Canon 5DS R vs Sony A99 II
The Canon EOS 5DS R and the Sony Alpha ALT-A99 II are two professional cameras that were announced, respectively, in February 2015 and September 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a full frame sensor. The Canon has a resolution of 50.3 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 5DS R||Sony A99 II|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Sony A mount lenses|
|50.3 MP, Full Frame Sensor||42.2 MP, Full Frame Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-6400 (50-12800)||ISO 100-25600|
|Optical viewfinder||Electronic viewfinder (2400k dots)|
|3.2" LCD, 1040k dots||3.0" LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Fully flexible screen (no touchscreen)|
|5 shutter flaps per second||12 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|700 shots per battery charge||490 shots per battery charge|
|152 x 116 x 76 mm, 930 g||143 x 104 x 76 mm, 849 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5DS R and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 5DS R and the Sony A99 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is notably smaller (16 percent) than the Canon 5DS R. Moreover, the A99 II is markedly lighter (9 percent) than the 5DS R. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 5DS R»||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS R|
|Sony A99 II«||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||Sony A99 II|
|Canon 6D Mark II« »||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5D Mark III« »||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 5D Mark II« »||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 5D« »||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299||-||Canon 5D|
|Nikon D850« »||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299||Nikon D850|
|Nikon D810« »||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299||-||Nikon D810|
|Sony A7R III« »||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199||-||Sony A7R III|
|Sony A7R II« »||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A99« »||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799||-||Sony A99|
|Sony A900« »||156 mm||117 mm||82 mm||895 g||880||Y||Sep 2008||2,999||-||Sony A900|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A99 II was launched at a somewhat lower price (by 14 percent) than the 5DS R, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 50.3MP, the 5DS R offers a higher resolution than the A99 II (42.2MP), but the 5DS R has smaller individual pixels (pixel pitch of 4.14μm versus 4.52μm for the A99 II). Moreover, the A99 II is a somewhat more recent model (by 1 year and 7 months) than the 5DS R, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Canon 5DS R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5DS R for good quality output (200 dots per inch) amounts to 43.4 x 29 inch or 110.3 x 73.6 cm, for very good quality (250 dpi) 34.8 x 23.2 inch or 88.3 x 58.8 cm, and for excellent quality (300 dpi) 29 x 19.3 inch or 73.6 x 49 cm. The corresponding values for the Sony A99 II are 39.8 x 26.5 inch or 101 x 67.4 cm for good quality, 31.8 x 21.2 inch or 80.8 x 53.9 cm for very good quality, and 26.5 x 17.7 inch or 67.3 x 44.9 cm for excellent quality prints.
The A99 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 5DS R has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 50-12800. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A99 II has a markedly higher DXO score than the 5DS R (overall score 6 points higher), which will translate into better image quality. The advantage is based on 0.8 bits higher color depth, 1 EV in additional dynamic range, and -0 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 5DS R»||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Sony A99 II«||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Nikon D850« »||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100||Nikon D850|
|Nikon D810« »||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97||Nikon D810|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A99« »||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89||Sony A99|
|Sony A900« »||Full Frame||24.4||6048||4032||-||23.7||12.3||1431||79||Sony A900|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A99 II provides a better video resolution than the 5DS R. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A99 II has an electronic viewfinder (2400k dots), while the 5DS R has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A99 II has a higher magnification than the one of the 5DS R (0.78x vs 0.71x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 5DS R and Sony A99 II along with similar information for a selection of comparators.
|Canon 5DS R»||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Sony A99 II«||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Nikon D850« »||optical||Y||3.2||2359||tilting||Y||1/8000s||9.0||n||n||Nikon D850|
|Nikon D810« »||optical||Y||3.2||1229||fixed||n||1/8000s||5.0||Y||n||Nikon D810|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A99« »||2359||Y||3.0||1229||full-flex||n||1/8000s||6.0||n||Y||Sony A99|
|Sony A900« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||Y||Sony A900|
One feature that differentiates the A99 II and the 5DS R is in-body image stabilization (IBIS). The A99 II reduces the risk of handshake-induced blur with all attached lenses, while the 5DS R has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The A99 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 5DS R does not have a selfie-screen.
The Canon 5DS R has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5DS R writes its imaging data to Compact Flash or SDXC cards, while the A99 II uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5DS R and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 5DS R»||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Sony A99 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 5D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Nikon D850« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D850|
|Nikon D810« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Nikon D810|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A99« »||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Sony A99|
|Sony A900« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A900|
It is notable that the A99 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 5DS R does not offer wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the 5DS R and the A99 II are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Canon and Sony. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 5DS R and the Sony A99 II? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS 5DS R:
- More detail: Offers more megapixels (50.3 vs 42.2MP) with a 9% higher linear resolution.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Can take more shots (700 versus 490) on a single battery charge.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- More heavily discounted: Has been on the market for longer (launched in February 2015).
Advantages of the Sony Alpha ALT-A99 II:
- Better image quality: Scores markedly higher (6 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1 EV of extra DR).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.71x).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (143x104mm vs 152x116mm) and will fit more readily into a bag.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was released into a lower priced segment (14 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 7 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the A99 II is the clear winner of the contest (18 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5DS R and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 5DS R or the A99 II perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 5DS R»||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Sony A99 II«||-||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199||Sony A99 II|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5D Mark III« »||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 5D« »||88/100||+ +||o||o||-||Aug 2005||3,299||-||Canon 5D|
|Nikon D850« »||+ +||89/100||4.5/5||5/5||5/5||Jul 2017||3,299||Nikon D850|
|Nikon D810« »||-||86/100||5/5||4.5/5||4.5/5||Jun 2014||3,299||-||Nikon D810|
|Sony A7R III« »||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||-||Sony A7R III|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A99« »||-||84/100||4.5/5||o||4.5/5||Sep 2012||2,799||-||Sony A99|
|Sony A900« »||+ +||+ +||4.5/5||4/5||5/5||Sep 2008||2,999||-||Sony A900|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 300D vs Canon 5DS R
- Canon 5DS R vs Fujifilm X-Pro1
- Canon 5DS R vs Nikon 1 V3
- Canon 5DS R vs Nikon B500
- Canon 5DS R vs Nikon D300
- Canon 5DS R vs Panasonic GX80
- Canon 5DS R vs Sony RX1
- Canon 750D vs Sony A99 II
- Canon G7 X vs Sony A99 II
- Nikon D50 vs Sony A99 II
- Nikon D5000 vs Sony A99 II
- Panasonic G90 vs Sony A99 II
Specifications: Canon 5DS R vs Sony A99 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5DS R||Sony A99 II|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Sony A mount lenses|
|Launch Date||February 2015||September 2016|
|Launch Price||USD 3699||USD 3199|
|Sensor Specs||Canon 5DS R||Sony A99 II|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||35.9 x 24.0 mm|
|Sensor Area||864 mm2||861.6 mm2|
|Sensor Diagonal||43.3 mm||43.2 mm|
|Sensor Resolution||50.3 Megapixels||42.2 Megapixels|
|Image Resolution||8688 x 5792 pixels||7952 x 5304 pixels|
|Pixel Pitch||4.14 μm||4.52 μm|
|Pixel Density||5.82 MP/cm2||4.90 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100-6400 ISO||100-25600 ISO|
|ISO Boost||50-12800 ISO||50-25600 ISO|
|Image Processor||DIGIC 6 (Dual)||BIONZ X|
|DXO Sensor Quality (score)||86||92|
|DXO Color Depth (bits)||24.6||25.4|
|DXO Dynamic Range (EV)||12.4||13.4|
|DXO Low Light (ISO)||2308||2317|
|Screen Specs||Canon 5DS R||Sony A99 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2400k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Canon 5DS R||Sony A99 II|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||5 shutter flaps/s||12 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 5DS R||Sony A99 II|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 5DS R||Sony A99 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||700 shots per charge||490 shots per charge|
152 x 116 x 76 mm
(6.0 x 4.6 x 3.0 in)
143 x 104 x 76 mm
(5.6 x 4.1 x 3.0 in)
|Camera Weight||930 g (32.8 oz)||849 g (29.9 oz)|
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