Canon 200D vs Fujifilm X-T2
The Canon EOS 200D (called Canon SL2 in some regions) and the Fujifilm X-T2 are two digital cameras that were announced, respectively, in June 2017 and July 2016. The 200D is a DSLR, while the X-T2 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 200D||Fujifilm X-T2|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Fujifilm X mount lenses|
|24 MP, APS-C Sensor||24 MP, APS-C Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-25600 (100-51200)||ISO 200-12800 (100-51200)|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Swivel touchscreen||Tilting screen (not touch-sensitive)|
|5 shutter flaps per second||14 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|650 shots per battery charge||340 shots per battery charge|
|122 x 93 x 70 mm, 453 g||133 x 92 x 49 mm, 507 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 200D and the Fujifilm X-T2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 200D and the Fujifilm X-T2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The 200D can be obtained in two different colors (black, white), while the X-T2 is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-T2 is notably larger (8 percent) than the Canon 200D. Moreover, the X-T2 is markedly heavier (12 percent) than the 200D. It is noteworthy in this context that the X-T2 is splash and dust-proof, while the 200D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (200D) and the Fujinon X Lens Catalog (X-T2). Mirrorless cameras, such as the X-T2, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 200D gets 650 shots out of its LP-E17 battery, while the X-T2 can take 340 images on a single charge of its NP-W126S power pack. The power pack in the X-T2 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 200D»||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||-||Canon 200D|
|Fujifilm X-T2«||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599||-||Fujifilm X-T2|
|Canon 250D« »||4.8 in||3.7 in||2.8 in||15.8 oz||1070||n||Apr 2019||599||Canon 250D|
|Canon 2000D« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon 2000D|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899||Canon 77D|
|Canon 800D« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749||Canon 800D|
|Canon G9 X Mark II« »||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979||Canon M5|
|Canon 760D« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||-||Canon 760D|
|Canon 100D« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon 100D|
|Fujifilm X-T3« »||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-E3« »||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T1« »||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,299||-||Fujifilm X-T1|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499||-||Nikon D3400|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 200D was launched at a markedly lower price (by 66 percent) than the X-T2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the X-T2 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (200D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
Even though the X-T2 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the X-T2 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.92μm versus 3.72μm for the 200D), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the 200D is a somewhat more recent model (by 11 months) than the X-T2, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the X-T2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon EOS 200D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm X-T2 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 200D»||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Fujifilm X-T2«||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T2|
|Canon 250D« »||APS-C||24.0||6000||4000||4K/25p||-||-||-||-||Canon 250D|
|Canon 2000D« »||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon 800D« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon 800D|
|Canon G9 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Canon 760D« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon 760D|
|Canon 100D« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Fujifilm X-T3« »||APS-C||26.0||6240||4160||4K/60p||-||-||-||-||Fujifilm X-T3|
|Fujifilm X-E3« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-E3|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-A3|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Fujifilm X-T1« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T1|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-T2 provides a better video resolution than the 200D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-T2 has an electronic viewfinder (2360k dots), while the 200D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the X-T2 offers a wider field of view (100%) than the one in the 200D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the X-T2 has a higher magnification (0.77x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 200D, the Fujifilm X-T2, and comparable cameras.
|Canon 200D»||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 200D|
|Fujifilm X-T2«||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Canon 250D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 250D|
|Canon 2000D« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 2000D|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon 800D« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 800D|
|Canon G9 X Mark II« »||-||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Canon 760D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 760D|
|Canon 100D« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon 100D|
|Fujifilm X-T3« »||3690||n||3.2||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X-E3« »||2360||n||3.0||1040||fixed||Y||1/4000s||8.0||n||n||Fujifilm X-E3|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Fujifilm X-T1« »||2360||n||3.0||1040||tilting||n||1/4000s||8.0||n||n||Fujifilm X-T1|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3400|
One difference between the cameras concerns the presence of an on-board flash. The 200D has one, while the X-T2 does not. While the built-in flash of the 200D is not very powerful, it can at times be useful as a fill-in light.The 200D has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the X-T2 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-T2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-T2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 200D and the X-T2 write their files to SDXC cards. The X-T2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 200D only has one slot. The X-T2 supports UHS-II cards (on both slots), while the 200D can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 200D and Fujifilm X-T2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 200D»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Fujifilm X-T2«||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Canon 250D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon 250D|
|Canon 2000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon 800D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 800D|
|Canon G9 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Canon 760D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 760D|
|Canon 100D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Fujifilm X-T3« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X-E3« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-E3|
|Fujifilm X-A3« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Fujifilm X-Pro2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Fujifilm X-T1« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Nikon D3400« »||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3400|
Studio photographers will appreciate that the Fujifilm X-T2 (unlike the 200D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 200D and the X-T2 have been discontinued, but can regularly be found used on eBay. The X-T2 was replaced by the Fujifilm X-T3 , while the 200D was followed by the Canon 250D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 200D and the Fujifilm X-T2? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 200D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less heavy: Is lighter (by 54g or 11 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (650 versus 340) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (66 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 11 months after the X-T2).
Arguments in favor of the Fujifilm X-T2:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.54x).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in July 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the X-T2 is the clear winner of the contest (16 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 200D and the Fujifilm X-T2 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 200D or the X-T2 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 200D»||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon 200D|
|Fujifilm X-T2«||+ +||86/100||4.5/5||5/5||5/5||Jul 2016||1,599||-||Fujifilm X-T2|
|Canon 250D« »||o||79/100||4/5||-||4/5||Apr 2019||599||Canon 250D|
|Canon 2000D« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon 2000D|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon 800D« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon 800D|
|Canon G9 X Mark II« »||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529||Canon G9 X Mark II|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Canon 760D« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon 760D|
|Canon 100D« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon 100D|
|Fujifilm X-T3« »||+ +||88/100||5/5||5/5||5/5||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-E3« »||+||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-Pro2« »||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T1« »||+ +||84/100||5/5||4/5||5/5||Jan 2014||1,299||-||Fujifilm X-T1|
|Nikon D3400« »||+||76/100||4/5||4.5/5||4.5/5||Aug 2016||499||-||Nikon D3400|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark IV vs Canon 200D
- Canon 200D vs Canon S120
- Canon 200D vs Fujifilm X10
- Canon 200D vs Pentax K-1 II
- Canon 200D vs Sony HX400V
- Canon 200D vs Sony HX90V
- Canon 200D vs Sony NEX-5
- Canon 77D vs Fujifilm X-T2
- Canon SX50 vs Fujifilm X-T2
- Fujifilm X-T2 vs Leica M10
- Fujifilm X-T2 vs Nikon D3500
- Fujifilm X-T2 vs Sony RX0
Specifications: Canon 200D vs Fujifilm X-T2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 200D||Fujifilm X-T2|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm X mount lenses|
|Launch Date||June 2017||July 2016|
|Launch Price||USD 549||USD 1599|
|Sensor Specs||Canon 200D||Fujifilm X-T2|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.6 x 15.6 mm|
|Sensor Area||332.27 mm2||368.16 mm2|
|Sensor Diagonal||26.8 mm||28.3 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||3.92 μm|
|Pixel Density||7.22 MP/cm2||6.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-25600 ISO||200-12800 ISO|
|ISO Boost||100-51200 ISO||100-51200 ISO|
|Image Processor||DIGIC 7||X-Processor Pro2|
|DXO Sensor Quality (score)||79||..|
|DXO Color Depth (bits)||23.6||..|
|DXO Dynamic Range (EV)||13.4||..|
|DXO Low Light (ISO)||1041||..|
|Screen Specs||Canon 200D||Fujifilm X-T2|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 200D||Fujifilm X-T2|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||5 shutter flaps/s||14 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||Dual UHS-II|
|Connectivity Specs||Canon 200D||Fujifilm X-T2|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon 200D||Fujifilm X-T2|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||650 shots per charge||340 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
133 x 92 x 49 mm
(5.2 x 3.6 x 1.9 in)
|Camera Weight||453 g (16.0 oz)||507 g (17.9 oz)|
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