Canon 6D Mark II versus Olympus E-P5
The Canon EOS 6D Mark II and the Olympus PEN E-P5 are two enthusiast cameras that were officially introduced, respectively, in June 2017 and May 2013. The 6D Mark II is a DSLR, while the E-P5 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (6D Mark II) and a Four Thirds (E-P5) sensor. The Canon has a resolution of 26 megapixel, whereas the Olympus provides 15.9 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Canon 6D Mark II vs Olympus E-P5
An illustration of the physical size and weight of the Canon 6D Mark II and the Olympus E-P5 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the 6D Mark II – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P5 is considerably smaller (47 percent) than the Canon 6D Mark II. Moreover, the E-P5 is substantially lighter (45 percent) than the 6D Mark II. It is worth mentioning in this context that the 6D Mark II is splash and dust resistant, while the E-P5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (6D Mark II) and the Micro Four Thirds Lens Catalog (E-P5). Mirrorless cameras, such as the E-P5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Canon 6D Mark II (⇒ rgt)||144 mm||111 mm||75 mm||765 g||1200||YES||2017||1,999||latest||check|
|Olympus E-P5 (⇒ lft)||122 mm||69 mm||37 mm||420 g||330||no||2013||999||discont.||check|
|Canon 5D Mark IV (⇒ lft | rgt)||151 mm||116 mm||76 mm||890 g||900||YES||2016||3,499||latest||check|
|Canon 80D (⇒ lft | rgt)||139 mm||105 mm||79 mm||730 g||960||YES||2016||1,199||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||158 mm||168 mm||83 mm||1530 g||1210||YES||2016||5,999||latest||check|
|Canon 6D (⇒ lft | rgt)||145 mm||111 mm||71 mm||770 g||1090||YES||2012||2,099||discont.||check|
|Canon 5D Mark III (⇒ lft | rgt)||152 mm||116 mm||76 mm||950 g||950||YES||2012||3,499||discont.||check|
|Canon 5D Mark II (⇒ lft | rgt)||152 mm||114 mm||75 mm||850 g||850||YES||2008||3,499||discont.||check|
|Nikon D500 (⇒ lft | rgt)||147 mm||115 mm||81 mm||860 g||1240||YES||2016||1,999||latest||check|
|Nikon D750 (⇒ lft | rgt)||141 mm||113 mm||78 mm||750 g||1230||YES||2014||2,299||latest||check|
|Nikon D610 (⇒ lft | rgt)||141 mm||113 mm||82 mm||850 g||900||YES||2013||1,999||latest||check|
|Nikon D600 (⇒ lft | rgt)||141 mm||113 mm||82 mm||850 g||900||YES||2012||2,099||discont.||check|
|Olympus PEN-F (⇒ lft | rgt)||125 mm||72 mm||37 mm||427 g||330||no||2016||1,199||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||120 mm||83 mm||47 mm||390 g||320||no||2015||799||discont.||check|
|Olympus E-PL7 (⇒ lft | rgt)||115 mm||67 mm||38 mm||357 g||350||no||2014||599||discont.||check|
|Olympus E-M10 (⇒ lft | rgt)||119 mm||82 mm||46 mm||396 g||320||no||2014||699||discont.||check|
|Olympus E-M1 (⇒ lft | rgt)||130 mm||94 mm||63 mm||497 g||350||YES||2013||1,399||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-P5 was launched at a markedly lower price (by 50 percent) than the 6D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 6D Mark II vs Olympus E-P5
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 6D Mark II features a full frame sensor and the Olympus E-P5 a Four Thirds sensor. The sensor area in the E-P5 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 6D Mark II has a native 3:2 aspect ratio, while the one in the E-P5 offers a 4:3 aspect.
With 26MP, the 6D Mark II offers a higher resolution than the E-P5 (15.9MP), but the 6D Mark II nevertheless has larger individual pixels (pixel pitch of 5.76μm versus 3.76μm for the E-P5) due to its larger sensor. Moreover, the 6D Mark II is a somewhat more recent model (by 4 years and 1 month) than the E-P5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 6D Mark II provides substantially higher image quality than the E-P5, with an overall score that is 13 points higher. This advantage is based on 1.6 bits higher color depth, 0.5 EV of lower dynamic range, and 1.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 6D Mark II (⇒ rgt)||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Olympus E-P5 (⇒ lft)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Canon 5D Mark IV (⇒ lft | rgt)||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Canon 80D (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon 1D X Mark II (⇒ lft | rgt)||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 6D (⇒ lft | rgt)||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 5D Mark III (⇒ lft | rgt)||Full Frame||22.1||5760||3840||1080/30p||24||11.7||2293||81|
|Canon 5D Mark II (⇒ lft | rgt)||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Nikon D500 (⇒ lft | rgt)||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Nikon D750 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Nikon D610 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Nikon D600 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|Olympus PEN-F (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Olympus E-M10 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-PL7 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|Olympus E-M10 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Olympus E-M1 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 6D Mark II provides a higher frame rate than the E-P5. It can shoot video footage at 1080/60p, while the Olympus is limited to 1080/30p.
Feature comparison: Canon 6D Mark II vs Olympus E-P5
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 6D Mark II has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the E-P5 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon 6D Mark II and Olympus E-P5 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon 6D Mark II (⇒ rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.5||no||no|
|Olympus E-P5 (⇒ lft)||no||no||3.0||1037||tilting||YES||8000||9.0||7||YES|
|Canon 5D Mark IV (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||7.0||no||no|
|Canon 80D (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||8000||7.0||12||no|
|Canon 1D X Mark II (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||16.0||no||no|
|Canon 6D (⇒ lft | rgt)||optical||YES||3.0||1040||fixed||no||4000||4.5||no||no|
|Canon 5D Mark III (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||6.0||no||no|
|Canon 5D Mark II (⇒ lft | rgt)||optical||YES||3.0||920||fixed||no||8000||3.9||no||no|
|Nikon D500 (⇒ lft | rgt)||optical||YES||3.2||2359||tilting||YES||8000||10.0||no||no|
|Nikon D750 (⇒ lft | rgt)||optical||YES||3.2||1229||tilting||no||4000||6.0||12||no|
|Nikon D610 (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||4000||6.0||12||no|
|Nikon D600 (⇒ lft | rgt)||optical||YES||3.0||921||fixed||no||4000||5.5||12||no|
|Olympus PEN-F (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Olympus E-M10 II (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-PL7 (⇒ lft | rgt)||no||no||3.0||1037||tilting||YES||4000||8.0||no||YES|
|Olympus E-M10 (⇒ lft | rgt)||1440||no||3.0||1037||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-M1 (⇒ lft | rgt)||2360||no||3.0||1037||tilting||YES||8000||10.0||no||YES|
The 6D Mark II is a current model that online retailers, such as amazon, will have in stock. In contrast, the E-P5 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-P5 was succeeded by the ...
Review summary: Canon 6D Mark II vs Olympus E-P5
So what conclusions can be drawn? Is the Canon 6D Mark II better than the Olympus E-P5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS 6D Mark II:
- More detail: Offers more megapixels (26 vs 15.9MP) with a 30% higher linear resolution.
- Better image quality: Scores substantially higher (13 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.6 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (1.7 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Easier framing: Has an optical viewfinder for image framing and settings control.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Longer lasting: Can take more shots (1200 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More modern: Reflects 4 years and 1 month of technical progress since the E-P5 launch.
Advantages of the Olympus PEN E-P5:
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 6.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (122x69mm vs 144x111mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 345g or 45 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in May 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the 6D Mark II emerges as the winner of the contest (11 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the 6D Mark II or the E-P5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Canon 6D Mark II (⇒ rgt)||Rec||80/100||4.5/5||4/5||4/5||2017||1,999||latest||check|
|Olympus E-P5 (⇒ lft)||HiRec||78/100 Silver||4.5/5||4.5/5||5/5||2013||999||discont.||check|
|Canon 5D Mark IV (⇒ lft | rgt)||HiRec||87/100 Gold||4.5/5||5/5||4.5/5||2016||3,499||latest||check|
|Canon 80D (⇒ lft | rgt)||HiRec||84/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,199||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||4.5/5||2016||5,999||latest||check|
|Canon 6D (⇒ lft | rgt)||HiRec||83/100 Silver||4.5/5||4.5/5||4.5/5||2012||2,099||discont.||check|
|Canon 5D Mark III (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||5/5||4.5/5||2012||3,499||discont.||check|
|Canon 5D Mark II (⇒ lft | rgt)||91/100||79/100 HiRec||4/5||5/5||-||2008||3,499||discont.||check|
|Nikon D500 (⇒ lft | rgt)||HiRec||91/100 Gold||4.5/5||5/5||5/5||2016||1,999||latest||check|
|Nikon D750 (⇒ lft | rgt)||HiRec||90/100 Gold||4.5/5||5/5||4.5/5||2014||2,299||latest||check|
|Nikon D610 (⇒ lft | rgt)||HiRec||87/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,999||latest||check|
|Nikon D600 (⇒ lft | rgt)||HiRec||87/100 Gold||5/5||4.5/5||4.5/5||2012||2,099||discont.||check|
|Olympus PEN-F (⇒ lft | rgt)||-||82/100 Silver||4.5/5||4.5/5||5/5||2016||1,199||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||5/5||5/5||2015||799||discont.||check|
|Olympus E-PL7 (⇒ lft | rgt)||Rec||-||5/5||4.5/5||4/5||2014||599||discont.||check|
|Olympus E-M10 (⇒ lft | rgt)||-||80/100 Gold||5/5||4.5/5||5/5||2014||699||discont.||check|
|Olympus E-M1 (⇒ lft | rgt)||HiRec||84/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,399||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you cannot find the camera you are interested in, please contact me, and I will try to update the database with the necessary infos.
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