Canon 2000D vs Panasonic G5
The Canon EOS 2000D (called Canon T7 in some regions) and the Panasonic Lumix DMC-G5 are two digital cameras that were announced, respectively, in February 2018 and July 2012. The 2000D is a DSLR, while the G5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (2000D) and a Four Thirds (G5) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 2000D and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 2000D and the Panasonic G5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The G5 can be obtained in two different colors (black, silver), while the 2000D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is notably smaller (24 percent) than the Canon 2000D. Moreover, the G5 is markedly lighter (17 percent) than the 2000D. In this context, it is worth noting that neither the 2000D nor the G5 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (2000D) and the Micro Four Thirds Lens Catalog (G5). Mirrorless cameras, such as the G5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 2000D||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|Canon 4000D||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|Canon 800D||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749|
|Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|Canon 1300D||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|Canon 750D||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|Panasonic G7||125 mm||86 mm||77 mm||410 g||350||n||May 2015||649|
|Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 2000D was launched at a somewhat lower price (by 25 percent) than the G5, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 2000D features an APS-C sensor and the Panasonic G5 a Four Thirds sensor. The sensor area in the G5 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 2000D has a native 3:2 aspect ratio, while the one in the G5 offers a 4:3 aspect.
With 24MP, the 2000D offers a higher resolution than the G5 (15.9MP), but the 2000D has marginally smaller individual pixels (pixel pitch of 3.72μm versus 3.76μm for the G5). However, the 2000D is a much more recent model (by 5 years and 7 months) than the G5, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 2000D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 2000D for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G5 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Canon EOS 2000D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..|
|Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the G5 provides a faster frame rate than the 2000D. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G5 has an electronic viewfinder (1440k dots), while the 2000D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G5 offers a wider field of view (100%) than the one in the 2000D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G5 has a higher magnification (0.70x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 2000D and Panasonic G5 in connection with corresponding information for a sample of similar cameras.
|Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G5 has a touchscreen, while the 2000D has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 2000D does not have a selfie-screen.
Concerning the storage of imaging data, both the 2000D and the G5 write their files to SDXC cards. The G5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 2000D cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 2000D and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
It is notable that the 2000D offers wifi support, while the G5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The 2000D is a recent model that features in the current product line-up of Canon. In contrast, the G5 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the G5 was succeeded by the Panasonic G6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is the Canon 2000D better than the Panasonic G5 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS 2000D:
- More detail: Offers more megapixels (24 vs 15.9MP) with a 25% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (500 versus 320) on a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More modern: Reflects 5 years and 7 months of technical progress since the G5 launch.
Advantages of the Panasonic Lumix DMC-G5:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.50x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x83mm vs 129x101mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 79g or 17 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been around for much longer (launched in July 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the G5 emerges as the winner of the match-up (13 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 2000D and the Panasonic G5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 2000D or the G5. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 2000D||o||..||3.5/5||..||3.5/5||Feb 2018||449|
|Panasonic G5||+ +||..||4.5/5||4.5/5||4.5/5||Jul 2012||599|
|Canon 4000D||o||..||3.5/5||..||3.5/5||Feb 2018||399|
|Canon 77D||..||82/100||4.5/5||4.5/5||4/5||Feb 2017||899|
|Canon 200D||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549|
|Canon 800D||..||80/100||4.5/5||4/5||4/5||Feb 2017||749|
|Canon G9 X Mark II||..||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529|
|Canon M100||+||..||4/5||..||3.5/5||Aug 2017||499|
|Canon 1300D||o||73/100||4/5||3.5/5||4/5||Mar 2016||449|
|Canon 750D||..||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749|
|Canon 760D||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649|
|Canon 1200D||+||..||4/5||4/5||4.5/5||Feb 2014||449|
|Panasonic G7||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649|
|Panasonic G6||+ +||..||5/5||..||4.5/5||Apr 2013||599|
|Panasonic GF6||+ +||..||4.5/5||..||4.5/5||Apr 2013||499|
|Panasonic G3||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599|
|Panasonic GX1||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1000D vs Panasonic G5
- Canon 1D Mark IV vs Canon 2000D
- Canon 2000D vs Canon 40D
- Canon 2000D vs Leica CL
- Canon 2000D vs Nikon D3000
- Canon 2000D vs Nikon D5600
- Canon 2000D vs Nikon P1000
- Canon 30D vs Panasonic G5
- Canon 700D vs Panasonic G5
- Nikon D5600 vs Panasonic G5
- Panasonic G5 vs Sony A6000
- Panasonic G5 vs Sony RX100 VI
Specifications: Canon 2000D vs Panasonic G5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 2000D||Panasonic G5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2018||July 2012|
|Launch Price||USD 449||USD 599|
|Sensor Specs||Canon 2000D||Panasonic G5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.9 Megapixels|
|Image Resolution||6000 x 4000 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.72 μm||3.76 μm|
|Pixel Density||7.22 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 6,400 ISO||160 - 12,800 ISO|
|ISO Boost||100 - 12,800 ISO||no Enhancement|
|Image Processor||DIGIC 4+||Venus VII FHD|
|DXO Sensor Quality (score)||71||..|
|DXO Color Depth (bits)||22.6||..|
|DXO Dynamic Range (EV)||11.9||..|
|DXO Low Light (ISO)||1009||..|
|Screen Specs||Canon 2000D||Panasonic G5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||920k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 2000D||Panasonic G5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3 shutter flaps/s||6 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 2000D||Panasonic G5|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon 2000D||Panasonic G5|
|Battery Life (CIPA)||500 shots per charge||320 shots per charge|
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
120 x 83 x 71 mm
(4.7 x 3.3 x 2.8 in)
|Camera Weight||475 g (16.8 oz)||396 g (14.0 oz)|
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