Sony HX95 vs Zeiss ZX1
The Sony Cyber-shot DSC-HX95 and the Zeiss ZX1 are two digital cameras that were revealed to the public, respectively, in August 2018 and September 2018. Both the HX95 and the ZX1 are fixed lens compact cameras that are based on a 1/2.3-inch (HX95) and a full frame (ZX1) sensor. The Sony has a resolution of 18 megapixels, whereas the Zeiss provides 37.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Sony HX95||Zeiss ZX1|
|Fixed lens compact camera||Fixed lens compact camera|
|24-720mm f/3.5-6.4||35mm f/2.8|
|18 MP, 1/2.3" Sensor||37.4 MP, Full Frame Sensor|
|4K/30p Video||4K/30p Video|
|ISO 80-3200 (80-6400)||ISO 80-51200|
|Electronic viewfinder (638k dots)||Electronic viewfinder (6221k dots)|
|3.0" LCD, 922k dots||4.3" LCD, 2765k dots|
|Tilting screen (no touchscreen)||Fixed touchscreen|
|10 shutter flaps per second||3 shutter flaps per second|
|102 x 58 x 36 mm, 242 g||142 x 93 x 46 mm, 800 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Sony Cyber-shot DSC-HX95 and the Zeiss ZX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Sony HX95 vs Zeiss ZX1
An illustration of the physical size and weight of the Sony HX95 and the Zeiss ZX1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Zeiss ZX1 is considerably larger (123 percent) than the Sony HX95. Moreover, the ZX1 is substantially heavier (231 percent) than the HX95. In this context, it is worth noting that neither the HX95 nor the ZX1 are weather-sealed.
The power pack in the HX95 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Sony HX95»||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429||Sony HX95|
|Zeiss ZX1«||142 mm||93 mm||46 mm||800 g||..||n||Sep 2018||4,199||Zeiss ZX1|
|Canon G9 X Mark II« »||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon SX730« »||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399||-||Canon SX730|
|Leica Q2« »||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995||Leica Q2|
|Leica C-LUX« »||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049||Leica C-LUX|
|Nikon W300« »||112 mm||66 mm||29 mm||231 g||280||Y||May 2017||389||Nikon W300|
|Panasonic FZ1000 II« »||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic TZ90« »||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||-||Panasonic TZ90|
|Panasonic FZ1000« »||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Sony RX100 VI« »||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199||Sony RX100 VI|
|Sony HX99« »||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449||Sony HX99|
|Sony WX800« »||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399||Sony WX800|
|Sony A5000« »||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449||-||Sony A5000|
|Sony RX100 III« »||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799||-||Sony RX100 III|
|Sony RX100 II« »||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749||-||Sony RX100 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The HX95 was launched at a markedly lower price (by 90 percent) than the ZX1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Sony HX95 vs Zeiss ZX1
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Sony HX95 features a 1/2.3-inch sensor and the Zeiss ZX1 a full frame sensor. The sensor area in the ZX1 is 2986 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the HX95 has a native 4:3 aspect ratio, while the one in the ZX1 offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 37.4MP, the ZX1 offers a higher resolution than the HX95 (18MP), but the ZX1 nevertheless has larger individual pixels (pixel pitch of 4.81μm versus 1.25μm for the HX95) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the HX95 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Zeiss ZX1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZX1 for good quality output (200 dots per inch) amounts to 37.4 x 25 inch or 95.1 x 63.4 cm, for very good quality (250 dpi) 30 x 20 inch or 76.1 x 50.7 cm, and for excellent quality (300 dpi) 25 x 16.6 inch or 63.4 x 42.3 cm. The corresponding values for the Sony HX95 are 24.5 x 18.4 inch or 62.2 x 46.6 cm for good quality, 19.6 x 14.7 inch or 49.7 x 37.3 cm for very good quality, and 16.3 x 12.2 inch or 41.5 x 31.1 cm for excellent quality prints.
The Sony Cyber-shot DSC-HX95 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Zeiss ZX1 are ISO 80 to ISO 51200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony HX95»||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX95|
|Zeiss ZX1«||Full Frame||37.4||7488||4992||4K/30p||-||-||-||-||Zeiss ZX1|
|Canon G9 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Leica Q2« »||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96||Leica Q2|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Sony HX99« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX99|
|Sony WX800« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony WX800|
|Sony A5000« »||APS-C||19.8||5456||3632||1080/60i||23.8||13.0||1089||79||Sony A5000|
|Sony RX100 III« »||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
|Sony RX100 II« »||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: Sony HX95 vs Zeiss ZX1
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the ZX1 offers a substantially higher resolution than the one in the HX95 (6221k vs 638k dots). The following table reports on some other key feature differences and similarities of the Sony HX95, the Zeiss ZX1, and comparable cameras.
|Sony HX95»||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Zeiss ZX1«||6221||n||4.3||2765||fixed||Y||1/1000s||3.0||n||n||Zeiss ZX1|
|Canon G9 X Mark II« »||-||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Canon SX730« »||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Leica Q2« »||3680||n||3.0||1040||fixed||Y||1/2000s||20.0||n||Y||Leica Q2|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Leica C-LUX|
|Nikon W300« »||-||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y||Sony RX100 VI|
|Sony HX99« »||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony WX800« »||-||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony WX800|
|Sony A5000« »||-||n||3.0||461||tilting||n||1/4000s||3.5||Y||n||Sony A5000|
|Sony RX100 III« »||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
|Sony RX100 II« »||-||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
One difference between the cameras concerns the presence of an on-board flash. The HX95 has one, while the ZX1 does not. While the built-in flash of the HX95 is not very powerful, it can at times be useful as a fill-in light.The HX95 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the ZX1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZX1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The HX95 is equipped with a zoom lens, while the ZX1 comes with a built-in prime. The HX95 has a 24-720mm f/3.5-6.4 optic and the ZX1 offers a 35mm f/2.8 (focal lengths in full frame equivalent terms). Hence, the Sony provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Zeiss. The ZX1 offers the faster maximum aperture.
The HX95 writes its imaging data to SDXC or Memory Stick PRO Duo cards, while the ZX1 uses an internal SSD.
Connectivity comparison: Sony HX95 vs Zeiss ZX1
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Sony Cyber-shot DSC-HX95 and Zeiss ZX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Sony HX95»||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Zeiss ZX1«||Y||stereo||mono||-||-||-||3.1||Y||Y||Y||Zeiss ZX1|
|Canon G9 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Leica Q2« »||Y||stereo||mono||-||-||-||-||Y||-||Y||Leica Q2|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Panasonic FZ1000 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic TZ90« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Sony HX99« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony WX800« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
|Sony A5000« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5000|
|Sony RX100 III« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
|Sony RX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the ZX1 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The HX95 does not feature such an accessory-socket.
Both the HX95 and the ZX1 are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Sony and Zeiss. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Sony and Zeiss websites.
Review summary: Sony HX95 vs Zeiss ZX1
So how do things add up? Which of the two cameras – the Sony HX95 or the Zeiss ZX1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Sony Cyber-shot DSC-HX95:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/2000s vs 1/1000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (102x58mm vs 142x93mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 558g or 70 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (90 percent cheaper at launch).
Reasons to prefer the Zeiss ZX1:
- More detail: Has more megapixels (37.4 vs 18MP), which boosts linear resolution by 47%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More detailed viewfinder: Has higher resolution electronic viewfinder (6221k vs 638k dots).
- Larger screen: Has a bigger rear LCD (4.3" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2765k vs 922k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.5).
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- More prestigious: Has the Zeiss luxury appeal, which ensures a high resale value.
If the count of individual advantages (bullet points above) is taken as a guide, the ZX1 is the clear winner of the contest (15 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Sony HX95 and the Zeiss ZX1 place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the HX95 or the ZX1. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Sony HX95 vs Zeiss ZX1
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Sony HX95»||-||-||-||-||-||Aug 2018||429||Sony HX95|
|Zeiss ZX1«||-||-||-||-||-||Sep 2018||4,199||Zeiss ZX1|
|Canon G9 X Mark II« »||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529||Canon G9 X Mark II|
|Canon SX730« »||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Leica Q2« »||-||84/100||-||-||-||Mar 2019||4,995||Leica Q2|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Nikon W300« »||+||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic TZ90« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic TZ90|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Sony RX100 VI« »||+ +||83/100||4/5||-||4.5/5||Jun 2018||1,199||Sony RX100 VI|
|Sony HX99« »||-||-||4/5||-||4.5/5||Aug 2018||449||Sony HX99|
|Sony WX800« »||-||-||-||-||-||Oct 2018||399||Sony WX800|
|Sony A5000« »||+||-||4.5/5||o||4.5/5||Jan 2014||449||-||Sony A5000|
|Sony RX100 III« »||+ +||82/100||4.5/5||4.5/5||5/5||May 2014||799||-||Sony RX100 III|
|Sony RX100 II« »||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Fujifilm X100F vs Zeiss ZX1
- Leica Q Typ 116 vs Sony HX95
- Nikon D3300 vs Zeiss ZX1
- Nikon P900 vs Sony HX95
- Nikon Z6 vs Sony HX95
- Olympus E-400 vs Zeiss ZX1
- Olympus E-PL9 vs Zeiss ZX1
- Panasonic G95 vs Zeiss ZX1
- Panasonic GH5 vs Zeiss ZX1
- Panasonic LX15 vs Sony HX95
- Panasonic LX15 vs Zeiss ZX1
- Panasonic TZ200 vs Zeiss ZX1
Specifications: Sony HX95 vs Zeiss ZX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Sony HX95||Zeiss ZX1|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-720mm f/3.5-6.4||35mm f/2.8|
|Launch Date||August 2018||September 2018|
|Launch Price||USD 429||USD 4199|
|Sensor Specs||Sony HX95||Zeiss ZX1|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||36.0 x 24.0 mm|
|Sensor Area||28.0735 mm2||864 mm2|
|Sensor Diagonal||7.7 mm||43.3 mm|
|Sensor Resolution||18 Megapixels||37.4 Megapixels|
|Image Resolution||4896 x 3672 pixels||7488 x 4992 pixels|
|Pixel Pitch||1.25 μm||4.81 μm|
|Pixel Density||64.04 MP/cm2||4.33 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||80-3200 ISO||80-51200 ISO|
|ISO Boost||80-6400 ISO||no Enhancement|
|Screen Specs||Sony HX95||Zeiss ZX1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||638k dots||6221k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||4.3 inch|
|LCD Resolution||922k dots||2765k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Sony HX95||Zeiss ZX1|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||MS or SDXC cards||Internal SSD|
|Second Storage Option||Single card slot||Single SSD|
|Connectivity Specs||Sony HX95||Zeiss ZX1|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||no HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Sony HX95||Zeiss ZX1|
|Battery Type||NP-BX1 power pack||DD-PS1A power pack|
|In-Camera Charging||USB charging||no USB charging|
102 x 58 x 36 mm
(4.0 x 2.3 x 1.4 in)
142 x 93 x 46 mm
(5.6 x 3.7 x 1.8 in)
|Camera Weight||242 g (8.5 oz)||800 g (28.2 oz)|
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