Canon 5D Mark III vs Olympus E-PL8
The Canon EOS 5D Mark III and the Olympus PEN E-PL8 are two digital cameras that were announced, respectively, in March 2012 and September 2016. The 5D Mark III is a DSLR, while the E-PL8 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (5D Mark III) and a Four Thirds (E-PL8) sensor. The Canon has a resolution of 22.1 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Olympus PEN E-PL8? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 5D Mark III and the Olympus E-PL8. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The E-PL8 can be obtained in three different colors (black, brown, white), while the 5D Mark III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-PL8 is considerably smaller (56 percent) than the Canon 5D Mark III. Moreover, the E-PL8 is substantially lighter (62 percent) than the 5D Mark III. It is worth mentioning in this context that the 5D Mark III is splash and dust resistant, while the E-PL8 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark III) and the Micro Four Thirds Lens Catalog (E-PL8). Mirrorless cameras, such as the E-PL8, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|2.||Olympus E-PL8||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549|
|3.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|4.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|5.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|6.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|7.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|8.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|9.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|10.||Nikon D600||141 mm||113 mm||82 mm||850 g||900||Y||Sep 2012||2,099|
|11.||Nikon D800||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||2,999|
|12.||Nikon D800E||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||3,299|
|13.||Olympus E-PL10||117 mm||68 mm||39 mm||380 g||350||n||Oct 2019||599|
|14.||Olympus E-PL9||117 mm||68 mm||39 mm||380 g||350||n||Feb 2018||599|
|15.||Olympus E-M10 III||122 mm||84 mm||50 mm||410 g||330||n||Aug 2017||649|
|16.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|17.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-PL8 was launched at a markedly lower price (by 84 percent) than the 5D Mark III, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D Mark III features a full frame sensor and the Olympus E-PL8 a Four Thirds sensor. The sensor area in the E-PL8 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 5D Mark III has a native 3:2 aspect ratio, while the one in the E-PL8 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 22.1MP, the 5D Mark III offers a higher resolution than the E-PL8 (15.9MP), but the 5D Mark III nevertheless has larger individual pixels (pixel pitch of 6.25μm versus 3.76μm for the E-PL8) due to its larger sensor. However, the E-PL8 is a much more recent model (by 4 years and 6 months) than the 5D Mark III, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark III for good quality output (200 dots per inch) amounts to 28.8 x 19.2 inches or 73.2 x 48.8 cm, for very good quality (250 dpi) 23 x 15.4 inches or 58.5 x 39 cm, and for excellent quality (300 dpi) 19.2 x 12.8 inches or 48.8 x 32.5 cm. The corresponding values for the Olympus E-PL8 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus PEN E-PL8 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|2.||Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|3.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|4.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|5.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|6.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|7.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|8.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|9.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|10.||Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|11.||Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|12.||Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
|13.||Olympus E-PL10||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..|
|14.||Olympus E-PL9||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..|
|15.||Olympus E-M10 III||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..|
|16.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|17.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 5D Mark III has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the E-PL8 relies on live view and the rear LCD for framing. That said, the E-PL8 can be equipped with an optional viewfinder – the VF-4. The table below summarizes some of the other core capabilities of the Canon 5D Mark III and Olympus E-PL8 in connection with corresponding information for a sample of similar cameras.
|1.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0||n||n|
|2.||Olympus E-PL8||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|3.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0||n||n|
|4.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|5.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|6.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5||n||n|
|7.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9||n||n|
|8.||Canon 5D||optical||Y||2.5 / 230||fixed||n||1/8000s||3.0||n||n|
|9.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0||Y||n|
|10.||Nikon D600||optical||Y||3.0 / 921||fixed||n||1/4000s||5.5||Y||n|
|11.||Nikon D800||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|12.||Nikon D800E||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|13.||Olympus E-PL10||none||n||3.0 / 1040||tilting||Y||1/4000s||8.6||Y||Y|
|14.||Olympus E-PL9||none||n||3.0 / 1040||tilting||Y||1/4000s||8.6||Y||Y|
|15.||Olympus E-M10 III||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.6||Y||Y|
|16.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|17.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
One feature that is present on the 5D Mark III, but is missing on the E-PL8 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The E-PL8 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 5D Mark III does not have a selfie-screen.
The Olympus E-PL8 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark III writes its imaging data to Compact Flash or SDXC cards, while the E-PL8 uses SDXC cards. The 5D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-PL8 only has one slot. The E-PL8 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 5D Mark III cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Olympus PEN E-PL8 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|2.||Olympus E-PL8||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|4.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|5.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|6.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|7.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon 5D||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|10.||Nikon D600||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|11.||Nikon D800||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|12.||Nikon D800E||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|13.||Olympus E-PL10||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|14.||Olympus E-PL9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|15.||Olympus E-M10 III||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|17.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
It is notable that the 5D Mark III has a microphone port, which is missing on the E-PL8. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 5D Mark III (unlike the E-PL8) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 5D Mark III and the E-PL8 have been discontinued, but can regularly be found used on eBay. The 5D Mark III was replaced by the Canon 5D Mark IV, while the E-PL8 was followed by the Olympus E-PL9. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So how do things add up? Is there a clear favorite between the Canon 5D Mark III and the Olympus E-PL8? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 5D Mark III:
- More detail: Offers more megapixels (22.1 vs 15.9MP) with a 20% higher linear resolution.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Can take more shots (950 versus 350) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in March 2012).
Advantages of the Olympus PEN E-PL8:
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (8 vs 6 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (115x67mm vs 152x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 593g or 62 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (84 percent cheaper at launch).
- More modern: Reflects 4 years and 6 months of technical progress since the 5D Mark III launch.
If the number of relative strengths (bullet points above) is taken as a guide, the E-PL8 comes out slightly ahead of the 5D Mark III (13 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark III and the Olympus E-PL8 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 5D Mark III or the E-PL8 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|2.||Olympus E-PL8||..||..||..||..||4.5/5||4/5||Sep 2016||549|
|3.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|4.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|5.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699|
|6.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|7.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|8.||Canon 5D||..||88/100||..||+ +||o||..||Aug 2005||3,299|
|9.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|10.||Nikon D600||4/5||+ +||..||87/100||5/5||4.5/5||Sep 2012||2,099|
|11.||Nikon D800||5/5||+ +||..||82/100||5/5||5/5||Feb 2012||2,999|
|12.||Nikon D800E||..||..||..||84/100||5/5||5/5||Feb 2012||3,299|
|13.||Olympus E-PL10||..||..||4/5||77/100||..||4/5||Oct 2019||599|
|14.||Olympus E-PL9||..||+||..||..||4.5/5||4/5||Feb 2018||599|
|15.||Olympus E-M10 III||..||+||5/5||80/100||4.5/5||4.5/5||Aug 2017||649|
|16.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|17.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark III vs Canon R5
- Canon 5D Mark III vs Fujifilm X-E2
- Canon 5D Mark III vs Nikon B700
- Canon 5D Mark III vs Nikon D3S
- Canon 5D Mark III vs Panasonic S5
- Canon 5D Mark III vs Pentax KP
- Canon 7D vs Olympus E-PL8
- Fujifilm GFX 50S vs Olympus E-PL8
- Nikon D5300 vs Olympus E-PL8
- Nikon D5500 vs Olympus E-PL8
- Olympus E-PL8 vs Panasonic GM1
- Olympus E-PL8 vs Sony RX100 II
Specifications: Canon 5D Mark III vs Olympus E-PL8
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark III||Olympus E-PL8|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||March 2012||September 2016|
|Launch Price||USD 3,499||USD 549|
|Sensor Specs||Canon 5D Mark III||Olympus E-PL8|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||22.1 Megapixels||15.9 Megapixels|
|Image Resolution||5760 x 3840 pixels||4608 x 3456 pixels|
|Pixel Pitch||6.25 μm||3.76 μm|
|Pixel Density||2.56 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/30p Video|
|ISO Setting||100 - 25,600 ISO||200 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 5+||TruePic VII|
|DXO Sensor Quality (score)||81||..|
|DXO Color Depth (bits)||24.0||..|
|DXO Dynamic Range (EV)||11.7||..|
|DXO Low Light (ISO)||2293||..|
|Screen Specs||Canon 5D Mark III||Olympus E-PL8|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 5D Mark III||Olympus E-PL8|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||6 shutter flaps/s||8 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 5D Mark III||Olympus E-PL8|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 5D Mark III||Olympus E-PL8|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||950 shots per charge||350 shots per charge|
152 x 116 x 76 mm
(6.0 x 4.6 x 3.0 in)
115 x 67 x 38 mm
(4.5 x 2.6 x 1.5 in)
|Camera Weight||950 g (33.5 oz)||357 g (12.6 oz)|
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