Canon 1D Mark IV vs Sony A99 II
The Canon EOS-1D Mark IV and the Sony Alpha ALT-A99 II are two professional cameras that were announced, respectively, in October 2009 and September 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-H (1D Mark IV) and a full frame (A99 II) sensor. The Canon has a resolution of 16 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1D Mark IV||Sony A99 II|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Sony A mount lenses|
|16 MP, APS-H Sensor||42.2 MP, Full Frame Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-12800 (50-102400)||ISO 100-25600|
|Optical viewfinder||Electronic viewfinder (2400k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Fully flexible screen (no touchscreen)|
|10 shutter flaps per second||12 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|1500 shots per battery charge||490 shots per battery charge|
|156 x 157 x 80 mm, 1230 g||143 x 104 x 76 mm, 849 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark IV and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1D Mark IV and the Sony A99 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is considerably smaller (39 percent) than the Canon 1D Mark IV. Moreover, the A99 II is markedly lighter (31 percent) than the 1D Mark IV. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 1D Mark IV gets 1500 shots out of its LP-E4 battery, while the A99 II can take 490 images on a single charge of its NP-FM500H power pack. As can be seen in the images above, the 1D Mark IV has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A99 II, Sony provides the VG-C99AM vertical grip as an optional accessory (see here on eBay).
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 1D Mark IV»||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999||Canon 1D Mark IV|
|Sony A99 II«||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199||Sony A99 II|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 1D X« »||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799||Canon 1D X|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||Canon 60D|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||Canon 7D|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||Canon 5D Mark II|
|Canon 1D Mark III« »||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499||Canon 1D Mark III|
|Canon 1D Mark II« »||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499||Canon 1D Mark II|
|Canon 1Ds Mark II« »||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||Canon 1Ds Mark II|
|Nikon D850« »||5.7 in||4.9 in||3.1 in||35.5 oz||1840||Y||Jul 2017||3,299||Nikon D850|
|Nikon D4« »||6.3 in||6.2 in||3.6 in||47.3 oz||2600||Y||Jan 2012||5,999||Nikon D4|
|Nikon D3S« »||6.3 in||6.2 in||3.5 in||43.7 oz||4200||Y||Oct 2009||5,199||Nikon D3S|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A99« »||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799||Sony A99|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The A99 II was launched at a markedly lower price (by 36 percent) than the 1D Mark IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark IV features an APS-H sensor and the Sony A99 II a full frame sensor. The sensor area in the A99 II is 66 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A99 II offers a higher resolution than the 1D Mark IV (16MP), but the A99 II has smaller individual pixels (pixel pitch of 4.52μm versus 5.70μm for the 1D Mark IV). Yet, the A99 II is a much more recent model (by 6 years and 11 months) than the 1D Mark IV, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A99 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A99 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A99 II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inch or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inch or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inch or 67.3 x 44.9 cm. The corresponding values for the Canon 1D Mark IV are 24.5 x 16.3 inch or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inch or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inch or 41.5 x 27.6 cm for excellent quality prints.
The A99 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-1D Mark IV has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A99 II offers substantially better image quality than the 1D Mark IV (overall score 18 points higher). The advantage is based on 2.6 bits higher color depth, 1.4 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92||Sony A99 II|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Canon 60D||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Canon 7D||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66||Canon 1D Mark II|
|Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100||Nikon D850|
|Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89||Nikon D4|
|Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82||Nikon D3S|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89||Sony A99|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A99 II provides a better video resolution than the 1D Mark IV. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A99 II has an electronic viewfinder (2400k dots), while the 1D Mark IV has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A99 II has a higher magnification than the one of the 1D Mark IV (0.78x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 1D Mark IV and Sony A99 II in connection with corresponding information for a sample of similar cameras.
|Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y||Sony A99 II|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon 1D X||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D X|
|Canon 60D||optical||Y||3.0||1040||swivel||n||1/8000s||5.3||Y||n||Canon 60D|
|Canon 7D||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Canon 1D Mark II||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n||Canon 1D Mark II|
|Canon 1Ds Mark II||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Nikon D850||optical||Y||3.2||2359||tilting||Y||1/8000s||9.0||n||n||Nikon D850|
|Nikon D4||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4|
|Nikon D3S||optical||Y||3.0||921||fixed||n||1/8000s||11.0||n||n||Nikon D3S|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A99||2359||Y||3.0||1229||full-flex||n||1/8000s||6.0||n||Y||Sony A99|
One feature that differentiates the A99 II and the 1D Mark IV is in-body image stabilization (IBIS). The A99 II reduces the risk of handshake-induced blur with all attached lenses, while the 1D Mark IV has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The A99 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1D Mark IV does not have a selfie-screen.
The 1D Mark IV writes its imaging data to Compact Flash or SDHC cards, while the A99 II uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The A99 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 1D Mark IV cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark IV and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D Mark IV||Y||stereo||none||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A99 II|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 1D X||Y||mono||none||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Canon 60D||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Canon 7D||Y||mono||none||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1D Mark III||Y||none||none||-||-||none||2.0||-||-||-||Canon 1D Mark III|
|Canon 1D Mark II||Y||none||none||-||-||none||1.1||-||-||-||Canon 1D Mark II|
|Canon 1Ds Mark II||Y||none||none||-||-||none||2.0||-||-||-||Canon 1Ds Mark II|
|Nikon D850||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D850|
|Nikon D4||Y||mono||mono||Y||Y||micro||2.0||-||-||-||Nikon D4|
|Nikon D3S||Y||stereo||none||-||-||mini||2.0||-||-||-||Nikon D3S|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A99||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Sony A99|
It is notable that the A99 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1D Mark IV does not offer wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The A99 II is a recent model that features in the current product line-up of Sony. In contrast, the 1D Mark IV has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the 1D Mark IV from Canon. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is the Canon 1D Mark IV better than the Sony A99 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS-1D Mark IV:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1500 versus 490) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in October 2009).
Reasons to prefer the Sony Alpha ALT-A99 II:
- More detail: Has more megapixels (42.2 vs 16MP), which boosts linear resolution by 62%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (18 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.4 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.58x).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 920k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (143x104mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 381g or 31 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).
- More modern: Reflects 6 years and 11 months of technical progress since the 1D Mark IV launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A99 II is the clear winner of the contest (24 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark IV and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 1D Mark IV or the A99 II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon 1D Mark IV vs Leica Digilux 3
- Canon 1D Mark IV vs Leica V-LUX 1
- Canon 1D Mark IV vs Nikon D200
- Canon 1D Mark IV vs Nikon D800
- Canon 1D Mark IV vs Olympus E-P3
- Canon 1D Mark IV vs Panasonic G85
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- Panasonic GX9 vs Sony A99 II
- Sony A7R IV vs Sony A99 II
Specifications: Canon 1D Mark IV vs Sony A99 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark IV||Sony A99 II|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Sony A mount lenses|
|Launch Date||October 2009||September 2016|
|Launch Price||USD 4999||USD 3199|
|Sensor Specs||Canon 1D Mark IV||Sony A99 II|
|Sensor Format||APS-H Sensor||Full Frame Sensor|
|Sensor Size||27.9 x 18.6 mm||35.9 x 24.0 mm|
|Sensor Area||518.94 mm2||861.6 mm2|
|Sensor Diagonal||33.5 mm||43.2 mm|
|Sensor Resolution||16 Megapixels||42.2 Megapixels|
|Image Resolution||4896 x 3264 pixels||7952 x 5304 pixels|
|Pixel Pitch||5.70 μm||4.52 μm|
|Pixel Density||3.08 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100-12800 ISO||100-25600 ISO|
|ISO Boost||50-102400 ISO||50-25600 ISO|
|Image Processor||DIGIC IV||BIONZ X|
|DXO Sensor Quality (score)||74||92|
|DXO Color Depth (bits)||22.8||25.4|
|DXO Dynamic Range (EV)||12.0||13.4|
|DXO Low Light (ISO)||1320||2317|
|Screen Specs||Canon 1D Mark IV||Sony A99 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2400k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1229k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Canon 1D Mark IV||Sony A99 II|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||10 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||300 000 actuations||300 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDHC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 1D Mark IV||Sony A99 II|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 1D Mark IV||Sony A99 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1500 shots per charge||490 shots per charge|
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
143 x 104 x 76 mm
(5.6 x 4.1 x 3.0 in)
|Camera Weight||1230 g (43.4 oz)||849 g (29.9 oz)|
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