Canon 200D vs Leica D-LUX 7
The Canon EOS 200D (called Canon SL2 in some regions) and the Leica D-LUX 7 are two digital cameras that were officially introduced, respectively, in June 2017 and November 2018. The 200D is a DSLR, while the D-LUX 7 is a fixed lens compact. The cameras are based on an APS-C (200D) and a Four Thirds (D-LUX 7) sensor. The Canon has a resolution of 24 megapixels, whereas the Leica provides 16.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 200D||Leica D-LUX 7|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-75mm f/1.7-2.8|
|24 MP, APS-C Sensor||16.8 MP, Four Thirds Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-25600 (100-51200)||ISO 200-25600|
|Optical viewfinder||Electronic viewfinder (2764k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1240k dots|
|Swivel touchscreen||Fixed touchscreen|
|5 shutter flaps per second||11 shutter flaps per second|
|650 shots per battery charge||300 shots per battery charge|
|122 x 93 x 70 mm, 453 g||115 x 66 x 65 mm, 392 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 200D and the Leica D-LUX 7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 200D and the Leica D-LUX 7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The 200D can be obtained in two different colors (black, white), while the D-LUX 7 is only available in silver.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica D-LUX 7 is considerably smaller (33 percent) than the Canon 200D. In this context, it is worth noting that neither the 200D nor the D-LUX 7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 7 has a lens built in, whereas the 200D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 200D and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 200D gets 650 shots out of its LP-E17 battery, while the D-LUX 7 can take 300 images on a single charge of its BP-DC15 power pack. The power pack in the D-LUX 7 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 200D»||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||-||Canon 200D|
|Leica D-LUX 7«||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Nov 2018||1,195||Leica D-LUX 7|
|Canon 250D« »||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599||Canon 250D|
|Canon 2000D« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon 2000D|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899||Canon 77D|
|Canon 800D« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon 800D|
|Canon G9 X Mark II« »||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979||Canon M5|
|Canon 760D« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon 760D|
|Canon 100D« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon 100D|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Leica V-LUX 5« »||5.4 in||3.8 in||5.2 in||28.6 oz||350||n||Jul 2019||1,249||Leica V-LUX 5|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Leica D-LUX Typ 109« »||4.6 in||2.6 in||2.2 in||14.3 oz||300||n||Sep 2014||1,195||-||Leica D-LUX Typ 109|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499||-||Nikon D3400|
|Panasonic LX100 II« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 200D features an APS-C sensor and the Leica D-LUX 7 a Four Thirds sensor. The sensor area in the D-LUX 7 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 200D has a native 3:2 aspect ratio, while the one in the D-LUX 7 offers a 4:3 aspect. The D-LUX 7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the 200D offers a higher resolution than the D-LUX 7 (16.8MP), but the 200D nevertheless has marginally larger individual pixels (pixel pitch of 3.72μm versus 3.66μm for the D-LUX 7) due to its larger sensor. However, the D-LUX 7 is a somewhat more recent model (by 1 year and 4 months) than the 200D, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the D-LUX 7 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 200D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 200D for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Leica D-LUX 7 are 23.7 x 17.8 inch or 60.1 x 45.1 cm for good quality, 18.9 x 14.2 inch or 48.1 x 36.1 cm for very good quality, and 15.8 x 11.8 inch or 40.1 x 30.1 cm for excellent quality prints.
The 200D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 200D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Leica D-LUX 7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 200D»||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Leica D-LUX 7«||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Leica D-LUX 7|
|Canon 250D« »||APS-C||24.0||6000||4000||4K/25p||-||-||-||-||Canon 250D|
|Canon 2000D« »||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon 800D« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon 800D|
|Canon G9 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Canon 760D« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon 760D|
|Canon 100D« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Leica V-LUX 5« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica V-LUX 5|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Leica D-LUX Typ 109« »||Four Thirds||12.7||4112||3088||4K/30p||-||-||-||-||Leica D-LUX Typ 109|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
|Panasonic LX100 II« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the D-LUX 7 provides a better video resolution than the 200D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the D-LUX 7 has an electronic viewfinder (2764k dots), while the 200D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the D-LUX 7 offers a wider field of view (100%) than the one in the 200D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the D-LUX 7 has a higher magnification (0.70x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 200D, the Leica D-LUX 7, and comparable cameras.
|Canon 200D»||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 200D|
|Leica D-LUX 7«||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Leica D-LUX 7|
|Canon 250D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 250D|
|Canon 2000D« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 2000D|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon 800D« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 800D|
|Canon G9 X Mark II« »||-||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Canon 760D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 760D|
|Canon 100D« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon 100D|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Leica V-LUX 5« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Leica V-LUX 5|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Leica C-LUX|
|Leica D-LUX Typ 109« »||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Leica D-LUX Typ 109|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3400|
|Panasonic LX100 II« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
One difference between the cameras concerns the presence of an on-board flash. The 200D has one, while the D-LUX 7 does not. While the built-in flash of the 200D is not very powerful, it can at times be useful as a fill-in light.The 200D has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the D-LUX 7 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the D-LUX 7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Leica D-LUX 7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 200D and the D-LUX 7 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 200D and Leica D-LUX 7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 200D»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Leica D-LUX 7«||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica D-LUX 7|
|Canon 250D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon 250D|
|Canon 2000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon 800D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 800D|
|Canon G9 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Canon 760D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 760D|
|Canon 100D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Leica V-LUX 5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica V-LUX 5|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Leica D-LUX Typ 109« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Leica D-LUX Typ 109|
|Nikon D3400« »||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3400|
|Panasonic LX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
It is notable that the 200D has a microphone port, which is missing on the D-LUX 7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The D-LUX 7 is a recent model that features in the current product line-up of Leica. In contrast, the 200D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 200D was succeeded by the Canon 250D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Leica websites.
So how do things add up? Which of the two cameras – the Canon 200D or the Leica D-LUX 7 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 200D:
- More detail: Offers more megapixels (24 vs 16.8MP) with a 22% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (650 versus 300) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in June 2017).
Arguments in favor of the Leica D-LUX 7:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.54x).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the 200D requires a separate lens.
- More compact: Is smaller (115x66mm vs 122x93mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 200D).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More modern: Was introduced somewhat (1 year and 4 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (16 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 200D and the Leica D-LUX 7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 200D and the D-LUX 7 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 200D»||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon 200D|
|Leica D-LUX 7«||-||-||-||-||4.5/5||Nov 2018||1,195||Leica D-LUX 7|
|Canon 250D« »||o||79/100||4/5||-||4/5||Apr 2019||599||Canon 250D|
|Canon 2000D« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon 2000D|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon 800D« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon 800D|
|Canon G9 X Mark II« »||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529||Canon G9 X Mark II|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Canon 760D« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon 760D|
|Canon 100D« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon 100D|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Leica V-LUX 5« »||-||-||4/5||-||4/5||Jul 2019||1,249||Leica V-LUX 5|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Leica D-LUX Typ 109« »||-||-||4.5/5||-||4.5/5||Sep 2014||1,195||-||Leica D-LUX Typ 109|
|Nikon D3400« »||+||76/100||4/5||4.5/5||4.5/5||Aug 2016||499||-||Nikon D3400|
|Panasonic LX100 II« »||+||82/100||4.5/5||-||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 200D vs Canon RP
- Canon 200D vs Hasselblad X1D II
- Canon 200D vs Panasonic FZ82
- Canon 200D vs Panasonic G85
- Canon 6D Mark II vs Leica D-LUX 7
- Canon 70D vs Leica D-LUX 7
- Canon SL1 vs Leica D-LUX 7
- Leica D-LUX 7 vs Leica M10
- Leica D-LUX 7 vs Nikon D4S
- Leica D-LUX 7 vs Panasonic S1R
- Leica D-LUX 7 vs Panasonic ZS200
- Leica D-LUX 7 vs Sony H300
Specifications: Canon 200D vs Leica D-LUX 7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 200D||Leica D-LUX 7|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-75mm f/1.7-2.8|
|Launch Date||June 2017||November 2018|
|Launch Price||USD 549||USD 1195|
|Sensor Specs||Canon 200D||Leica D-LUX 7|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||16.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||4736 x 3552 pixels|
|Pixel Pitch||3.72 μm||3.66 μm|
|Pixel Density||7.22 MP/cm2||7.48 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||200-25600 ISO|
|ISO Boost||100-51200 ISO||100-25600 ISO|
|DXO Sensor Quality (score)||79||..|
|DXO Color Depth (bits)||23.6||..|
|DXO Dynamic Range (EV)||13.4||..|
|DXO Low Light (ISO)||1041||..|
|Screen Specs||Canon 200D||Leica D-LUX 7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2764k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1240k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Shooting Specs||Canon 200D||Leica D-LUX 7|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||5 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 200D||Leica D-LUX 7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon 200D||Leica D-LUX 7|
|Battery Life (CIPA)||650 shots per charge||300 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
115 x 66 x 65 mm
(4.5 x 2.6 x 2.6 in)
|Camera Weight||453 g (16.0 oz)||392 g (13.8 oz)|
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