
|Launch Price||USD 2,099||USD 1,399|
|Sensor Specs||Canon 6D||Olympus E-M1|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||20 Megapixels||15.9 Megapixels|
|Image Resolution||5472 x 3648 pixels||4608 x 3456 pixels|
|Pixel Pitch||6.57 μm||3.76 μm|
|Pixel Density||2.31 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/30p Video|
|ISO Setting||100 - 25,600 ISO||200 - 25,600 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 5+||TruePIC VII|
|DXO Sensor Quality (score)||82||73|
|DXO Color Depth (bits)||23.8||23.0|
|DXO Dynamic Range (EV)||12.1||12.7|
|DXO Low Light (ISO)||2340||757|
|Screen Specs||Canon 6D||Olympus E-M1|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||97%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 6D||Olympus E-M1|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||4.5 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||150 000 actuations|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 6D||Olympus E-M1|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 6D||Olympus E-M1|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1090 shots per charge||350 shots per charge|
145 x 111 x 71 mm
(5.7 x 4.4 x 2.8 in)
130 x 94 x 63 mm
(5.1 x 3.7 x 2.5 in)
|Camera Weight||770 g (27.2 oz)||497 g (17.5 oz)|
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