Sony A7 vs A99 II
The Sony Alpha A7 and the Sony Alpha ALT-A99 II are two digital cameras that were revealed to the public, respectively, in October 2013 and September 2016. The A7 is a mirrorless interchangeable lens camera, while the A99 II is a DSLR. Both cameras are equipped with a full frame sensor. The A7 has a resolution of 24 megapixels, whereas the A99 II provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Alpha A7 and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Sony A7 and the Sony A99 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is notably larger (25 percent) than the Sony A7. Moreover, the A99 II is substantially heavier (79 percent) than the A7. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the A7 gets 340 shots out of its NP-FW50 battery, while the A99 II can take 490 images on a single charge of its NP-FM500H power pack. The power pack in the A7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699||ebay.com|
|2.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||ebay.com|
|3.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|4.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299||amazon.com|
|5.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999||amazon.com|
|6.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499||ebay.com|
|7.||Samsung NX1||139 mm||102 mm||66 mm||550 g||500||Y||Sep 2014||1,499||ebay.com|
|8.||Sony A7C||124 mm||71 mm||60 mm||509 g||740||Y||Sep 2020||1,799||amazon.com|
|9.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||amazon.com|
|10.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||ebay.com|
|11.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999||ebay.com|
|12.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||ebay.com|
|13.||Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499||ebay.com|
|14.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299||ebay.com|
|15.||Sony RX1R||113 mm||65 mm||70 mm||482 g||270||n||Jun 2013||2,799||ebay.com|
|16.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799||ebay.com|
|17.||Sony RX1||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A7 was launched at a markedly lower price (by 47 percent) than the A99 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A99 II is 1 percent bigger. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 42.2MP, the A99 II offers a higher resolution than the A7 (24MP), but the A99 II has smaller individual pixels (pixel pitch of 4.52μm versus 5.97μm for the A7). Yet, the A99 II is a much more recent model (by 2 years and 11 months) than the A7, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A99 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A99 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A99 II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Sony A7 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The Sony Alpha A7 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-51200. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
In terms of underlying technology, the A7 is build around a CMOS sensor, while the A99 II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|2.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|3.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|4.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|5.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|6.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|8.||Sony A7C||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3407||95|
|9.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|10.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|11.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|12.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|13.||Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|14.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|15.||Sony RX1R||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|16.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
|17.||Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A99 II provides a better video resolution than the A7. It can shoot movie footage at 4K/30p, while the A7 is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The A7 and the A99 II are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2400k dots. The following table reports on some other key feature differences and similarities of the Sony A7, the Sony A99 II, and comparable cameras.
|1.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||n|
|2.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|3.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|4.||Nikon D850||optical||Y||3.2 / 2359||tilting||Y||1/8000s||9.0/s||n||n|
|5.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0/s||Y||n|
|6.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0/s||Y||n|
|7.||Samsung NX1||2360||Y||3.0 / 1036||tilting||Y||1/8000s||15.0/s||Y||n|
|8.||Sony A7C||2360||n||3.0 / 922||swivel||Y||1/4000s||10.0/s||n||Y|
|9.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0/s||n||Y|
|10.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|11.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|12.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||Y|
|13.||Sony A7S||2400||n||3.0 / 921||tilting||n||1/8000s||5.0/s||n||n|
|14.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0/s||n||n|
|15.||Sony RX1R||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|16.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0/s||n||Y|
|17.||Sony RX1||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the A99 II and the A7 is in-body image stabilization (IBIS). The A99 II reduces the risk of handshake-induced blur with all attached lenses, while the A7 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The A99 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the A7 does not have a selfie-screen.
Concerning the storage of imaging data, both the A7 and the A99 II write their files to SDXC or Memory Stick PRO Duo cards. The A99 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Alpha A7 and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|2.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|3.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|4.||Nikon D850||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|5.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|6.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|7.||Samsung NX1||Y||stereo / mono||Y||Y||micro||3.0||Y||Y||Y|
|8.||Sony A7C||Y||stereo / mono||Y||Y||micro||3.2||Y||Y||Y|
|9.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|10.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|11.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|12.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|13.||Sony A7S||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|14.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony RX1R||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|17.||Sony RX1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
Studio photographers will appreciate that the Sony A99 II (unlike the A7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the A7 and the A99 II have been discontinued, but can regularly be found used on ebay. The A7 was replaced by the Sony A7 II, while the A99 II does not have a direct successor. Further information on the features and operation of the A7 and A99 II can be found, respectively, in the Sony A7 Manual (free pdf) or the online Sony A99 II Manual.
So what is the bottom line? Is the Sony A7 better than the Sony A99 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Sony Alpha A7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More dynamic range: Captures a larger spectrum of light and dark details (0.8 EV of extra DR).
- More compact: Is smaller (127x94mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 375g or 44 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (47 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in October 2013).
Arguments in favor of the Sony Alpha ALT-A99 II:
- More detail: Has more megapixels (42.2 vs 24MP), which boosts linear resolution by 33%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.71x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (490 versus 340) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 2 years and 11 months of technical progress since the A7 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A99 II is the clear winner of the contest (14 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony A7 and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the A7 or the A99 II. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699||ebay.com|
|2.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199||ebay.com|
|3.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699||amazon.com|
|4.||Nikon D850||4.5/5||+ +||5/5||89/100||4.5/5||5/5||Jul 2017||3,299||amazon.com|
|5.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999||amazon.com|
|6.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499||ebay.com|
|7.||Samsung NX1||5/5||..||..||87/100||5/5||5/5||Sep 2014||1,499||ebay.com|
|8.||Sony A7C||3.5/5||..||3.5/5||86/100||4/5||4/5||Sep 2020||1,799||amazon.com|
|9.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999||amazon.com|
|10.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199||ebay.com|
|11.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999||ebay.com|
|12.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999||ebay.com|
|13.||Sony A7S||4/5||..||..||86/100||4.5/5||5/5||Apr 2014||2,499||ebay.com|
|14.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299||ebay.com|
|15.||Sony RX1R||5/5||..||..||..||4/5||4.5/5||Jun 2013||2,799||ebay.com|
|16.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799||ebay.com|
|17.||Sony RX1||5/5||..||..||79/100||4/5||4.5/5||Sep 2012||2,799||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Sony A7 vs Sony A99 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony A7||Sony A99 II|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Sony E mount lenses||Sony A mount lenses|
|Launch Date||October 2013||September 2016|
|Launch Price||USD 1,699||USD 3,199|
|Sensor Specs||Sony A7||Sony A99 II|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.8 x 23.9 mm||35.9 x 24.0 mm|
|Sensor Area||855.62 mm2||861.6 mm2|
|Sensor Diagonal||43 mm||43.2 mm|
|Sensor Resolution||24 Megapixels||42.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||7952 x 5304 pixels|
|Pixel Pitch||5.97 μm||4.52 μm|
|Pixel Density||2.80 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||100 - 25,600 ISO|
|ISO Boost||50 - 51,200 ISO||50 - 25,600 ISO|
|Image Processor||BIONZ X||BIONZ X|
|DXO Sensor Quality (score)||90||92|
|DXO Color Depth (bits)||24.8||25.4|
|DXO Dynamic Range (EV)||14.2||13.4|
|DXO Low Light (ISO)||2248||2317|
|Screen Specs||Sony A7||Sony A99 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2400k dots||2400k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1230k dots||1229k dots|
|LCD Attachment||Tilting screen||Fully flexible screen|
|Shooting Specs||Sony A7||Sony A99 II|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||12 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Sony A7||Sony A99 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Sony A7||Sony A99 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||340 shots per charge||490 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
143 x 104 x 76 mm
(5.6 x 4.1 x 3.0 in)
|Camera Weight||474 g (16.7 oz)||849 g (29.9 oz)|
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