Fujifilm GFX 50S vs X-A2
The Fujifilm GFX 50S and the Fujifilm X-A2 are two digital cameras that were officially introduced, respectively, in September 2016 and January 2015. Both the GFX 50S and the X-A2 are mirrorless interchangeable lens cameras that are based on a medium format (GFX 50S) and an APS-C (X-A2) sensor. The GFX 50S has a resolution of 51.1 megapixels, whereas the X-A2 provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S and the Fujifilm X-A2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm GFX 50S and the Fujifilm X-A2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-A2 can be obtained in three different colors (black, brown, white), while the GFX 50S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-A2 is considerably smaller (44 percent) than the Fujifilm GFX 50S. Moreover, the X-A2 is substantially lighter (53 percent) than the GFX 50S. It is worth mentioning in this context that the GFX 50S is splash and dust resistant, while the X-A2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|2.||Fujifilm X-A2||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399|
|3.||Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|4.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|5.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999|
|6.||Fujifilm GFX 50S II||150 mm||104 mm||87 mm||900 g||440||Y||Sep 2021||3,999|
|7.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|8.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|9.||Fujifilm X-A10||117 mm||67 mm||40 mm||331 g||410||n||Dec 2016||399|
|10.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|11.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|12.||Fujifilm X-A1||117 mm||67 mm||39 mm||330 g||350||n||Sep 2013||399|
|13.||Hasselblad X1D II||148 mm||97 mm||70 mm||766 g||..||Y||Jun 2019||5,750|
|14.||Hasselblad X1D||150 mm||98 mm||71 mm||725 g||..||Y||Jun 2016||8,995|
|15.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|16.||Leica SL||147 mm||104 mm||39 mm||847 g||400||Y||Oct 2015||7,450|
|17.||Nikon D7500||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-A2 was launched at a markedly lower price (by 94 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm GFX 50S features a medium format sensor and the Fujifilm X-A2 an APS-C sensor. The sensor area in the X-A2 is 75 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50S has a native 4:3 aspect ratio, while the one in the X-A2 offers a 3:2 aspect.
With 51.1MP, the GFX 50S offers a higher resolution than the X-A2 (16MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.80μm for the X-A2) due to its larger sensor. Moreover, the GFX 50S is a somewhat more recent model (by 1 year and 8 months) than the X-A2, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Fujifilm X-A2 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The Fujifilm GFX 50S has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Fujifilm X-A2 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|3.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|5.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|6.||Fujifilm GFX 50S II||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|7.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|13.||Hasselblad X1D II||Medium Format||51.3||8272||6200||none||..||..||..||..|
|14.||Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|15.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|16.||Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The GFX 50S and the X-A2 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The following table reports on some other key feature differences and similarities of the Fujifilm GFX 50S, the Fujifilm X-A2, and comparable cameras.
|1.||Fujifilm GFX 50S||optional||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0||n||n|
|2.||Fujifilm X-A2||none||n||3.0 / 920||tilting||n||1/4000s||5.6||Y||n|
|3.||Canon 5D Mark IV||optical||Y||3.2 / 1620||fixed||Y||1/8000s||7.0||n||n|
|4.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0||Y||n|
|5.||Fujifilm GFX 100S||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||5.0||n||Y|
|6.||Fujifilm GFX 50S II||3690||Y||3.2 / 2360||full-flex||Y||1/4000s||3.0||n||Y|
|7.||Fujifilm GFX 50R||3690||n||3.2 / 2360||tilting||Y||1/4000s||3.0||n||n|
|8.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|9.||Fujifilm X-A10||none||n||3.0 / 1040||tilting||n||1/4000s||6.0||Y||n|
|10.||Fujifilm X-E2S||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0||Y||n|
|11.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0||Y||n|
|12.||Fujifilm X-A1||none||n||3.0 / 920||tilting||n||1/4000s||5.6||Y||n|
|13.||Hasselblad X1D II||3690||n||3.6 / 2360||fixed||Y||1/2000s||2.7||n||n|
|14.||Hasselblad X1D||2360||n||3.0 / 920||fixed||Y||1/2000s||2.3||n||n|
|15.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0||n||n|
|16.||Leica SL||4400||Y||3.0 / 1040||fixed||Y||1/8000s||11.0||n||n|
|17.||Nikon D7500||optical||Y||3.2 / 922||tilting||Y||1/8000s||8.0||Y||n|
One feature that is present on the GFX 50S, but is missing on the X-A2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The X-A2 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the GFX 50S does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GFX 50S and the X-A2 write their files to SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-A2 only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the X-A2 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S and Fujifilm X-A2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm GFX 50S||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|2.||Fujifilm X-A2||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|3.||Canon 5D Mark IV||Y||mono / mono||Y||Y||mini||3.0||Y||Y||-|
|4.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|5.||Fujifilm GFX 100S||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|6.||Fujifilm GFX 50S II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||-|
|7.||Fujifilm GFX 50R||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|8.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Fujifilm X-A10||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Fujifilm X-E2S||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|12.||Fujifilm X-A1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|13.||Hasselblad X1D II||Y||stereo / mono||Y||Y||-||3.0||Y||-||-|
|14.||Hasselblad X1D||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|15.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|16.||Leica SL||Y||stereo / mono||Y||Y||full||3.0||Y||-||-|
|17.||Nikon D7500||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
It is notable that the GFX 50S has a microphone port, which is missing on the X-A2. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the X-A2) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the GFX 50S and the X-A2 have been discontinued, but can regularly be found used on eBay. The X-A2 was replaced by the Fujifilm X-A3, while the GFX 50S was followed by the Fujifilm GFX 50S II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm website.
So what is the bottom line? Is there a clear favorite between the Fujifilm GFX 50S and the Fujifilm X-A2? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm GFX 50S:
- More detail: Offers more megapixels (51.1 vs 16MP) with a 75% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 920k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Is somewhat more recent (announced 1 year and 8 months after the X-A2).
Reasons to prefer the Fujifilm X-A2:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5.6 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (117x67mm vs 148x94mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 390g or 53 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (94 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2015).
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the match-up (22 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm GFX 50S and the Fujifilm X-A2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the GFX 50S or the X-A2. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm GFX 50S||..||..||4.5/5||85/100||5/5||4.5/5||Sep 2016||6,499|
|2.||Fujifilm X-A2||4/5||..||..||..||4.5/5||4.5/5||Jan 2015||399|
|3.||Canon 5D Mark IV||4.5/5||+ +||4/5||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|4.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|5.||Fujifilm GFX 100S||5/5||+ +||5/5||90/100||5/5||5/5||Jan 2021||5,999|
|6.||Fujifilm GFX 50S II||..||..||..||87/100||..||..||Sep 2021||3,999|
|7.||Fujifilm GFX 50R||5/5||..||5/5||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|8.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|9.||Fujifilm X-A10||..||..||..||..||4/5||4/5||Dec 2016||399|
|10.||Fujifilm X-E2S||4.5/5||..||..||77/100||4.5/5||4.5/5||Jan 2016||699|
|11.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799|
|12.||Fujifilm X-A1||..||..||..||..||4.5/5||4.5/5||Sep 2013||399|
|13.||Hasselblad X1D II||..||..||4/5||..||4/5||4/5||Jun 2019||5,750|
|14.||Hasselblad X1D||..||o||..||81/100||..||4/5||Jun 2016||8,995|
|15.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|16.||Leica SL||4/5||..||4/5||84/100||4.5/5||4/5||Oct 2015||7,450|
|17.||Nikon D7500||4.5/5||+ +||4.5/5||86/100||5/5||4.5/5||Apr 2017||1,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1200D vs Fujifilm X-A2
- Canon 40D vs Fujifilm X-A2
- Canon 5D Mark II vs Fujifilm X-A2
- Canon XTi vs Fujifilm X-A2
- Fujifilm GFX 50S vs Fujifilm X-E2
- Fujifilm GFX 50S vs Nikon D1X
- Fujifilm GFX 50S vs Olympus E-P2
- Fujifilm GFX 50S vs Sony HX90V
- Fujifilm GFX 50S vs Sony RX10 III
- Fujifilm GFX 50S vs YI M1
- Fujifilm X-A2 vs Olympus E-M1X
- Fujifilm X-A2 vs Panasonic G95
Specifications: Fujifilm GFX 50S vs Fujifilm X-A2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm GFX 50S||Fujifilm X-A2|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm G mount lenses||Fujifilm X mount lenses|
|Launch Date||September 2016||January 2015|
|Launch Price||USD 6,499||USD 399|
|Sensor Specs||Fujifilm GFX 50S||Fujifilm X-A2|
|Sensor Format||Medium Format Sensor||APS-C Sensor|
|Sensor Size||44.0 x 33.0 mm||23.6 x 15.6 mm|
|Sensor Area||1452 mm2||368.16 mm2|
|Sensor Diagonal||55 mm||28.3 mm|
|Sensor Resolution||51.1 Megapixels||16 Megapixels|
|Image Resolution||8256 x 6192 pixels||4896 x 3264 pixels|
|Pixel Pitch||5.33 μm||4.80 μm|
|Pixel Density||3.52 MP/cm2||4.34 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/30p Video|
|ISO Setting||100 - 12,800 ISO||200 - 6,400 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 25,600 ISO|
|Image Processor||X Processor Pro||EXR Processor II|
|Screen Specs||Fujifilm GFX 50S||Fujifilm X-A2|
|Viewfinder Type||Viewfinder optional||no viewfinder|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2360k dots||920k dots|
|LCD Attachment||Fully flexible screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm GFX 50S||Fujifilm X-A2|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||5.6 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Fujifilm GFX 50S||Fujifilm X-A2|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Fujifilm GFX 50S||Fujifilm X-A2|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||400 shots per charge||410 shots per charge|
148 x 94 x 91 mm
(5.8 x 3.7 x 3.6 in)
117 x 67 x 40 mm
(4.6 x 2.6 x 1.6 in)
|Camera Weight||740 g (26.1 oz)||350 g (12.3 oz)|
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