Fujifilm XP130 vs Zeiss ZX1
The Fujifilm FinePix XP130 and the Zeiss ZX1 are two digital cameras that were announced, respectively, in January 2018 and September 2018. Both the XP130 and the ZX1 are fixed lens compact cameras that are based on a 1/2.3-inch (XP130) and a full frame (ZX1) sensor. The Fujifilm has a resolution of 15.9 megapixels, whereas the Zeiss provides 37.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm XP130||Zeiss ZX1|
|Fixed lens compact camera||Fixed lens compact camera|
|28-140mm f/3.9-4.9||35mm f/2.8|
|15.9 MP, 1/2.3" Sensor||37.4 MP, Full Frame Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-3200||ISO 80-51200|
|No viewfinder, LCD framing||Electronic viewfinder (6221k dots)|
|3.0" LCD, 920k dots||4.3" LCD, 2765k dots|
|Fixed screen (not touch-sensitive)||Fixed touchscreen|
|10 shutter flaps per second||3 shutter flaps per second|
|In-body stabilization||No shake reduction|
|110 x 71 x 28 mm, 207 g||142 x 93 x 46 mm, 800 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix XP130 and the Zeiss ZX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm XP130 and the Zeiss ZX1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The XP130 can be obtained in five different colors (black, blue, yellow, green, white), while the ZX1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Zeiss ZX1 is considerably larger (69 percent) than the Fujifilm XP130. Moreover, the ZX1 is substantially heavier (286 percent) than the XP130. More than that, the XP130 is water-proof up to 20m and can, thus, be used for underwater photography.
The power pack in the XP130 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Fujifilm XP130»||110 mm||71 mm||28 mm||207 g||240||n||Jan 2018||229||-||Fujifilm XP130|
|Zeiss ZX1«||142 mm||93 mm||46 mm||800 g||..||n||Sep 2018||4,199||Zeiss ZX1|
|Canon SX600« »||104 mm||61 mm||26 mm||188 g||290||n||Jan 2014||249||-||Canon SX600|
|Fujifilm XP140« »||110 mm||71 mm||28 mm||207 g||240||Y||Feb 2019||229||Fujifilm XP140|
|Fujifilm XP120« »||110 mm||71 mm||28 mm||203 g||210||Y||Jan 2017||229||-||Fujifilm XP120|
|Leica Q2« »||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995||Leica Q2|
|Leica V-LUX 5« »||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249||Leica V-LUX 5|
|Nikon W300« »||112 mm||66 mm||29 mm||231 g||280||Y||May 2017||389||Nikon W300|
|Olympus TG-5« »||113 mm||66 mm||32 mm||250 g||340||Y||May 2017||449||-||Olympus TG-5|
|Olympus TG-4« »||112 mm||66 mm||31 mm||247 g||380||Y||Apr 2015||379||-||Olympus TG-4|
|Panasonic FZ1000 II« »||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic FZ1000« »||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Ricoh WG-60« »||123 mm||62 mm||30 mm||193 g||300||Y||Oct 2018||279||Ricoh WG-60|
|Sony RX100 VI« »||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199||-||Sony RX100 VI|
|Sony HX99« »||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429||Sony HX95|
|Sony WX800« »||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399||Sony WX800|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The XP130 was launched at a markedly lower price (by 95 percent) than the ZX1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm XP130 features a 1/2.3-inch sensor and the Zeiss ZX1 a full frame sensor. The sensor area in the ZX1 is 2986 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the XP130 has a native 4:3 aspect ratio, while the one in the ZX1 offers a 3:2 aspect.
With 37.4MP, the ZX1 offers a higher resolution than the XP130 (15.9MP), but the ZX1 nevertheless has larger individual pixels (pixel pitch of 4.81μm versus 1.33μm for the XP130) due to its larger sensor. Moreover, the ZX1 is a somewhat more recent model (by 8 months) than the XP130, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the XP130 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Zeiss ZX1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZX1 for good quality output (200 dots per inch) amounts to 37.4 x 25 inch or 95.1 x 63.4 cm, for very good quality (250 dpi) 30 x 20 inch or 76.1 x 50.7 cm, and for excellent quality (300 dpi) 25 x 16.6 inch or 63.4 x 42.3 cm. The corresponding values for the Fujifilm XP130 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The Fujifilm FinePix XP130 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Zeiss ZX1 are ISO 80 to ISO 51200 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm XP130»||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Fujifilm XP130|
|Zeiss ZX1«||Full Frame||37.4||7488||4992||4K/30p||-||-||-||-||Zeiss ZX1|
|Canon SX600« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Canon SX600|
|Fujifilm XP140« »||1/2.3||15.9||4608||3456||4K/15p||-||-||-||-||Fujifilm XP140|
|Fujifilm XP120« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Fujifilm XP120|
|Leica Q2« »||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96||Leica Q2|
|Leica V-LUX 5« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica V-LUX 5|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Olympus TG-5« »||1/2.3||12.0||4000||3000||4K/30p||-||-||-||-||Olympus TG-5|
|Olympus TG-4« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Olympus TG-4|
|Panasonic FZ1000 II« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic FZ1000 II|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Ricoh WG-60« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Ricoh WG-60|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Sony HX99« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX99|
|Sony HX95« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX95|
|Sony WX800« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony WX800|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the ZX1 provides a better video resolution than the XP130. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the ZX1 has an electronic viewfinder (6221k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XP130 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Fujifilm XP130 and Zeiss ZX1 along with similar information for a selection of comparators.
|Fujifilm XP130»||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP130|
|Zeiss ZX1«||6221||n||4.3||2765||fixed||Y||1/1000s||3.0||n||n||Zeiss ZX1|
|Canon SX600« »||-||n||3.0||461||fixed||n||1/2000s||3.9||Y||Y||Canon SX600|
|Fujifilm XP140« »||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP140|
|Fujifilm XP120« »||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP120|
|Leica Q2« »||3680||n||3.0||1040||fixed||Y||1/2000s||20.0||n||Y||Leica Q2|
|Leica V-LUX 5« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Leica V-LUX 5|
|Nikon W300« »||-||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Olympus TG-5« »||-||n||3.0||460||fixed||n||1/2000s||20.0||Y||Y||Olympus TG-5|
|Olympus TG-4« »||-||n||3.0||460||fixed||n||1/2000s||5.0||Y||Y||Olympus TG-4|
|Panasonic FZ1000 II« »||2360||n||3.0||1240||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ1000 II|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Ricoh WG-60« »||-||n||2.7||230||fixed||n||1/4000s||8.0||Y||n||Ricoh WG-60|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y||Sony RX100 VI|
|Sony HX99« »||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony HX95« »||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony WX800« »||-||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony WX800|
One difference between the cameras concerns the presence of an on-board flash. The XP130 has one, while the ZX1 does not. While the built-in flash of the XP130 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZX1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm XP130 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The XP130 is equipped with a zoom lens, while the ZX1 comes with a built-in prime. The XP130 has a 28-140mm f/3.9-4.9 optic and the ZX1 offers a 35mm f/2.8 (focal lengths in full frame equivalent terms). Hence, the Fujifilm provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Zeiss. The ZX1 offers the faster maximum aperture.
The XP130 writes its imaging data to SDXC cards, while the ZX1 uses an internal SSD.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix XP130 and Zeiss ZX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm XP130»||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP130|
|Zeiss ZX1«||Y||stereo||mono||-||-||-||3.1||Y||Y||Y||Zeiss ZX1|
|Canon SX600« »||-||mono||mono||-||-||micro||2.0||Y||Y||-||Canon SX600|
|Fujifilm XP140« »||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP140|
|Fujifilm XP120« »||-||mono||mono||-||-||micro||2.0||Y||-||-||Fujifilm XP120|
|Leica Q2« »||Y||stereo||mono||-||-||-||-||Y||-||Y||Leica Q2|
|Leica V-LUX 5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Leica V-LUX 5|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Olympus TG-5« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-5|
|Olympus TG-4« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-4|
|Panasonic FZ1000 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Panasonic FZ1000 II|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Ricoh WG-60« »||-||mono||mono||-||-||micro||2.0||-||-||-||Ricoh WG-60|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Sony HX99« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony HX95« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony WX800« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
It is notable that the ZX1 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The XP130 does not feature such an accessory-socket.
The ZX1 is a recent model that features in the current product line-up of Zeiss. In contrast, the XP130 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the XP130 was succeeded by the Fujifilm XP140. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Zeiss websites.
So what is the bottom line? Is the Fujifilm XP130 better than the Zeiss ZX1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Fujifilm FinePix XP130:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Faster shutter: Has higher mechanical shutter speed (1/2000s vs 1/1000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (110x71mm vs 142x93mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 593g or 74 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (95 percent cheaper at launch).
Arguments in favor of the Zeiss ZX1:
- More detail: Has more megapixels (37.4 vs 15.9MP), which boosts linear resolution by 56%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (4.3" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2765k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.9).
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More prestigious: Has the Zeiss luxury appeal, which ensures a high resale value.
If the count of individual advantages (bullet points above) is taken as a guide, the ZX1 is the clear winner of the contest (17 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm XP130 and the Zeiss ZX1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the XP130 and the ZX1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm XP130»||o||-||3.5/5||-||4/5||Jan 2018||229||-||Fujifilm XP130|
|Zeiss ZX1«||-||-||-||-||-||Sep 2018||4,199||Zeiss ZX1|
|Canon SX600« »||+||-||4/5||-||4/5||Jan 2014||249||-||Canon SX600|
|Fujifilm XP140« »||+||-||3.5/5||-||4/5||Feb 2019||229||Fujifilm XP140|
|Fujifilm XP120« »||o||-||3.5/5||-||4/5||Jan 2017||229||-||Fujifilm XP120|
|Leica Q2« »||-||84/100||4.5/5||-||4/5||Mar 2019||4,995||Leica Q2|
|Leica V-LUX 5« »||-||-||4/5||-||4/5||Jul 2019||1,249||Leica V-LUX 5|
|Nikon W300« »||+||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Olympus TG-5« »||+ +||-||4/5||o||4/5||May 2017||449||-||Olympus TG-5|
|Olympus TG-4« »||+||79/100||4/5||4/5||4/5||Apr 2015||379||-||Olympus TG-4|
|Panasonic FZ1000 II« »||-||-||4.5/5||-||4.5/5||Feb 2019||899||Panasonic FZ1000 II|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Ricoh WG-60« »||-||-||-||-||-||Oct 2018||279||Ricoh WG-60|
|Sony RX100 VI« »||+ +||83/100||4/5||-||4.5/5||Jun 2018||1,199||-||Sony RX100 VI|
|Sony HX99« »||-||-||4/5||-||4.5/5||Aug 2018||449||Sony HX99|
|Sony HX95« »||-||-||-||-||-||Aug 2018||429||Sony HX95|
|Sony WX800« »||-||-||-||-||-||Oct 2018||399||Sony WX800|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1100D vs Zeiss ZX1
- Canon 300D vs Zeiss ZX1
- Canon 5D Mark III vs Zeiss ZX1
- Canon 5DS R vs Fujifilm XP130
- Canon 760D vs Fujifilm XP130
- Fujifilm XP130 vs Leica M-E Typ 240
- Fujifilm XP130 vs Nikon D200
- Fujifilm XP130 vs Nikon Df
- Fujifilm XP130 vs Panasonic LX100 II
- Panasonic L1 vs Zeiss ZX1
- Panasonic TS7 vs Zeiss ZX1
- Pentax KP vs Zeiss ZX1
Specifications: Fujifilm XP130 vs Zeiss ZX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm XP130||Zeiss ZX1|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-140mm f/3.9-4.9||35mm f/2.8|
|Launch Date||January 2018||September 2018|
|Launch Price||USD 229||USD 4199|
|Sensor Specs||Fujifilm XP130||Zeiss ZX1|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||36.0 x 24.0 mm|
|Sensor Area||28.0735 mm2||864 mm2|
|Sensor Diagonal||7.7 mm||43.3 mm|
|Sensor Resolution||15.9 Megapixels||37.4 Megapixels|
|Image Resolution||4608 x 3456 pixels||7488 x 4992 pixels|
|Pixel Pitch||1.33 μm||4.81 μm|
|Pixel Density||56.73 MP/cm2||4.33 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-3200 ISO||80-51200 ISO|
|Screen Specs||Fujifilm XP130||Zeiss ZX1|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||6221k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||4.3 inch|
|LCD Resolution||920k dots||2765k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm XP130||Zeiss ZX1|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||No handshake reduction|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||Internal SSD|
|Second Storage Option||Single card slot||Single SSD|
|Connectivity Specs||Fujifilm XP130||Zeiss ZX1|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||no HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Fujifilm XP130||Zeiss ZX1|
|In-Camera Charging||USB charging||no USB charging|
110 x 71 x 28 mm
(4.3 x 2.8 x 1.1 in)
142 x 93 x 46 mm
(5.6 x 3.7 x 1.8 in)
|Camera Weight||207 g (7.3 oz)||800 g (28.2 oz)|
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