Canon 5D Mark III vs Sony RX100 II
The Canon EOS 5D Mark III and the Sony Cyber-shot DSC-RX100 II are two digital cameras that were officially introduced, respectively, in March 2012 and June 2013. The 5D Mark III is a DSLR, while the RX100 II is a fixed lens compact. The cameras are based on a full frame (5D Mark III) and an one-inch (RX100 II) sensor. The Canon has a resolution of 22.1 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 5D Mark III||Sony RX100 II|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||28-100mm f/1.8-4.9|
|22.1 MP, Full Frame Sensor||20 MP, 1" Sensor|
|1080/30p Video||1080/60p Video|
|ISO 100-25,600 (50 - 102,400)||ISO 100-12,800 (100 - 25,600)|
|Optical viewfinder||Viewfinder optional|
|3.2 LCD, 1040k dots||3.0 LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|6 shutter flaps per second||10 shutter flaps per second|
|Weathersealed body||not weather sealed|
|950 shots per battery charge||350 shots per battery charge|
|152 x 116 x 76 mm, 950 g||102 x 58 x 38 mm, 281 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Sony Cyber-shot DSC-RX100 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 5D Mark III and the Sony RX100 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 II is considerably smaller (66 percent) than the Canon 5D Mark III. It is worth mentioning in this context that the 5D Mark III is splash and dust resistant, while the RX100 II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 II has a lens built in, whereas the 5D Mark III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 5D Mark III and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 5D Mark III gets 950 shots out of its LP-E6 battery, while the RX100 II can take 350 images on a single charge of its NP-BX1 power pack. The power pack in the RX100 II can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 5D Mark III||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499|
|Sony RX100 II||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749|
|Canon 5D Mark IV||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499|
|Canon 5DS||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon 5DS R||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon G7 X||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699|
|Canon 6D||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099|
|Canon 5D Mark II||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499|
|Canon 5D||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299|
|Nikon D610||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999|
|Nikon D600||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099|
|Nikon D800||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||2,999|
|Nikon D800E||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||3,299|
|Sony ZV-1||4.1 in||2.4 in||1.7 in||10.4 oz||260||n||May 2020||799|
|Sony RX100 VII||4.0 in||2.3 in||1.7 in||10.7 oz||260||n||Jul 2019||1,199|
|Sony RX100 III||4.0 in||2.3 in||1.6 in||10.2 oz||320||n||May 2014||799|
|Sony RX100||4.0 in||2.3 in||1.4 in||8.5 oz||330||n||Jun 2012||649|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The RX100 II was launched at a lower price than the 5D Mark III, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D Mark III features a full frame sensor and the Sony RX100 II an one-inch sensor. The sensor area in the RX100 II is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 22.1MP, the 5D Mark III offers a higher resolution than the RX100 II (20MP), but the 5D Mark III nevertheless has larger individual pixels (pixel pitch of 6.25μm versus 2.41μm for the RX100 II) due to its larger sensor. However, the RX100 II is a somewhat more recent model (by 1 year and 3 months) than the 5D Mark III, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 5D Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark III for good quality output (200 dots per inch) amounts to 28.8 x 19.2 inches or 73.2 x 48.8 cm, for very good quality (250 dpi) 23 x 15.4 inches or 58.5 x 39 cm, and for excellent quality (300 dpi) 19.2 x 12.8 inches or 48.8 x 32.5 cm. The corresponding values for the Sony RX100 II are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 5D Mark III provides substantially higher image quality than the RX100 II, with an overall score that is 14 points higher. This advantage is based on 1.5 bits higher color depth, 0.7 EV of lower dynamic range, and 2.2 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
|Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
|Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the RX100 II provides a faster frame rate than the 5D Mark III. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 5D Mark III has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the RX100 II relies on live view and the rear LCD for framing. That said, the RX100 II can be equipped with an optional viewfinder – the FDA-EV1MK. The table below summarizes some of the other core capabilities of the Canon 5D Mark III and Sony RX100 II in connection with corresponding information for a sample of similar cameras.
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
|Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|Canon G7 X||none||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
|Sony RX100 VII||2359||n||3.0||921||tilting||Y||1/2000s||90.0||Y||Y|
|Sony RX100 III||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
One feature that is present on the 5D Mark III, but is missing on the RX100 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 5D Mark III writes its imaging data to Compact Flash or SDXC cards, while the RX100 II uses SDXC or Memory Stick PRO Duo cards. The 5D Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX100 II only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Sony Cyber-shot DSC-RX100 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|Canon G7 X||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
|Sony RX100 VII||-||stereo||mono||Y||-||micro||2.0||Y||Y||Y|
|Sony RX100 III||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the 5D Mark III has a microphone port, which is missing on the RX100 II. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 5D Mark III (unlike the RX100 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 5D Mark III and the RX100 II have been discontinued, but can regularly be found used on eBay. The 5D Mark III was replaced by the Canon 5D Mark IV, while the RX100 II was followed by the Sony RX100 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is there a clear favorite between the Canon 5D Mark III and the Sony RX100 II? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 5D Mark III:
- More detail: Offers more megapixels (22.1 vs 20MP) with a 5% higher linear resolution.
- Better image quality: Scores substantially higher (14 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.5 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (2.2 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (950 versus 350) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in March 2012).
Reasons to prefer the Sony Cyber-shot DSC-RX100 II:
- More dynamic range: Captures a broader range of light and dark details (0.7 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the 5D Mark III requires a separate lens.
- More compact: Is smaller (102x58mm vs 152x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 5D Mark III).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Was introduced somewhat (1 year and 3 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the 5D Mark III emerges as the winner of the contest (16 : 14 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark III and the Sony RX100 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 5D Mark III or the RX100 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 5D Mark III||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499|
|Sony RX100 II||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749|
|Canon 5D Mark IV||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499|
|Canon 5DS||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5DS R||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon G7 X||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699|
|Canon 6D||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Canon 5D Mark II||91/100||79/100||4/5||5/5||..||Sep 2008||3,499|
|Canon 5D||88/100||+ +||o||o||..||Aug 2005||3,299|
|Nikon D610||+ +||87/100||4.5/5||4.5/5||4.5/5||Oct 2013||1,999|
|Nikon D600||+ +||87/100||5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Nikon D800||+ +||82/100||5/5||5/5||5/5||Feb 2012||2,999|
|Nikon D800E||..||84/100||5/5||4.5/5||5/5||Feb 2012||3,299|
|Sony ZV-1||..||..||..||..||4.5/5||May 2020||799|
|Sony RX100 VII||..||..||4/5||..||5/5||Jul 2019||1,199|
|Sony RX100 III||+ +||82/100||4.5/5||4.5/5||5/5||May 2014||799|
|Sony RX100||+ +||78/100||4/5||5/5||5/5||Jun 2012||649|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D Mark III vs Canon M3
- Canon 5D Mark III vs Fujifilm X-T20
- Canon 5D Mark III vs Leica V-LUX 2
- Canon 5D Mark III vs Nikon D2Xs
- Canon 5D Mark III vs Nikon D7200
- Canon 5D Mark III vs Nikon D7500
- Canon 5D Mark III vs Sony A7S
- Canon G7 X vs Sony RX100 II
- Canon T3i vs Sony RX100 II
- Olympus TG-6 vs Sony RX100 II
- Panasonic GH1 vs Sony RX100 II
- Pentax K-1 II vs Sony RX100 II
Specifications: Canon 5D Mark III vs Sony RX100 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark III||Sony RX100 II|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||28-100mm f/1.8-4.9|
|Launch Date||March 2012||June 2013|
|Launch Price||USD 3,499||USD 749|
|Sensor Specs||Canon 5D Mark III||Sony RX100 II|
|Sensor Format||Full Frame Sensor||1" Sensor|
|Sensor Size||36.0 x 24.0 mm||13.2 x 8.8 mm|
|Sensor Area||864 mm2||116.16 mm2|
|Sensor Diagonal||43.3 mm||15.9 mm|
|Sensor Resolution||22.1 Megapixels||20 Megapixels|
|Image Resolution||5760 x 3840 pixels||5472 x 3648 pixels|
|Pixel Pitch||6.25 μm||2.41 μm|
|Pixel Density||2.56 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 25,600 ISO||100 - 12,800 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 5+||BIONZ X|
|DXO Sensor Quality (score)||81||67|
|DXO Color Depth (bits)||24.0||22.5|
|DXO Dynamic Range (EV)||11.7||12.4|
|DXO Low Light (ISO)||2293||483|
|Screen Specs||Canon 5D Mark III||Sony RX100 II|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 5D Mark III||Sony RX100 II|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/2000s|
|Continuous Shooting||6 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon 5D Mark III||Sony RX100 II|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 5D Mark III||Sony RX100 II|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||950 shots per charge||350 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
152 x 116 x 76 mm
(6.0 x 4.6 x 3.0 in)
102 x 58 x 38 mm
(4.0 x 2.3 x 1.5 in)
|Camera Weight||950 g (33.5 oz)||281 g (9.9 oz)|
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