Canon 5D Mark III vs Panasonic G1
The Canon EOS 5D Mark III and the Panasonic Lumix DMC-G1 are two digital cameras that were revealed to the public, respectively, in March 2012 and September 2008. The 5D Mark III is a DSLR, while the G1 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (5D Mark III) and a Four Thirds (G1) sensor. The Canon has a resolution of 22.1 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Panasonic Lumix DMC-G1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 5D Mark III and the Panasonic G1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G1 is considerably smaller (41 percent) than the Canon 5D Mark III. Moreover, the G1 is substantially lighter (62 percent) than the 5D Mark III. It is worth mentioning in this context that the 5D Mark III is splash and dust resistant, while the G1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark III) and the Micro Four Thirds Lens Catalog (G1). Mirrorless cameras, such as the G1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||ebay.com|
|2.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599||ebay.com|
|3.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||amazon.com|
|4.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||ebay.com|
|5.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||ebay.com|
|6.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||ebay.com|
|7.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||ebay.com|
|8.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299||ebay.com|
|9.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999||ebay.com|
|10.||Nikon D600||141 mm||113 mm||82 mm||850 g||900||Y||Sep 2012||2,099||ebay.com|
|11.||Nikon D800||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||2,999||ebay.com|
|12.||Nikon D800E||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||3,299||ebay.com|
|13.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699||ebay.com|
|14.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499||ebay.com|
|15.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599||ebay.com|
|16.||Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899||ebay.com|
|17.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G1 was launched at a markedly lower price (by 83 percent) than the 5D Mark III, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D Mark III features a full frame sensor and the Panasonic G1 a Four Thirds sensor. The sensor area in the G1 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 5D Mark III has a native 3:2 aspect ratio, while the one in the G1 offers a 4:3 aspect.
With 22.1MP, the 5D Mark III offers a higher resolution than the G1 (12MP), but the 5D Mark III nevertheless has larger individual pixels (pixel pitch of 6.25μm versus 4.33μm for the G1) due to its larger sensor. Moreover, the 5D Mark III is a much more recent model (by 3 years and 5 months) than the G1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark III for good quality output (200 dots per inch) amounts to 28.8 x 19.2 inches or 73.2 x 48.8 cm, for very good quality (250 dpi) 23 x 15.4 inches or 58.5 x 39 cm, and for excellent quality (300 dpi) 19.2 x 12.8 inches or 48.8 x 32.5 cm. The corresponding values for the Panasonic G1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-G1 are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 100-3200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 5D Mark III provides substantially higher image quality than the G1, with an overall score that is 28 points higher. This advantage is based on 2.9 bits higher color depth, 1.4 EV in additional dynamic range, and 2.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|2.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
|3.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|4.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|5.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|6.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|7.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|8.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|9.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|10.||Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|11.||Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|12.||Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
|13.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|14.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|15.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|16.||Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|17.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
Many modern cameras are not only capable of taking still images, but can also record movies. The 5D Mark III indeed provides movie recording capabilities, while the G1 does not. The highest resolution format that the 5D Mark III can use is 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G1 has an electronic viewfinder (1440k dots), while the 5D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 5D Mark III has a higher magnification than the one of the G1 (0.71x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 5D Mark III and Panasonic G1 along with similar information for a selection of comparators.
|1.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0/s||n||n|
|2.||Panasonic G1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|3.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0/s||n||n|
|4.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|5.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|6.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|7.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9/s||n||n|
|8.||Canon 5D||optical||Y||2.5 / 230||fixed||n||1/8000s||3.0/s||n||n|
|9.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0/s||Y||n|
|10.||Nikon D600||optical||Y||3.0 / 921||fixed||n||1/4000s||5.5/s||Y||n|
|11.||Nikon D800||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0/s||Y||n|
|12.||Nikon D800E||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0/s||Y||n|
|13.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|14.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|15.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|16.||Panasonic GH1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|17.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 5D Mark III, but is missing on the G1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The G1 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 5D Mark III does not have a selfie-screen.
The 5D Mark III writes its imaging data to Compact Flash or SDXC cards, while the G1 uses SDHC cards. The 5D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the G1 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Panasonic Lumix DMC-G1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|2.||Panasonic G1||Y||- / -||-||-||mini||2.0||-||-||-|
|3.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|4.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|5.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|6.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|7.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon 5D||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|10.||Nikon D600||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|11.||Nikon D800||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|12.||Nikon D800E||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|13.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|15.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic GH1||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|17.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
Studio photographers will appreciate that the Canon 5D Mark III (unlike the G1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 5D Mark III and the G1 have been discontinued, but can regularly be found used on ebay. The G1 was replaced by the Panasonic G2, while the 5D Mark III was followed by the Canon 5D Mark IV. Further information on the features and operation of the 5D Mark III and G1 can be found, respectively, in the Canon 5D Mark III Manual (free pdf) or the online Panasonic G1 Manual.
So what conclusions can be drawn? Is the Canon 5D Mark III better than the Panasonic G1 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 5D Mark III:
- More detail: Offers more megapixels (22.1 vs 12MP) with a 38% higher linear resolution.
- Better image quality: Scores substantially higher (28 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.9 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.4 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (2.3 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (950 versus 410) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 3 years and 5 months of technical progress since the G1 launch.
Arguments in favor of the Panasonic Lumix DMC-G1:
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (124x84mm vs 152x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 590g or 62 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (83 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2008).
If the count of individual advantages (bullet points above) is taken as a guide, the 5D Mark III is the clear winner of the match-up (18 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark III and the Panasonic G1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 5D Mark III or the G1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499||ebay.com|
|2.||Panasonic G1||..||+ +||..||70/100||4/5||4.5/5||Sep 2008||599||ebay.com|
|3.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499||amazon.com|
|4.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699||ebay.com|
|5.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699||ebay.com|
|6.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099||ebay.com|
|7.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499||ebay.com|
|8.||Canon 5D||..||88/100||..||+ +||o||..||Aug 2005||3,299||ebay.com|
|9.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999||ebay.com|
|10.||Nikon D600||4/5||+ +||..||87/100||5/5||4.5/5||Sep 2012||2,099||ebay.com|
|11.||Nikon D800||5/5||+ +||..||82/100||5/5||5/5||Feb 2012||2,999||ebay.com|
|12.||Nikon D800E||..||..||..||84/100||5/5||5/5||Feb 2012||3,299||ebay.com|
|13.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699||ebay.com|
|14.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499||ebay.com|
|15.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599||ebay.com|
|16.||Panasonic GH1||..||+ +||..||72/100||4.5/5||4.5/5||Mar 2009||899||ebay.com|
|17.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon 5D Mark III vs Leica M8
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Specifications: Canon 5D Mark III vs Panasonic G1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark III||Panasonic G1|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||March 2012||September 2008|
|Launch Price||USD 3,499||USD 599|
|Sensor Specs||Canon 5D Mark III||Panasonic G1|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||22.1 Megapixels||12 Megapixels|
|Image Resolution||5760 x 3840 pixels||4000 x 3000 pixels|
|Pixel Pitch||6.25 μm||4.33 μm|
|Pixel Density||2.56 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||no Video|
|ISO Setting||100 - 25,600 ISO||100 - 1,600 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 3,200 ISO|
|Image Processor||DIGIC 5+||Venus HD|
|DXO Sensor Quality (score)||81||53|
|DXO Color Depth (bits)||24.0||21.1|
|DXO Dynamic Range (EV)||11.7||10.3|
|DXO Low Light (ISO)||2293||463|
|Screen Specs||Canon 5D Mark III||Panasonic G1|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Canon 5D Mark III||Panasonic G1|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||6 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CF or SDXC cards||SDHC cards|
|Single or Dual Card Slots||Dual card slots||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon 5D Mark III||Panasonic G1|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 5D Mark III||Panasonic G1|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||950 shots per charge||410 shots per charge|
152 x 116 x 76 mm
(6.0 x 4.6 x 3.0 in)
124 x 84 x 45 mm
(4.9 x 3.3 x 1.8 in)
|Camera Weight||950 g (33.5 oz)||360 g (12.7 oz)|
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