Canon 5D Mark III vs Nikon D3S
The Canon EOS 5D Mark III and the Nikon D3S are two professional cameras that were announced, respectively, in March 2012 and October 2009. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a full frame sensor. The Canon has a resolution of 22.1 megapixels, whereas the Nikon provides 12.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Nikon D3S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 5D Mark III and the Nikon D3S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D3S is considerably larger (42 percent) than the Canon 5D Mark III. Moreover, the D3S is markedly heavier (31 percent) than the 5D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around a full frame sensor, their respective lenses will tend to have similar dimensions and heft. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark III) and the Nikon Lens Catalog (D3S).
Concerning battery life, the 5D Mark III gets 950 shots out of its LP-E6 battery, while the D3S can take 4200 images on a single charge of its EN-EL4a power pack. As can be seen in the images above, the D3S has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the 5D Mark III, Canon provides the BG-E11 vertical grip as an optional accessory (see here on eBay).
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|2.||Nikon D3S||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|4.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|5.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|6.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|7.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|8.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799|
|9.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199|
|10.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|11.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|12.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|13.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499|
|14.||Nikon D4||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999|
|15.||Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999|
|16.||Nikon D700||147 mm||123 mm||77 mm||1074 g||1000||Y||Jul 2008||2,999|
|17.||Nikon D3||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 5D Mark III was launched at a markedly lower price (by 33 percent) than the D3S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 22.1MP, the 5D Mark III offers a higher resolution than the D3S (12.1MP), but the 5D Mark III has smaller individual pixels (pixel pitch of 6.25μm versus 8.43μm for the D3S). However, the 5D Mark III is a much more recent model (by 2 years and 4 months) than the D3S, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark III for good quality output (200 dots per inch) amounts to 28.8 x 19.2 inches or 73.2 x 48.8 cm, for very good quality (250 dpi) 23 x 15.4 inches or 58.5 x 39 cm, and for excellent quality (300 dpi) 19.2 x 12.8 inches or 48.8 x 32.5 cm. The corresponding values for the Nikon D3S are 21.3 x 14.2 inches or 54.1 x 36 cm for good quality, 17 x 11.3 inches or 43.2 x 28.8 cm for very good quality, and 14.2 x 9.4 inches or 36 x 24 cm for excellent quality prints.
The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon D3S are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|2.||Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|4.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|5.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|6.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|7.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|8.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|10.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|11.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|12.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|13.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|14.||Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|15.||Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|16.||Nikon D700||Full Frame||12.1||4256||2832||none||23.5||12.2||2303||80|
|17.||Nikon D3||Full Frame||12.1||4256||2832||none||23.5||12.2||2290||81|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the 5D Mark III provides a higher video resolution than the D3S. It can shoot video footage at 1080/30p, while the Nikon is limited to 720/24p.
Apart from body and sensor, cameras can and do differ across a range of features. The 5D Mark III and the D3S are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 5D Mark III has a higher magnification than the one of the D3S (0.71x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 5D Mark III and Nikon D3S in connection with corresponding information for a sample of similar cameras.
|1.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0||n||n|
|2.||Nikon D3S||optical||Y||3.0 / 921||fixed||n||1/8000s||11.0||n||n|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|4.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0||n||n|
|5.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0||n||n|
|6.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|7.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|8.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0||Y||n|
|9.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|10.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5||n||n|
|11.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9||n||n|
|12.||Canon 5D||optical||Y||2.5 / 230||fixed||n||1/8000s||3.0||n||n|
|13.||Nikon D5||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0||n||n|
|14.||Nikon D4||optical||Y||3.2 / 921||fixed||n||1/8000s||11.0||n||n|
|15.||Nikon D3X||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0||n||n|
|16.||Nikon D700||optical||Y||3.0 / 922||fixed||n||1/8000s||8.0||Y||n|
|17.||Nikon D3||optical||Y||3.0 / 922||fixed||n||1/8000s||11.0||n||n|
The Nikon D3S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark III writes its imaging data to Compact Flash or SDXC cards, while the D3S uses Compact Flash cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Nikon D3S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|2.||Nikon D3S||Y||stereo / -||-||-||mini||2.0||-||-||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|5.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|6.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|7.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|8.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|9.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|10.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|11.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Canon 5D||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Nikon D5||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|14.||Nikon D4||Y||mono / mono||Y||Y||micro||2.0||-||-||-|
|15.||Nikon D3X||Y||- / -||-||-||mini||2.0||-||-||-|
|16.||Nikon D700||Y||- / -||-||-||mini||2.0||-||-||-|
|17.||Nikon D3||Y||- / -||-||-||mini||2.0||-||-||-|
It is notable that the 5D Mark III has a microphone port, which is missing on the D3S. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the 5D Mark III and the D3S have been discontinued, but can regularly be found used on eBay. The D3S was replaced by the Nikon D4, while the 5D Mark III was followed by the Canon 5D Mark IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So how do things add up? Is the Canon 5D Mark III better than the Nikon D3S or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 5D Mark III:
- More detail: Offers more megapixels (22.1 vs 12.1MP) with a 35% higher linear resolution.
- Better video: Provides higher definition movie capture (1080/30p vs 720/24p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.70x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More compact: Is smaller (152x116mm vs 160x157mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 290g or 23 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More modern: Reflects 2 years and 4 months of technical progress since the D3S launch.
Arguments in favor of the Nikon D3S:
- Better low-light sensitivity: Can shoot in dim conditions (0.5 stops ISO advantage).
- Faster burst: Shoots at higher frequency (11 vs 6 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (4200 versus 950) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in October 2009).
If the number of relative strengths (bullet points above) is taken as a guide, the 5D Mark III is the clear winner of the match-up (11 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark III and the Nikon D3S place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 5D Mark III and the D3S in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|2.||Nikon D3S||5/5||..||..||89/100||4.5/5||5/5||Oct 2009||5,199|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|4.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|5.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|6.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|7.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699|
|8.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799|
|9.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199|
|10.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|11.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|12.||Canon 5D||..||88/100||..||+ +||o||..||Aug 2005||3,299|
|13.||Nikon D5||..||..||4/5||89/100||4.5/5||5/5||Jan 2016||6,499|
|14.||Nikon D4||..||..||..||..||4.5/5||4.5/5||Jan 2012||5,999|
|15.||Nikon D3X||..||..||..||86/100||4/5||5/5||Dec 2008||7,999|
|16.||Nikon D700||..||89/100||..||+ +||4.5/5||4.5/5||Jul 2008||2,999|
|17.||Nikon D3||..||..||..||+ +||5/5||4.5/5||Aug 2007||4,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 5D Mark III vs Nikon Coolpix A
- Canon 5D Mark III vs Nikon D2H
- Canon 5D Mark III vs Panasonic FZ330
- Canon 5D Mark III vs Panasonic S1R
- Canon 5D Mark III vs Pentax 645D
- Leica M8 vs Nikon D3S
- Nikon D3S vs Nikon D700
- Nikon D3S vs Olympus TG-6
- Nikon D3S vs Panasonic GF2
- Nikon D3S vs Ricoh GR III
- Nikon D3S vs Sony RX10 III
Specifications: Canon 5D Mark III vs Nikon D3S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark III||Nikon D3S|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Nikon F mount lenses|
|Launch Date||March 2012||October 2009|
|Launch Price||USD 3,499||USD 5,199|
|Sensor Specs||Canon 5D Mark III||Nikon D3S|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||36.0 x 23.9 mm|
|Sensor Area||864 mm2||860.4 mm2|
|Sensor Diagonal||43.3 mm||43.2 mm|
|Sensor Resolution||22.1 Megapixels||12.1 Megapixels|
|Image Resolution||5760 x 3840 pixels||4256 x 2832 pixels|
|Pixel Pitch||6.25 μm||8.43 μm|
|Pixel Density||2.56 MP/cm2||1.40 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||720/24p Video|
|ISO Setting||100 - 25,600 ISO||200 - 12,800 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 102,400 ISO|
|Image Processor||DIGIC 5+||EXPEED|
|DXO Sensor Quality (score)||81||82|
|DXO Color Depth (bits)||24.0||23.5|
|DXO Dynamic Range (EV)||11.7||12.0|
|DXO Low Light (ISO)||2293||3253|
|Screen Specs||Canon 5D Mark III||Nikon D3S|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 5D Mark III||Nikon D3S|
|Focus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||6 shutter flaps/s||11 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||300 000 actuations|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||CF cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Canon 5D Mark III||Nikon D3S|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 5D Mark III||Nikon D3S|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||950 shots per charge||4200 shots per charge|
152 x 116 x 76 mm
(6.0 x 4.6 x 3.0 in)
160 x 157 x 88 mm
(6.3 x 6.2 x 3.5 in)
|Camera Weight||950 g (33.5 oz)||1240 g (43.7 oz)|
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