Canon 5D vs Olympus E-PL5
The Canon EOS 5D and the Olympus PEN E-PL5 are two digital cameras that were announced, respectively, in August 2005 and September 2012. The 5D is a DSLR, while the E-PL5 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (5D) and a Four Thirds (E-PL5) sensor. The Canon has a resolution of 12.7 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D and the Olympus PEN E-PL5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 5D and the Olympus E-PL5. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-PL5 can be obtained in three different colors (black, silver, white), while the 5D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-PL5 is considerably smaller (59 percent) than the Canon 5D. Moreover, the E-PL5 is substantially lighter (64 percent) than the 5D. It is worth mentioning in this context that the 5D is splash and dust resistant, while the E-PL5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D) and the Micro Four Thirds Lens Catalog (E-PL5). Mirrorless cameras, such as the E-PL5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299||ebay.com|
|2.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599||ebay.com|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||amazon.com|
|4.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|5.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||amazon.com|
|6.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||ebay.com|
|7.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||ebay.com|
|8.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||ebay.com|
|9.||Canon 1D Mark II N||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999||ebay.com|
|10.||Canon 1Ds Mark II||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999||ebay.com|
|11.||Canon 1Ds||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999||ebay.com|
|12.||Nikon D700||147 mm||123 mm||77 mm||1074 g||1000||Y||Jul 2008||2,999||ebay.com|
|13.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649||ebay.com|
|14.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||ebay.com|
|15.||Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599||ebay.com|
|16.||Olympus E-PM2||110 mm||64 mm||34 mm||269 g||360||n||Sep 2012||499||ebay.com|
|17.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-PL5 was launched at a markedly lower price (by 82 percent) than the 5D, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D features a full frame sensor and the Olympus E-PL5 a Four Thirds sensor. The sensor area in the E-PL5 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 5D has a native 3:2 aspect ratio, while the one in the E-PL5 offers a 4:3 aspect.
Despite having a smaller sensor, the E-PL5 offers a higher resolution of 15.9 megapixels, compared with 12.7 MP of the 5D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 8.25μm for the 5D). However, it should be noted that the E-PL5 is much more recent (by 7 years and 1 month) than the 5D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Olympus E-PL5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-PL5 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Canon 5D are 21.8 x 14.6 inches or 55.5 x 37 cm for good quality, 17.5 x 11.6 inches or 44.4 x 29.6 cm for very good quality, and 14.6 x 9.7 inches or 37 x 24.7 cm for excellent quality prints.
The Canon EOS 5D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Olympus PEN E-PL5 are ISO 200 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|2.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|4.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|5.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|6.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|7.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|8.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|9.||Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66|
|10.||Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|11.||Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|12.||Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80|
|13.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|14.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|15.||Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||22.5||12.0||717||68|
|16.||Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|17.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The E-PL5 indeed provides for movie recording, while the 5D does not. The highest resolution format that the E-PL5 can use is 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the 5D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the E-PL5 relies on live view and the rear LCD for framing. That said, the E-PL5 can be equipped with an optional viewfinder – the VF-3. The adjacent table lists some of the other core features of the Canon 5D and Olympus E-PL5 along with similar information for a selection of comparators.
|1.||Canon 5D||optical||Y||2.5 / 230||fixed||n||1/8000s||3.0/s||n||n|
|2.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5/s||n||n|
|4.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|5.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|6.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0/s||n||n|
|7.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|8.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9/s||n||n|
|9.||Canon 1D Mark II N||optical||Y||2.5 / 230||fixed||n||1/8000s||8.5/s||n||n|
|10.||Canon 1Ds Mark II||optical||Y||2.0 / 230||fixed||n||1/8000s||4.0/s||n||n|
|11.||Canon 1Ds||optical||Y||2.0 / 120||fixed||n||1/8000s||3.0/s||n||n|
|12.||Nikon D700||optical||Y||3.0 / 922||fixed||n||1/8000s||8.0/s||Y||n|
|13.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|14.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||Y||Y|
|15.||Olympus E-PL6||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|16.||Olympus E-PM2||optional||n||3.0 / 460||fixed||Y||1/4000s||8.0/s||n||Y|
|17.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 5D, but is missing on the E-PL5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The E-PL5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 5D does not have a selfie-screen.
The 5D writes its imaging data to Compact Flash cards, while the E-PL5 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D and Olympus PEN E-PL5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 5D||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|5.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|6.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|7.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|8.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon 1D Mark II N||Y||- / -||-||-||-||1.1||-||-||-|
|10.||Canon 1Ds Mark II||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Canon 1Ds||Y||- / -||-||-||-||FW||-||-||-|
|12.||Nikon D700||Y||- / -||-||-||mini||2.0||-||-||-|
|13.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Olympus E-PL6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Olympus E-PM2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
Studio photographers will appreciate that the Canon 5D (unlike the E-PL5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 5D and the E-PL5 have been discontinued, but can regularly be found used on ebay. The 5D was replaced by the Canon 5D Mark II, while the E-PL5 was followed by the Olympus E-PL6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what is the bottom line? Which of the two cameras – the Canon 5D or the Olympus E-PL5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS 5D:
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Can take more shots (400 versus 360) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2005).
Advantages of the Olympus PEN E-PL5:
- More detail: Has more megapixels (15.9 vs 12.7MP), which boosts linear resolution by 10%.
- More dynamic range: Captures a broader range of light and dark details (1.2 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 1080/30p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (111x64mm vs 152x113mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 570g or 64 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More affordable: Was introduced into a lower priced category (82 percent cheaper at launch).
- More modern: Reflects 7 years and 1 month of technical progress since the 5D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the E-PL5 is the clear winner of the contest (15 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D and the Olympus E-PL5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 5D and the E-PL5 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D||..||88/100||..||+ +||o||..||Aug 2005||3,299||ebay.com|
|2.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599||ebay.com|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999||amazon.com|
|4.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699||amazon.com|
|5.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699||amazon.com|
|6.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499||ebay.com|
|7.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099||ebay.com|
|8.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499||ebay.com|
|9.||Canon 1D Mark II N||..||..||..||..||..||..||Aug 2005||3,999||ebay.com|
|10.||Canon 1Ds Mark II||..||..||..||+ +||..||..||Sep 2004||7,999||ebay.com|
|11.||Canon 1Ds||..||..||..||+ +||..||..||Sep 2002||8,999||ebay.com|
|12.||Nikon D700||..||89/100||..||+ +||4.5/5||4.5/5||Jul 2008||2,999||ebay.com|
|13.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649||ebay.com|
|14.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699||ebay.com|
|15.||Olympus E-PL6||..||..||..||..||..||..||May 2013||599||ebay.com|
|16.||Olympus E-PM2||3/5||..||..||77/100||5/5||4.5/5||Sep 2012||499||ebay.com|
|17.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D vs Canon G12
- Canon 5D vs Nikon B500
- Canon 5D vs Nikon D5300
- Canon 5D vs Nikon P900
- Canon 5D vs Panasonic FZ150
- Canon 5D vs Panasonic GX85
- Canon 800D vs Olympus E-PL5
- Nikon D1 vs Olympus E-PL5
- Nikon D300 vs Olympus E-PL5
- Nikon W150 vs Olympus E-PL5
- Olympus E-PL5 vs Samsung NX500
- Olympus E-PL5 vs Sony A6100
Specifications: Canon 5D vs Olympus E-PL5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D||Olympus E-PL5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||August 2005||September 2012|
|Launch Price||USD 3,299||USD 599|
|Sensor Specs||Canon 5D||Olympus E-PL5|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||12.7 Megapixels||15.9 Megapixels|
|Image Resolution||4368 x 2912 pixels||4608 x 3456 pixels|
|Pixel Pitch||8.25 μm||3.76 μm|
|Pixel Density||1.47 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/30p Video|
|ISO Setting||100 - 1,600 ISO||200 - 25,600 ISO|
|ISO Boost||50 - 3,200 ISO||no Enhancement|
|Image Processor||DIGIC 2||TruePic VI|
|DXO Sensor Quality (score)||71||72|
|DXO Color Depth (bits)||22.9||22.8|
|DXO Dynamic Range (EV)||11.1||12.3|
|DXO Low Light (ISO)||1368||889|
|Screen Specs||Canon 5D||Olympus E-PL5|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||96%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||230k dots||460k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 5D||Olympus E-PL5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3 shutter flaps/s||8 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 5D||Olympus E-PL5|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 5D||Olympus E-PL5|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||400 shots per charge||360 shots per charge|
152 x 113 x 75 mm
(6.0 x 4.4 x 3.0 in)
111 x 64 x 38 mm
(4.4 x 2.5 x 1.5 in)
|Camera Weight||895 g (31.6 oz)||325 g (11.5 oz)|
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