Fujifilm GFX 50S II vs Nikon D300S

The Fujifilm GFX 50S II and the Nikon D300S are two digital cameras that were officially introduced, respectively, in September 2021 and July 2009. The GFX 50S II is a mirrorless interchangeable lens camera, while the D300S is a DSLR. The cameras are based on a medium format (GFX 50S II) and an APS-C (D300S) sensor. The Fujifilm has a resolution of 51.1 megapixels, whereas the Nikon provides 12.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm GFX 50S II		Nikon D300S
Mirrorless system camera		Digital single lens reflex
Fujifilm G mount lenses		Nikon F mount lenses
51.1 MP – Medium Format sensor		12.2 MP – APS-C sensor
1080/30p Video		720/24p Video
ISO 100-12,800 (50 - 102,400)		ISO 200-3,200 (100 - 6,400)
Electronic viewfinder (3690k dots)		Optical viewfinder
3.2" LCD – 2360k dots		3.0" LCD – 920k dots
Fully flexible touchscreen		Fixed screen (not touch-sensitive)
3 shutter flaps per second		7 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		Weathersealed body
440 shots per battery charge		950 shots per battery charge
150 x 104 x 87 mm, 900 g		147 x 115 x 81 mm, 938 g

Check GFX 50S II price at
amazon.com
Check D300S offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm GFX 50S II and the Nikon D300S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Fujifilm GFX 50S II and the Nikon D300S are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D300S is notably larger (8 percent) than the Fujifilm GFX 50S II. Moreover, the D300S is slightly heavier (4 percent) than the GFX 50S II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the GFX 50S II gets 440 shots out of its Fujifilm NP-W235 battery, while the D300S can take 950 images on a single charge of its Nikon EN-EL3e power pack. The power pack in the GFX 50S II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	EUR 3 999	amazon.com
2.		Nikon D300S	147 mm	115 mm	81 mm	938 g	950	Y	Jul 2009	EUR 1 399	ebay.com
3.		Canon R5	138 mm	98 mm	88 mm	738 g	320	Y	Jul 2020	EUR 4 499	amazon.com
4.		Canon R5 C	142 mm	101 mm	111 mm	770 g	320	Y	Jan 2022	EUR 4 999	amazon.com
5.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	EUR 4 499	ebay.com
6.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	EUR 6 499	ebay.com
7.		Fujifilm GFX 100 II	152 mm	117 mm	99 mm	1030 g	540	Y	Sep 2023	EUR 7 999	amazon.com
8.		Fujifilm GFX 100S	150 mm	104 mm	87 mm	900 g	460	Y	Jan 2021	EUR 5 999	amazon.com
9.		Nikon D200	147 mm	113 mm	74 mm	920 g	400	Y	Nov 2005	EUR 1 799	ebay.com
10.		Nikon D300	147 mm	114 mm	74 mm	925 g	1000	Y	Aug 2007	EUR 1 829	ebay.com
11.		Nikon D500	147 mm	115 mm	81 mm	860 g	1240	Y	Jan 2016	EUR 2 399	ebay.com
12.		Nikon D700	147 mm	123 mm	77 mm	1074 g	1000	Y	Jul 2008	EUR 2 599	ebay.com
13.		Nikon D7000	132 mm	105 mm	77 mm	780 g	1050	Y	Sep 2010	EUR 1 399	ebay.com
14.		Nikon Z8	144 mm	119 mm	83 mm	910 g	340	Y	May 2023	EUR 4 599	amazon.com
15.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	EUR 3 699	amazon.com
16.		Sony A1	129 mm	97 mm	81 mm	737 g	530	Y	Jan 2021	EUR 7 299	amazon.com
17.		Sony A7R V	131 mm	97 mm	82 mm	723 g	530	Y	Oct 2022	EUR 4 499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D300S was launched at a markedly lower price (by 55 percent) than the GFX 50S II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm GFX 50S II features a medium format sensor and the Nikon D300S an APS-C sensor. The sensor area in the D300S is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 0.79 and 1.5. The sensor in the GFX 50S II has a native 4:3 aspect ratio, while the one in the D300S offers a 3:2 aspect.

With 51.1MP, the GFX 50S II offers a higher resolution than the D300S (12.2MP), but the GFX 50S II has smaller individual pixels (pixel pitch of 5.33μm versus 5.53μm for the D300S). However, the GFX 50S II is a much more recent model (by 12 years and 1 month) than the D300S, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GFX 50S II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S II for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Nikon D300S are 21.4 x 14.2 inches or 54.5 x 36.2 cm for good quality, 17.2 x 11.4 inches or 43.6 x 28.9 cm for very good quality, and 14.3 x 9.5 inches or 36.3 x 24.1 cm for excellent quality prints.

Unlike the D300S, the GFX 50S II has the capacity to capture high quality composite images (205MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Fujifilm GFX 50S II has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Nikon D300S are ISO 200 to ISO 3200, with the possibility to increase the ISO range to 100-6400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
2.		Nikon D300S	APS-C	12.2	4288	2848	720/24p	22.5	12.2	787	70
3.		Canon R5	Full Frame	44.8	8192	5464	8K/30p	25.3	14.6	3042	95
4.		Canon R5 C	Full Frame	44.8	8192	5464	8k/60p	25.4	14.5	3082	96
5.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
6.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
7.		Fujifilm GFX 100 II	Medium Format	101.8	11648	8736	8K/30p	25.9	15.0	3651	101
8.		Fujifilm GFX 100S	Medium Format	101.8	11648	8736	4K/30p	25.8	14.7	3391	100
9.		Nikon D200	APS-C	10.0	3872	2592	none	22.3	11.5	583	64
10.		Nikon D300	APS-C	12.2	4288	2848	none	22.1	12.0	679	67
11.		Nikon D500	APS-C	20.7	5568	3712	4K/30p	24.0	14.0	1324	83
12.		Nikon D700	Full Frame	12.1	4256	2832	none	23.5	12.2	2303	80
13.		Nikon D7000	APS-C	16.1	4928	3264	1080/24p	23.5	13.9	1167	80
14.		Nikon Z8	Full Frame	45.4	8256	5504	8K/30p	26.3	14.2	2548	98
15.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
16.		Sony A1	Full Frame	49.8	8640	5760	8k/30p	25.9	14.5	3163	98
17.		Sony A7R V	Full Frame	60.2	9504	6336	8k/24p	26.5	14.8	3187	100
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GFX 50S II provides a higher video resolution than the D300S. It can shoot video footage at 1080/30p, while the Nikon is limited to 720/24p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the GFX 50S II has an electronic viewfinder (3690k dots), while the D300S has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the GFX 50S II has a higher magnification than the one of the D300S (0.77x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Fujifilm GFX 50S II and Nikon D300S along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
2.		Nikon D300S	optical	Y	3.0 / 920	fixed	n	1/8000s	7.0/s	Y	n
3.		Canon R5	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	Y
4.		Canon R5 C	5760	Y	3.2 / 2100	swivel	Y	1/8000s	12.0/s	n	n
5.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
6.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
7.		Fujifilm GFX 100 II	9440	Y	3.2 / 2360	full-flex	Y	1/4000s	8.0/s	n	Y
8.		Fujifilm GFX 100S	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	5.0/s	n	Y
9.		Nikon D200	optical	Y	2.5 / 230	fixed	n	1/8000s	5.0/s	Y	n
10.		Nikon D300	optical	Y	3.0 / 922	fixed	n	1/8000s	6.0/s	Y	n
11.		Nikon D500	optical	Y	3.2 / 2359	tilting	Y	1/8000s	10.0/s	n	n
12.		Nikon D700	optical	Y	3.0 / 922	fixed	n	1/8000s	8.0/s	Y	n
13.		Nikon D7000	optical	Y	3.0 / 921	fixed	n	1/8000s	6.0/s	Y	n
14.		Nikon Z8	3690	Y	3.2 / 2089	full-flex	Y	1/32000s	30.0/s	n	Y
15.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
16.		Sony A1	9437	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
17.		Sony A7R V	9440	n	3.2 / 2100	full-flex	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the GFX 50S II and the D300S is in-body image stabilization (IBIS). The GFX 50S II reduces the risk of handshake-induced blur with all attached lenses, while the D300S offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S II and the Nikon D300S both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GFX 50S II writes its imaging data to SDXC cards, while the D300S uses Compact Flash or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The GFX 50S II supports UHS-II cards (on both slots), while the D300S cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm GFX 50S II and Nikon D300S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
2.		Nikon D300S	Y	stereo / mono	Y	-	mini	2.0	-	-	-
3.		Canon R5	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
4.		Canon R5 C	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
5.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
6.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
7.		Fujifilm GFX 100 II	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
8.		Fujifilm GFX 100S	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
9.		Nikon D200	Y	- / -	-	-	-	2.0	-	-	-
10.		Nikon D300	Y	- / -	-	-	mini	2.0	-	-	-
11.		Nikon D500	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
12.		Nikon D700	Y	- / -	-	-	mini	2.0	-	-	-
13.		Nikon D7000	Y	mono / mono	Y	-	mini	2.0	-	-	-
14.		Nikon Z8	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
15.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
16.		Sony A1	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
17.		Sony A7R V	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the GFX 50S II has a headphone jack, which is not present on the D300S This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

The GFX 50S II is a recent model that features in the current product line-up of Fujifilm. In contrast, the D300S has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the D300S was succeeded by the Nikon D500. Further information on the features and operation of the GFX 50S II and D300S can be found, respectively, in the Fujifilm GFX 50S II Manual (free pdf) or the online Nikon D300S Manual.

Review summary

So how do things add up? Which of the two cameras – the Fujifilm GFX 50S II or the Nikon D300S – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Fujifilm GFX 50S II:

• More detail: Offers more megapixels (51.1 vs 12.2MP) with a 100% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher definition movie capture (1080/30p vs 720/24p).
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.63x).
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 920k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 12 years and 1 month of technical progress since the D300S launch.

Arguments in favor of the Nikon D300S:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (7 vs 3 flaps/sec) to capture the decisive moment.
• Longer lasting: Gets more shots (950 versus 440) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced into a lower priced category (55 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in July 2009).

If the count of individual advantages (bullet points above) is taken as a guide, the GFX 50S II is the clear winner of the match-up (23 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm GFX 50S II and the Nikon D300S place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GFX 50S II or the D300S perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price	Street Price
1.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	EUR 3 999	amazon.com
2.		Nikon D300S	5/5	+ +	..	82/100	4/5	4.5/5	Jul 2009	EUR 1 399	ebay.com
3.		Canon R5	4.5/5	+	4/5	91/100	4.5/5	4.5/5	Jul 2020	EUR 4 499	amazon.com
4.		Canon R5 C	..	+ +	..	..	..	..	Jan 2022	EUR 4 999	amazon.com
5.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	EUR 4 499	ebay.com
6.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	EUR 6 499	ebay.com
7.		Fujifilm GFX 100 II	5/5	+	5/5	..	..	4.5/5	Sep 2023	EUR 7 999	amazon.com
8.		Fujifilm GFX 100S	5/5	+ +	5/5	90/100	5/5	5/5	Jan 2021	EUR 5 999	amazon.com
9.		Nikon D200	..	+ +	..	+ +	o	..	Nov 2005	EUR 1 799	ebay.com
10.		Nikon D300	..	+ +	..	+ +	5/5	4.5/5	Aug 2007	EUR 1 829	ebay.com
11.		Nikon D500	5/5	+ +	4.7/5	91/100	4.5/5	5/5	Jan 2016	EUR 2 399	ebay.com
12.		Nikon D700	..	89/100	..	+ +	4.5/5	4.5/5	Jul 2008	EUR 2 599	ebay.com
13.		Nikon D7000	4/5	..	..	80/100	4.5/5	4.5/5	Sep 2010	EUR 1 399	ebay.com
14.		Nikon Z8	5/5	..	5/5	94/100	5/5	4.5/5	May 2023	EUR 4 599	amazon.com
15.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	EUR 3 699	amazon.com
16.		Sony A1	5/5	o	4.5/5	93/100	4.5/5	5/5	Jan 2021	EUR 7 299	amazon.com
17.		Sony A7R V	5/5	+ +	4.5/5	92/100	..	..	Oct 2022	EUR 4 499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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