Canon 200D vs Fujifilm GFX 50S II

The Canon EOS 200D (called Canon SL2 in some regions) and the Fujifilm GFX 50S II are two digital cameras that were announced, respectively, in June 2017 and September 2021. The 200D is a DSLR, while the GFX 50S II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (200D) and a medium format (GFX 50S II) sensor. The Canon has a resolution of 24 megapixels, whereas the Fujifilm provides 51.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 200D		Fujifilm GFX 50S II
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Fujifilm G mount lenses
24 MP – APS-C sensor		51.1 MP – Medium Format sensor
1080/60p Video		1080/30p Video
ISO 100-25,600 (100 - 51,200)		ISO 100-12,800 (50 - 102,400)
Optical viewfinder		Electronic viewfinder (3690k dots)
3.0" LCD – 1040k dots		3.2" LCD – 2360k dots
Swivel touchscreen		Fully flexible touchscreen
5 shutter flaps per second		3 shutter flaps per second
Lens stabilization only		In-body stabilization
not weather sealed		Weathersealed body
650 shots per battery charge		440 shots per battery charge
122 x 93 x 70 mm, 453 g		150 x 104 x 87 mm, 900 g

Check 200D offers at
ebay.com
Check GFX 50S II price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 200D and the Fujifilm GFX 50S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon 200D and the Fujifilm GFX 50S II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

The 200D can be obtained in two different colors (black, white), while the GFX 50S II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S II is notably larger (37 percent) than the Canon 200D. Moreover, the GFX 50S II is substantially heavier (99 percent) than the 200D. It is noteworthy in this context that the GFX 50S II is splash and dust-proof, while the 200D does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the 200D gets 650 shots out of its Canon LP-E17 battery, while the GFX 50S II can take 440 images on a single charge of its Fujifilm NP-W235 power pack. The power pack in the GFX 50S II can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Canon 200D	122 mm	93 mm	70 mm	453 g	650	n	Jun 2017	US$ 549	ebay.com
2.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	US$ 3 999	amazon.com
3.		Canon 77D	131 mm	100 mm	76 mm	540 g	600	n	Feb 2017	US$ 899	ebay.com
4.		Canon 100D	117 mm	91 mm	69 mm	407 g	380	n	Mar 2013	US$ 549	ebay.com
5.		Canon 250D	122 mm	93 mm	70 mm	449 g	1070	n	Apr 2019	US$ 599	amazon.com
6.		Canon 760D	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	US$ 649	ebay.com
7.		Canon 800D	131 mm	100 mm	76 mm	532 g	600	n	Feb 2017	US$ 749	ebay.com
8.		Canon 2000D	129 mm	101 mm	78 mm	475 g	500	n	Feb 2018	US$ 449	amazon.com
9.		Canon G9 X Mark II	98 mm	58 mm	31 mm	206 g	235	n	Jan 2017	US$ 529	ebay.com
10.		Canon M5	116 mm	89 mm	61 mm	427 g	295	n	Sep 2016	US$ 979	ebay.com
11.		Canon M100	108 mm	67 mm	35 mm	302 g	295	n	Aug 2017	US$ 499	ebay.com
12.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	US$ 3 899	amazon.com
13.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	US$ 4 499	ebay.com
14.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	US$ 6 499	ebay.com
15.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	US$ 5 999	amazon.com
16.		Nikon D3400	124 mm	98 mm	76 mm	445 g	1200	n	Aug 2016	US$ 499	ebay.com
17.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	US$ 3 699	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 200D was launched at a markedly lower price (by 86 percent) than the GFX 50S II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon 200D features an APS-C sensor and the Fujifilm GFX 50S II a medium format sensor. The sensor area in the GFX 50S II is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 200D has a native 3:2 aspect ratio, while the one in the GFX 50S II offers a 4:3 aspect.

With 51.1MP, the GFX 50S II offers a higher resolution than the 200D (24MP), but the GFX 50S II nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 3.72μm for the 200D) due to its larger sensor. Moreover, the GFX 50S II is a much more recent model (by 4 years and 2 months) than the 200D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S II for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon 200D are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.

The 200D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the 200D, the GFX 50S II has the capacity to capture high quality composite images (205MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Canon EOS 200D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Fujifilm GFX 50S II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 200D	APS-C	24.0	6000	4000	1080/60p	23.6	13.4	1041	79
2.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
3.		Canon 77D	APS-C	24.0	6000	4000	1080/60p	23.6	13.3	971	78
4.		Canon 100D	APS-C	17.9	5184	3456	1080/30p	21.8	11.3	843	63
5.		Canon 250D	APS-C	24.0	6000	4000	4K/25p	23.9	13.4	1791	82
6.		Canon 760D	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
7.		Canon 800D	APS-C	24.0	6000	4000	1080/60p	23.7	13.1	1586	80
8.		Canon 2000D	APS-C	24.0	6000	4000	1080/30p	22.6	11.9	1009	71
9.		Canon G9 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.9	12.5	522	65
10.		Canon M5	APS-C	24.0	6000	4000	1080/60p	23.4	12.4	1262	77
11.		Canon M100	APS-C	24.0	6000	4000	1080/60p	23.5	12.9	1272	78
12.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
13.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
14.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
15.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
16.		Nikon D3400	APS-C	24.0	6000	4000	1080/60p	24.8	13.9	1192	86
17.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 200D provides a higher frame rate than the GFX 50S II. It can shoot video footage at 1080/60p, while the Fujifilm is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the GFX 50S II has an electronic viewfinder (3690k dots), while the 200D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the GFX 50S II offers a wider field of view (100%) than the one in the 200D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the GFX 50S II has a higher magnification (0.77x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 200D, the Fujifilm GFX 50S II, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 200D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
2.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
3.		Canon 77D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
4.		Canon 100D	optical	n	3.0 / 1040	fixed	Y	1/4000s	4.9/s	Y	n
5.		Canon 250D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
6.		Canon 760D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
7.		Canon 800D	optical	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
8.		Canon 2000D	optical	n	3.0 / 920	fixed	n	1/4000s	3.0/s	Y	n
9.		Canon G9 X Mark II	none	n	3.0 / 1040	fixed	Y	1/2000s	8.2/s	Y	Y
10.		Canon M5	2360	n	3.2 / 1620	tilting	Y	1/4000s	9.0/s	Y	n
11.		Canon M100	none	n	3.0 / 1040	tilting	Y	1/4000s	6.1/s	Y	n
12.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
13.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
14.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
15.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
16.		Nikon D3400	optical	n	3.0 / 921	fixed	n	1/4000s	5.0/s	Y	n
17.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The 200D has one, while the GFX 50S II does not. While the built-in flash of the 200D is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the 200D and the GFX 50S II write their files to SDXC cards. The GFX 50S II features dual card slots, which can be very useful in case a memory card fails. In contrast, the 200D only has one slot. The GFX 50S II supports UHS-II cards (on both slots), while the 200D can use UHS-I cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 200D and Fujifilm GFX 50S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 200D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
2.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
3.		Canon 77D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon 100D	Y	mono / mono	Y	-	mini	2.0	-	-	-
5.		Canon 250D	Y	stereo / mono	Y	-	mini	2.0	Y	-	Y
6.		Canon 760D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
7.		Canon 800D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
8.		Canon 2000D	Y	mono / mono	-	-	mini	2.0	Y	Y	-
9.		Canon G9 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
10.		Canon M5	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
11.		Canon M100	-	stereo / mono	-	-	micro	2.0	Y	Y	Y
12.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
13.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
14.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
15.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
16.		Nikon D3400	Y	mono / mono	-	-	mini	2.0	-	-	Y
17.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y

It is notable that the GFX 50S II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 200D lacks such a headphone port.

Studio photographers will appreciate that the Fujifilm GFX 50S II (unlike the 200D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The GFX 50S II is a recent model that features in the current product line-up of Fujifilm. In contrast, the 200D has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 200D was succeeded by the Canon 250D. Further information on the features and operation of the 200D and GFX 50S II can be found, respectively, in the Canon 200D Manual (free pdf) or the online Fujifilm GFX 50S II Manual.

Review summary

So how do things add up? Which of the two cameras – the Canon 200D or the Fujifilm GFX 50S II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Canon EOS 200D:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
• More compact: Is smaller (122x93mm vs 150x104mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 447g or 50 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (650 versus 440) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• More affordable: Was introduced into a lower priced category (86 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in June 2017).

Reasons to prefer the Fujifilm GFX 50S II:

• More detail: Has more megapixels (51.1 vs 24MP), which boosts linear resolution by 43%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.54x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 1040k dots).
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
• More modern: Reflects 4 years and 2 months of technical progress since the 200D launch.

If the count of relative strengths (bullet points above) is taken as a measure, the GFX 50S II is the clear winner of the contest (25 : 14 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 200D and the Fujifilm GFX 50S II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 200D or the GFX 50S II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Canon 200D	4/5	+ +	4/5	78/100	4.5/5	4.5/5	Jun 2017	US$ 549	ebay.com
2.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	US$ 3 999	amazon.com
3.		Canon 77D	4.5/5	..	4/5	82/100	4.5/5	4/5	Feb 2017	US$ 899	ebay.com
4.		Canon 100D	4/5	+	..	78/100	4/5	4/5	Mar 2013	US$ 549	ebay.com
5.		Canon 250D	4/5	o	4.5/5	79/100	4/5	4/5	Apr 2019	US$ 599	amazon.com
6.		Canon 760D	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	US$ 649	ebay.com
7.		Canon 800D	4.5/5	..	3.5/5	80/100	4.5/5	4/5	Feb 2017	US$ 749	ebay.com
8.		Canon 2000D	3/5	o	3.5/5	..	3.5/5	3.5/5	Feb 2018	US$ 449	amazon.com
9.		Canon G9 X Mark II	4/5	..	4/5	75/100	4.5/5	4.5/5	Jan 2017	US$ 529	ebay.com
10.		Canon M5	4/5	+	4/5	82/100	4/5	4/5	Sep 2016	US$ 979	ebay.com
11.		Canon M100	3/5	+	..	..	4/5	3.5/5	Aug 2017	US$ 499	ebay.com
12.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	US$ 3 899	amazon.com
13.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	US$ 4 499	ebay.com
14.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	US$ 6 499	ebay.com
15.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	US$ 5 999	amazon.com
16.		Nikon D3400	4/5	+	4/5	76/100	4/5	4.5/5	Aug 2016	US$ 499	ebay.com
17.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	US$ 3 699	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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