Canon G1 X vs Panasonic G1
The Canon PowerShot G1 X and the Panasonic Lumix DMC-G1 are two digital cameras that were revealed to the public, respectively, in January 2012 and September 2008. The G1X is a fixed lens compact, while the G1 is a mirrorless interchangeable lens camera. The cameras are based on an 1.5-inch (G1X) and a Four Thirds (G1) sensor. The Canon has a resolution of 14.2 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon G1 X||Panasonic G1|
|Fixed lens compact camera||Mirrorless system camera|
|28-112mm f/2.8-5.8||Micro Four Thirds lenses|
|14.2 MP, 1.5" Sensor||12 MP, Four Thirds Sensor|
|1080/24p Video||no Video|
|ISO 100-12800||ISO 100-1600 (100-3200)|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|3.0" LCD, 922k dots||3.0" LCD, 460k dots|
|Swivel touchscreen||Swivel screen (not touch-sensitive)|
|1.9 shutter flaps per second||3 shutter flaps per second|
|250 shots per battery charge||410 shots per battery charge|
|117 x 81 x 65 mm, 534 g||124 x 84 x 45 mm, 360 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon PowerShot G1 X and the Panasonic Lumix DMC-G1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon G1 X and the Panasonic G1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G1 is notably larger (10 percent) than the Canon G1 X. In this context, it is worth noting that neither the G1X nor the G1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G1X has a lens built in, whereas the G1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G1 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon G1 X»||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799||Canon G1 X|
|Panasonic G1«||4.9 in||3.3 in||1.8 in||12.7 oz||410||n||Sep 2008||599||Panasonic G1|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon S120« »||3.9 in||2.3 in||1.1 in||7.7 oz||230||n||Aug 2013||449||Canon S120|
|Canon SX50« »||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||Canon SX50|
|Canon T4i« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||Canon T4i|
|Canon T3« »||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449||Canon T3|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||Canon T1i|
|Canon XSi« »||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799||Canon XSi|
|Leica V-LUX 4« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Sep 2012||949||Leica V-LUX 4|
|Leica V-LUX 3« »||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949||Leica V-LUX 3|
|Olympus E-410« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699||Olympus E-410|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||Panasonic G10|
|Panasonic G2« »||4.9 in||3.3 in||2.9 in||15.1 oz||360||n||Mar 2010||599||Panasonic G2|
|Panasonic GH1« »||4.9 in||3.5 in||1.8 in||13.6 oz||300||n||Mar 2009||899||Panasonic GH1|
|Panasonic L10« »||5.3 in||3.8 in||3.1 in||19.6 oz||450||n||Aug 2007||599||Panasonic L10|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon G1 X features an 1.5-inch sensor and the Panasonic G1 a Four Thirds sensor. The sensor area in the G1 is 14 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.85 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 14.2MP, the G1X offers a higher resolution than the G1 (12MP), but the G1X has marginally smaller individual pixels (pixel pitch of 4.30μm versus 4.33μm for the G1). However, the G1X is a much more recent model (by 3 years and 3 months) than the G1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon G1 X implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G1X for good quality output (200 dots per inch) amounts to 21.8 x 16.3 inch or 55.3 x 41.5 cm, for very good quality (250 dpi) 17.4 x 13.1 inch or 44.2 x 33.2 cm, and for excellent quality (300 dpi) 14.5 x 10.9 inch or 36.8 x 27.6 cm. The corresponding values for the Panasonic G1 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Canon PowerShot G1 X has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-G1 are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 100-3200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the G1X has a notably higher overall DXO score than the G1 (overall score 7 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.6 bits higher color depth, 0.5 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53||Panasonic G1|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon G16||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon S120||1/1.7||12.0||4000||3000||1080/60p||21.3||11.9||246||56||Canon S120|
|Canon SX50||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Canon T4i||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon T4i|
|Canon T3||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon T3|
|Canon T1i||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Canon XSi||APS-C||12.2||4272||2848||none||21.9||10.8||692||61||Canon XSi|
|Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..||Leica V-LUX 4|
|Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..||Leica V-LUX 3|
|Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51||Olympus E-410|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53||Panasonic G2|
|Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64||Panasonic GH1|
|Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55||Panasonic L10|
Many modern cameras cannot only take still pictures, but also record videos. The G1X indeed provides movie recording capabilities, while the G1 does not. The highest resolution format that the G1X can use is 1080/24p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G1 has an electronic viewfinder (1440k dots), while the G1X has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon G1 X and Panasonic G1 in connection with corresponding information for a sample of similar cameras.
|Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Panasonic G1||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic G1|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon G16||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon S120||none||n||3.0||922||fixed||Y||1/2000s||12.1||Y||Y||Canon S120|
|Canon SX50||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Canon T4i||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T4i|
|Canon T3||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon T3|
|Canon T1i||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon T1i|
|Canon XSi||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon XSi|
|Leica V-LUX 4||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX 4|
|Leica V-LUX 3||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Leica V-LUX 3|
|Olympus E-410||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-410|
|Panasonic G10||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic G2||1440||n||3.0||460||swivel||Y||1/4000s||2.6||Y||n||Panasonic G2|
|Panasonic GH1||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH1|
|Panasonic L10||optical||n||2.5||207||swivel||n||1/4000s||3.0||Y||n||Panasonic L10|
The G1X writes its imaging data to SDXC cards, while the G1 uses SDHC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon PowerShot G1 X and Panasonic Lumix DMC-G1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Panasonic G1||Y||none||none||-||-||mini||2.0||-||-||-||Panasonic G1|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon G16||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon S120||-||stereo||mono||-||-||mini||2.0||Y||-||-||Canon S120|
|Canon SX50||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Canon T4i||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T4i|
|Canon T3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon T3|
|Canon T1i||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Canon XSi||Y||none||none||-||-||mini||2.0||-||-||-||Canon XSi|
|Leica V-LUX 4||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Leica V-LUX 4|
|Leica V-LUX 3||Y||stereo||none||-||-||mini||2.0||-||-||-||Leica V-LUX 3|
|Olympus E-410||Y||none||none||-||-||none||2.0||-||-||-||Olympus E-410|
|Panasonic G10||Y||mono||none||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic G2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G2|
|Panasonic GH1||Y||stereo||none||Y||-||mini||2.0||-||-||-||Panasonic GH1|
|Panasonic L10||Y||none||none||-||-||none||2.0||-||-||-||Panasonic L10|
Both the G1X and the G1 have been discontinued, but can regularly be found used on eBay. The G1 was replaced by the Panasonic G2, while the G1X was followed by the Canon G1X Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is the Canon G1 X better than the Panasonic G1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon PowerShot G1 X:
- More detail: Offers more megapixels (14.2 vs 12MP) with a 9% higher linear resolution.
- Better image quality: Scores markedly higher (7 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (0.5 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 1080/24p movies.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- Ready to shoot: Has a lens built-in, whereas the G1 requires a separate lens.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More modern: Reflects 3 years and 3 months of technical progress since the G1 launch.
Advantages of the Panasonic Lumix DMC-G1:
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (3 vs 1.9 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (410 versus 250) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in September 2008).
If the count of individual advantages (bullet points above) is taken as a guide, the G1X emerges as the winner of the contest (9 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon G1 X and the Panasonic G1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the G1X or the G1. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 50D vs Canon G1 X Mark III
- Canon 550D vs Panasonic G1
- Canon G1 X Mark II vs Fujifilm X100V
- Canon G1 X Mark II vs Sony RX100 VII
- Canon G1 X Mark III vs Leica V-LUX 5
- Canon G1 X Mark III vs Nikon D2H
- Canon G1 X Mark III vs Sony H200
- Canon G1 X vs Nikon D200
- Canon G1 X vs Nikon D600
- Canon G1 X vs Panasonic GF1
- Leica S-E Typ 006 vs Panasonic G1
- Panasonic G1 vs Panasonic GM1
Specifications: Canon G1 X vs Panasonic G1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon G1 X||Panasonic G1|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-112mm f/2.8-5.8||Micro Four Thirds lenses|
|Launch Date||January 2012||September 2008|
|Launch Price||USD 799||USD 599|
|Sensor Specs||Canon G1 X||Panasonic G1|
|Sensor Format||1.5" Sensor||Four Thirds Sensor|
|Sensor Size||18.7 x 14.0 mm||17.3 x 13.0 mm|
|Sensor Area||261.8 mm2||224.9 mm2|
|Sensor Diagonal||23.4 mm||21.6 mm|
|Sensor Resolution||14.2 Megapixels||12 Megapixels|
|Image Resolution||4352 x 3264 pixels||4000 x 3000 pixels|
|Pixel Pitch||4.30 μm||4.33 μm|
|Pixel Density||5.43 MP/cm2||5.34 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||no Video|
|ISO Setting||100-12800 ISO||100-1600 ISO|
|ISO Boost||no Enhancement||100-3200 ISO|
|Image Processor||DIGIC 5||Venus HD|
|DXO Sensor Quality (score)||60||53|
|DXO Color Depth (bits)||21.7||21.1|
|DXO Dynamic Range (EV)||10.8||10.3|
|DXO Low Light (ISO)||644||463|
|Screen Specs||Canon G1 X||Panasonic G1|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||74%||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||922k dots||460k dots|
|LCD Attachment||Swivel screen|
|Shooting Specs||Canon G1 X||Panasonic G1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||1.9 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon G1 X||Panasonic G1|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon G1 X||Panasonic G1|
|Battery Life (CIPA)||250 shots per charge||410 shots per charge|
117 x 81 x 65 mm
(4.6 x 3.2 x 2.6 in)
124 x 84 x 45 mm
(4.9 x 3.3 x 1.8 in)
|Camera Weight||534 g (18.8 oz)||360 g (12.7 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.