Panasonic G1 vs Sony A7 IV

The Panasonic Lumix DMC-G1 and the Sony Alpha A7 IV are two digital cameras that were announced, respectively, in September 2008 and October 2021. Both the G1 and the A7 IV are mirrorless interchangeable lens cameras that are based on a Four Thirds (G1) and a full frame (A7 IV) sensor. The Panasonic has a resolution of 12 megapixels, whereas the Sony provides 32.7 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic G1		Sony A7 IV
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
12 MP – Four Thirds sensor		32.7 MP – Full Frame sensor
no Video		4K/60p Video
ISO 100-1,600 (100 - 3,200)		ISO 100-51,200 (50 - 204,800)
Electronic viewfinder (1440k dots)		Electronic viewfinder (3686k dots)
3.0" LCD – 460k dots		3.0" LCD – 1037k dots
Swivel screen (not touch-sensitive)		Swivel touchscreen
3 shutter flaps per second		10 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
410 shots per battery charge		580 shots per battery charge
124 x 84 x 45 mm, 360 g		131 x 96 x 80 mm, 659 g

Check G1 offers at
ebay.com
Check A7 IV price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-G1 and the Sony Alpha A7 IV? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Panasonic G1 and the Sony A7 IV are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 IV is notably larger (21 percent) than the Panasonic G1. Moreover, the A7 IV is substantially heavier (83 percent) than the G1. It is noteworthy in this context that the A7 IV is splash and dust-proof, while the G1 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (G1) and the Sony FE Lens Catalog (A7 IV). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the G1 gets 410 shots out of its Panasonic DMW-BLB13 battery, while the A7 IV can take 580 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A7 IV can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	US$ 599	ebay.com
2.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	US$ 2 499	amazon.com
3.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	US$ 699	ebay.com
4.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	US$ 599	ebay.com
5.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	US$ 499	ebay.com
6.		Panasonic GF1	119 mm	71 mm	36 mm	385 g	380	n	Sep 2009	US$ 749	ebay.com
7.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	US$ 549	ebay.com
8.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	US$ 549	ebay.com
9.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	US$ 499	ebay.com
10.		Panasonic GF6	111 mm	65 mm	38 mm	323 g	340	n	Apr 2013	US$ 499	ebay.com
11.		Panasonic GH1	124 mm	90 mm	45 mm	385 g	300	n	Mar 2009	US$ 899	ebay.com
12.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	US$ 599	ebay.com
13.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	US$ 6 499	amazon.com
14.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	US$ 1 999	amazon.com
15.		Sony A7R IIIA	127 mm	96 mm	74 mm	650 g	650	Y	Apr 2021	US$ 3 199	amazon.com
16.		Sony A7R V	131 mm	97 mm	82 mm	723 g	530	Y	Oct 2022	US$ 3 899	amazon.com
17.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	US$ 3 499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G1 was launched at a markedly lower price (by 76 percent) than the A7 IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic G1 features a Four Thirds sensor and the Sony A7 IV a full frame sensor. The sensor area in the A7 IV is 281 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the G1 has a native 4:3 aspect ratio, while the one in the A7 IV offers a 3:2 aspect.

With 32.7MP, the A7 IV offers a higher resolution than the G1 (12MP), but the A7 IV nevertheless has larger individual pixels (pixel pitch of 5.12μm versus 4.33μm for the G1) due to its larger sensor. Moreover, the A7 IV is a much more recent model (by 13 years and 1 month) than the G1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7 IV has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A7 IV implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 IV for good quality output (200 dots per inch) amounts to 35 x 23.4 inches or 89 x 59.3 cm, for very good quality (250 dpi) 28 x 18.7 inches or 71.2 x 47.5 cm, and for excellent quality (300 dpi) 23.4 x 15.6 inches or 59.3 x 39.6 cm. The corresponding values for the Panasonic G1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The A7 IV has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-G1 has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Sony Alpha A7 IV are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

In terms of underlying technology, the G1 is build around a CMOS sensor, while the A7 IV uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7 IV offers substantially better image quality than the G1 (overall score 44 points higher). The advantage is based on 4.3 bits higher color depth, 4.4 EV in additional dynamic range, and 2.9 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
2.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
3.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
4.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
5.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
6.		Panasonic GF1	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	513	54
7.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
8.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
9.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
10.		Panasonic GF6	Four Thirds	15.8	4592	3448	1080/60i	20.7	10.6	622	54
11.		Panasonic GH1	Four Thirds	12.0	4000	3000	1080/24p	21.6	11.6	772	64
12.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
13.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
14.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
15.		Sony A7R IIIA	Full Frame	42.2	7952	5304	4K/30p	26.0	14.7	3523	100
16.		Sony A7R V	Full Frame	60.2	9504	6336	8k/24p	26.5	14.8	3187	100
17.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86

Many modern cameras cannot only take still pictures, but also record videos. The A7 IV indeed provides for movie recording, while the G1 does not. The highest resolution format that the A7 IV can use is 4K/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7 IV offers a substantially higher resolution than the one in the G1 (3686k vs 1440k dots). The table below summarizes some of the other core capabilities of the Panasonic G1 and Sony A7 IV in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
2.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
3.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
4.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
5.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
6.		Panasonic GF1	optional	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
7.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
8.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
9.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
10.		Panasonic GF6	none	n	3.0 / 1040	tilting	Y	1/4000s	4.2/s	Y	n
11.		Panasonic GH1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
12.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
13.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
14.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
15.		Sony A7R IIIA	3686	n	3.0 / 2340	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A7R V	9440	n	3.2 / 2100	full-flex	Y	1/8000s	10.0/s	n	Y
17.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The G1 has one, while the A7 IV does not. While the built-in flash of the G1 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7 IV is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The G1 writes its imaging data to SDHC cards, while the A7 IV uses CFexpress (type A) or SDXC cards. The A7 IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the G1 only has one slot. The A7 IV supports UHS-II cards (on both slots), while the G1 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-G1 and Sony Alpha A7 IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
2.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
3.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
4.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
6.		Panasonic GF1	Y	mono / mono	-	-	mini	2.0	-	-	-
7.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
9.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
10.		Panasonic GF6	-	stereo / mono	-	-	mini	2.0	Y	Y	-
11.		Panasonic GH1	Y	stereo / -	Y	-	mini	2.0	-	-	-
12.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-
13.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
15.		Sony A7R IIIA	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
16.		Sony A7R V	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the A7 IV offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the G1 does not provide wifi capability.

The A7 IV is a recent model that features in the current product line-up of Sony. In contrast, the G1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the G1 was succeeded by the Panasonic G2. Further information on the features and operation of the G1 and A7 IV can be found, respectively, in the Panasonic G1 Manual (free pdf) or the online Sony A7 IV Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Panasonic G1 or the Sony A7 IV – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Panasonic Lumix DMC-G1:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More compact: Is smaller (124x84mm vs 131x96mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 299g or 45 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (76 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in September 2008).

Advantages of the Sony Alpha A7 IV:

• More detail: Has more megapixels (32.7 vs 12MP), which boosts linear resolution by 68%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Scores substantially higher (44 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (4.3 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (4.4 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (2.9 stops ISO advantage).
• Broader imaging potential: Can capture not only stills but also 4K/60p video.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3686k vs 1440k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.70x).
• More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Longer lasting: Gets more shots (580 versus 410) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 13 years and 1 month of technical progress since the G1 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the A7 IV is the clear winner of the contest (25 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic G1 and the Sony A7 IV place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the G1 or the A7 IV perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	US$ 599	ebay.com
2.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	US$ 2 499	amazon.com
3.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	US$ 699	ebay.com
4.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	US$ 599	ebay.com
5.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	US$ 499	ebay.com
6.		Panasonic GF1	..	85/100	..	69/100	4.5/5	4.5/5	Sep 2009	US$ 749	ebay.com
7.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	US$ 549	ebay.com
8.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	US$ 549	ebay.com
9.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	US$ 499	ebay.com
10.		Panasonic GF6	..	+ +	..	..	4.5/5	4.5/5	Apr 2013	US$ 499	ebay.com
11.		Panasonic GH1	..	+ +	..	72/100	4.5/5	4.5/5	Mar 2009	US$ 899	ebay.com
12.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	US$ 599	ebay.com
13.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	US$ 6 499	amazon.com
14.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	US$ 1 999	amazon.com
15.		Sony A7R IIIA	..	+ +	4/5	90/100	4.5/5	5/5	Apr 2021	US$ 3 199	amazon.com
16.		Sony A7R V	5/5	+ +	4.5/5	92/100	..	..	Oct 2022	US$ 3 899	amazon.com
17.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	US$ 3 499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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