Canon 200D vs Fujifilm GFX 50S
The Canon EOS 200D (called Canon SL2 in some regions) and the Fujifilm GFX 50S are two digital cameras that were announced, respectively, in June 2017 and September 2016. The 200D is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (200D) and a medium format (GFX 50S) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 51.1 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 200D||Fujifilm GFX 50S|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Fujifilm G mount lenses|
|24 MP, APS-C Sensor||51.1 MP, Medium Format Sensor|
|1080/60p Video||1080/30p Video|
|ISO 100-25600 (100-51200)||ISO 100-12800 (50-102400)|
|Optical viewfinder||Viewfinder optional|
|3.0" LCD, 1040k dots||3.2" LCD, 2360k dots|
|Swivel touchscreen||Fully flexible touchscreen|
|5 shutter flaps per second||3 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|650 shots per battery charge||400 shots per battery charge|
|122 x 93 x 70 mm, 453 g||148 x 94 x 91 mm, 740 g|
Body comparison: Canon 200D vs Fujifilm GFX 50S
An illustration of the physical size and weight of the Canon 200D and the Fujifilm GFX 50S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The 200D can be obtained in two different colors (black, white), while the GFX 50S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (23 percent) than the Canon 200D. Moreover, the GFX 50S is substantially heavier (63 percent) than the 200D. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the 200D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 200D»||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||Canon 200D|
|Fujifilm GFX 50S«||5.8 in||3.7 in||3.6 in||26.1 oz||400||Y||Sep 2016||6,499||Fujifilm GFX 50S|
|Canon 2000D« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon 2000D|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899||Canon 77D|
|Canon 800D« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon 800D|
|Canon G9 X Mark II« »||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon M6« »||4.4 in||2.7 in||1.8 in||13.8 oz||295||n||Feb 2017||779||Canon M6|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979||Canon M5|
|Canon 100D« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon 100D|
|Fujifilm GFX 50R« »||6.3 in||3.8 in||2.6 in||27.3 oz||400||Y||Sep 2018||4,499||Fujifilm GFX 50R|
|Hasselblad X1D« »||5.9 in||3.9 in||2.8 in||25.6 oz||..||Y||Jun 2016||8,995||Hasselblad X1D|
|Leica SL« »||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450||Leica SL|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D5600« »||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699||Nikon D5600|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499||-||Nikon D3400|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 200D was launched at a markedly lower price (by 92 percent) than the GFX 50S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 200D vs Fujifilm GFX 50S
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 200D features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 200D has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the 200D (24MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.72μm for the 200D) due to its larger sensor. However, the 200D is a somewhat more recent model (by 9 months) than the GFX 50S, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The 200D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Canon EOS 200D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400..
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 200D»||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Fujifilm GFX 50S«||Medium Format||51.1||8256||6192||1080/30p||-||-||-||-||Fujifilm GFX 50S|
|Canon 2000D« »||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon 800D« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon 800D|
|Canon G9 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon M6« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon M6|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Canon 100D« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Fujifilm GFX 50R« »||Medium Format||51.1||8256||6192||1080/30p||-||-||-||-||Fujifilm GFX 50R|
|Hasselblad X1D« »||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102||Hasselblad X1D|
|Leica SL« »||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88||Leica SL|
|Nikon D7500« »||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D5600« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 200D provides a higher frame rate than the GFX 50S. It can shoot video footage at 1080/60p, while the Fujifilm is limited to 1080/30p.
Feature comparison: Canon 200D vs Fujifilm GFX 50S
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 200D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Canon 200D, the Fujifilm GFX 50S, and comparable cameras.
|Canon 200D»||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n||Canon 200D|
|Fujifilm GFX 50S«||-||Y||3.2||2360||full-flex||Y||4000||3.0||n||n||Fujifilm GFX 50S|
|Canon 2000D« »||optical||n||3.0||920||fixed||n||4000||3.0||Y||n||Canon 2000D|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||4000||6.0||Y||n||Canon 77D|
|Canon 800D« »||optical||n||3.0||1040||swivel||Y||4000||6.0||Y||n||Canon 800D|
|Canon G9 X Mark II« »||-||n||3.0||1040||fixed||Y||2000||8.2||Y||Y||Canon G9 X Mark II|
|Canon M6« »||-||n||3.0||1040||tilting||Y||4000||9.0||Y||n||Canon M6|
|Canon M100« »||-||n||3.0||1040||tilting||Y||4000||6.1||Y||n||Canon M100|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||8000||7.0||n||n||Canon 5D Mark IV|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||4000||9.0||Y||n||Canon M5|
|Canon 100D« »||optical||n||3.0||1040||fixed||Y||4000||4.9||Y||n||Canon 100D|
|Fujifilm GFX 50R« »||3690||n||3.2||2360||tilting||Y||4000||3.0||n||n||Fujifilm GFX 50R|
|Hasselblad X1D« »||2360||n||3.0||920||fixed||Y||2000||2.3||n||n||Hasselblad X1D|
|Leica SL« »||4400||Y||3.0||1040||fixed||Y||8000||11.0||n||n||Leica SL|
|Nikon D7500« »||optical||Y||3.2||922||tilting||Y||8000||8.0||Y||n||Nikon D7500|
|Nikon D5600« »||optical||n||3.2||1037||swivel||Y||4000||5.0||Y||n||Nikon D5600|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||4000||5.0||Y||n||Nikon D3400|
One difference between the cameras concerns the presence of an on-board flash. The 200D has one, while the GFX 50S does not. While the built-in flash of the 200D is not very powerful, it can at times be useful as a fill-in light.The 200D has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GFX 50S does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the GFX 50S features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the 200D and the GFX 50S write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the 200D only has one slot. The GFX 50S supports UHS-II cards (on both slots), while 200D can use UHS-I cards.
Connectivity comparison: Canon 200D vs Fujifilm GFX 50S
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 200D and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 200D»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Fujifilm GFX 50S«||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Fujifilm GFX 50S|
|Canon 2000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon 800D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 800D|
|Canon G9 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon M6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M6|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Canon 100D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Fujifilm GFX 50R« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y||Fujifilm GFX 50R|
|Hasselblad X1D« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Hasselblad X1D|
|Leica SL« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||-||Leica SL|
|Nikon D7500« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D5600« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon D3400« »||Y||mono||mono||-||-||mini||2.0||Y||-||Y||Nikon D3400|
It is notable that the GFX 50S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 200D lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the 200D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 200D and the GFX 50S are recent models that feature in their makers' current product line-up. The 200D replaced the earlier Canon 100D, while the GFX 50S does not have a direct predecessor.
Review summary: Canon 200D vs Fujifilm GFX 50S
So what conclusions can be drawn? Which of the two cameras – the Canon 200D or the Fujifilm GFX 50S – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS 200D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Easier framing: Has an optical viewfinder for image framing and settings control.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (122x93mm vs 148x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 287g or 39 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (650 versus 400) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 9 months after the GFX 50S).
Reasons to prefer the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 24MP), which boosts linear resolution by 43%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: Larger pixels generate images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the contest (18 : 14 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 200D and the GFX 50S in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Canon 200D vs Fujifilm GFX 50S
This is why expert reviews are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog).
|Canon 200D»||++||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||Canon 200D|
|Fujifilm GFX 50S«||-||85/100||5/5||5/5||4.5/5||Sep 2016||6,499||Fujifilm GFX 50S|
|Canon 2000D« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon 2000D|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon 800D« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon 800D|
|Canon G9 X Mark II« »||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529||Canon G9 X Mark II|
|Canon M6« »||-||80/100||4/5||4.5/5||4/5||Feb 2017||779||Canon M6|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon 5D Mark IV« »||++||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Canon 100D« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon 100D|
|Fujifilm GFX 50R« »||-||84/100||-||-||4.5/5||Sep 2018||4,499||Fujifilm GFX 50R|
|Hasselblad X1D« »||o||81/100||-||-||4/5||Jun 2016||8,995||Hasselblad X1D|
|Leica SL« »||-||84/100||4.5/5||4/5||4/5||Oct 2015||7,450||Leica SL|
|Nikon D7500« »||++||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299||Nikon D7500|
|Nikon D5600« »||-||79/100||4.5/5||4.5/5||4/5||Nov 2016||699||Nikon D5600|
|Nikon D3400« »||+||76/100||4/5||4.5/5||4.5/5||Aug 2016||499||-||Nikon D3400|
|Notes: ++) highly recommended; +) recommended; o) reviewed; -) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 760D vs Olympus E-P1
- Canon G1 X vs Panasonic ZS200
- Canon SL2 vs Panasonic G5
- Canon SX70 vs Canon XC10
- Fujifilm X-T1 vs Panasonic GX85
- Leica D-LUX Typ 109 vs Sony A6500
- Nikon D80 vs Sony A7R III
- Olympus E-M10 II vs Panasonic FZ100
- Panasonic FZ300 vs Panasonic G10
- Panasonic GX80 vs Pentax K-70
- Panasonic LX100 vs Canon G9 X Mark II
- Pentax K-1 II vs Olympus E-5
Specifications: Canon 200D vs Fujifilm GFX 50S
|Camera Model||Canon 200D||Fujifilm GFX 50S|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm G mount lenses|
|Launch Date||June 2017||September 2016|
|Launch Price||USD 549||USD 6499|
|Sensor Specs||Canon 200D||Fujifilm GFX 50S|
|Sensor Format||APS-C Sensor||Medium Format Sensor|
|Sensor Size||22.3 x 14.9 mm||44.0 x 14.9 mm|
|Sensor Area||332.27 mm2||1452 mm2|
|Sensor Diagonal||26.8 mm||55 mm|
|Sensor Resolution||24 Megapixels||51.1 Megapixels|
|Image Resolution||6000 x 4000 pixels||8256 x 6192 pixels|
|Pixel Pitch||3.72 μm||5.33 μm|
|Pixel Density||7.22 MP/cm2||3.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||100-25600 ISO||100-12800 ISO|
|ISO Boost||100-51200 ISO||50-102400 ISO|
|Image Processor||DIGIC 7||X Processor Pro|
|DXO Sensor Quality (score)||79||..|
|DXO Color Depth (bits)||23.6||..|
|DXO Dynamic Range (EV)||13.4||..|
|DXO Low Light (ISO)||1041||..|
|Screen Specs||Canon 200D||Fujifilm GFX 50S|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.2 inch|
|LCD Resolution||1040k dots||2360k dots|
|LCD Attachment||Swivel screen||Fully flexible screen|
|Shooting Specs||Canon 200D||Fujifilm GFX 50S|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Maximum Shutter Speed||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||3 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon 200D||Fujifilm GFX 50S|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon 200D||Fujifilm GFX 50S|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Type||LP-E17 power pack||NP-T125 power pack|
|Battery Life (CIPA)||650 shots per charge||400 shots per charge|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
|Camera Weight||453 g (16.0 oz)||740 g (26.1 oz)|
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