Sony A7 versus Olympus PEN-F
The Sony Alpha A7 and the Olympus PEN-F are two enthusiast cameras that were officially introduced, respectively, in October 2013 and January 2016. Both the A7 and the PEN-F are mirrorless interchangeable lens cameras that are based on a full frame (A7) and a Four Thirds sensor. The Sony has a resolution of 24 megapixel, whereas the Olympus provides 20.2 MP.
The side-by-side display below illustrates the physical size and weight of the Sony A7 and the Olympus PEN-F. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left – the A7 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus PEN-F is notably smaller (25 percent) than the Sony A7. Moreover, the PEN-F is markedly lighter (10 percent) than the A7. It is worth mentioning in this context that the A7 is splash and dust resistant, while the PEN-F does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony FE Lens Catalog (A7) and the Micro Four Thirds Lens Catalog (PEN-F). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Sony A7 (⇒ rgt)||127 mm||94 mm||48 mm||474 g||340||YES||2013||1,699||discont.||check|
|Olympus PEN-F (⇒ lft)||125 mm||72 mm||37 mm||427 g||330||no||2016||1,199||latest||check|
|Nikon D610 (⇒ lft | rgt)||141 mm||113 mm||82 mm||850 g||900||YES||2013||1,999||latest||check|
|Olympus E-M1 II (⇒ lft | rgt)||134 mm||91 mm||67 mm||574 g||440||YES||2016||1,999||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||120 mm||83 mm||47 mm||390 g||320||no||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||124 mm||85 mm||45 mm||469 g||310||YES||2015||1,099||latest||check|
|Olympus E-M10 (⇒ lft | rgt)||119 mm||82 mm||46 mm||396 g||320||no||2014||699||discont.||check|
|Panasonic GH4 (⇒ lft | rgt)||133 mm||93 mm||84 mm||560 g||500||YES||2014||1,499||discont.||check|
|Sony A6300 (⇒ lft | rgt)||120 mm||67 mm||49 mm||404 g||400||YES||2016||999||discont.||check|
|Sony A6500 (⇒ lft | rgt)||120 mm||67 mm||53 mm||453 g||350||YES||2016||1,399||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||102 mm||58 mm||41 mm||298 g||280||no||2015||999||discont.||check|
|Sony A7 II (⇒ lft | rgt)||127 mm||96 mm||60 mm||599 g||350||YES||2014||1,999||discont.||check|
|Sony A7S (⇒ lft | rgt)||127 mm||94 mm||48 mm||489 g||380||YES||2014||2,499||discont.||check|
|Sony A5100 (⇒ lft | rgt)||110 mm||63 mm||36 mm||283 g||400||no||2014||549||latest||check|
|Sony A7R (⇒ lft | rgt)||127 mm||94 mm||48 mm||465 g||340||YES||2013||2,299||discont.||check|
|Sony RX1R (⇒ lft | rgt)||113 mm||65 mm||70 mm||482 g||270||no||2013||2,799||discont.||check|
|Sony RX1 (⇒ lft | rgt)||113 mm||65 mm||70 mm||482 g||270||no||2012||2,799||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The PEN-F was launched at a markedly lower price (by 29 percent) than the A7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Sony A7 features a full frame sensor and the Olympus PEN-F a Four Thirds sensor. The sensor area in the PEN-F is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the A7 has a native 3:2 aspect ratio, while the one in the PEN-F offers a 4:3 aspect.
With 24MP, the A7 offers a higher resolution than the PEN-F (20.2MP), but the A7 nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 3.34μm for the PEN-F) due to its larger sensor. However, the PEN-F is a somewhat more recent model (by 2 years and 3 months) than the A7, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the PEN-F has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the A7, the PEN-F has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A7 provides substantially higher image quality than the PEN-F, with an overall score that is 16 points higher. This advantage is based on 1.7 bits higher color depth, 1.8 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Sony A7 (⇒ rgt)||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|Olympus PEN-F (⇒ lft)||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Nikon D610 (⇒ lft | rgt)||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|Olympus E-M1 II (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Olympus E-M10 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M5 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M10 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Panasonic GH4 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|Sony A6300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85|
|Sony A6500 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85|
|Sony RX100 IV (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony A7 II (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Sony A7S (⇒ lft | rgt)||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|Sony A5100 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80|
|Sony A7R (⇒ lft | rgt)||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
|Sony RX1R (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91|
|Sony RX1 (⇒ lft | rgt)||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the A7 offers a slightly higher resolution than the one in the PEN-F (2400k vs 2360k dots). The table below summarizes some of the other core capabilities of the Sony A7 and Olympus PEN-F in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Sony A7 (⇒ rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||no|
|Olympus PEN-F (⇒ lft)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Nikon D610 (⇒ lft | rgt)||optical||YES||3.2||921||fixed||no||4000||6.0||12||no|
|Olympus E-M1 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||18.0||no||YES|
|Olympus E-M10 II (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-M5 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Olympus E-M10 (⇒ lft | rgt)||1440||no||3.0||1037||tilting||YES||4000||8.0||5.8||YES|
|Panasonic GH4 (⇒ lft | rgt)||2359||no||3.0||1036||swivel||YES||8000||12.0||17||no|
|Sony A6300 (⇒ lft | rgt)||2300||no||3.0||922||tilting||no||4000||11.0||6||no|
|Sony A6500 (⇒ lft | rgt)||2300||no||3.0||922||tilting||YES||4000||11.0||6||YES|
|Sony RX100 IV (⇒ lft | rgt)||2359||no||3.0||1228||tilting||no||2000||16.0||10.2||YES|
|Sony A7 II (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||5.0||no||YES|
|Sony A7S (⇒ lft | rgt)||2400||no||3.0||921||tilting||no||8000||5.0||no||no|
|Sony A5100 (⇒ lft | rgt)||no||no||3.0||922||tilting||YES||4000||6.0||4||no|
|Sony A7R (⇒ lft | rgt)||2400||no||3.0||1230||tilting||no||8000||4.0||no||no|
|Sony RX1R (⇒ lft | rgt)||no||no||3.0||1229||fixed||no||4000||5.0||6||no|
|Sony RX1 (⇒ lft | rgt)||no||no||3.0||1229||fixed||no||4000||5.0||6||no|
The PEN-F is a current model that online retailers, such as amazon, will have in stock. In contrast, the A7 has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the A7 was succeeded by the Sony A7 II.
So how do things add up? Is there a clear favorite between the Sony A7 and the Sony A7? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Sony Alpha A7:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (16 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (1.7 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.8 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.3 stops ISO advantage).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1037k dots).
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More heavily discounted: Has been available for much longer (launched in October 2013).
Arguments in favor of the Olympus PEN-F:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (125x72mm vs 127x94mm) and will fit more readily into a bag.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More modern: Reflects 2 years and 3 months of technical progress since the A7 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (9 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the A7 and the PEN-F in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Sony A7 (⇒ rgt)||HiRec||80/100 Silver||5/5||4.5/5||5/5||2013||1,699||discont.||check|
|Olympus PEN-F (⇒ lft)||-||82/100 Silver||4.5/5||4.5/5||5/5||2016||1,199||latest||check|
|Nikon D610 (⇒ lft | rgt)||HiRec||87/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,999||latest||check|
|Olympus E-M1 II (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2016||1,999||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||5/5||5/5||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||HiRec||81/100 Silver||5/5||4.5/5||5/5||2015||1,099||latest||check|
|Olympus E-M10 (⇒ lft | rgt)||-||80/100 Gold||5/5||4.5/5||5/5||2014||699||discont.||check|
|Panasonic GH4 (⇒ lft | rgt)||HiRec||85/100 Gold||5/5||5/5||5/5||2014||1,499||discont.||check|
|Sony A6300 (⇒ lft | rgt)||Rec||85/100 Gold||5/5||5/5||5/5||2016||999||discont.||check|
|Sony A6500 (⇒ lft | rgt)||HiRec||85/100 Silver||4.5/5||5/5||4.5/5||2016||1,399||latest||check|
|Sony RX100 IV (⇒ lft | rgt)||HiRec||85/100 Gold||4/5||4.5/5||4.5/5||2015||999||discont.||check|
|Sony A7 II (⇒ lft | rgt)||Rec||82/100 Silver||4.5/5||5/5||5/5||2014||1,999||discont.||check|
|Sony A7S (⇒ lft | rgt)||-||86/100 Gold||4.5/5||4.5/5||5/5||2014||2,499||discont.||check|
|Sony A5100 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||5/5||2014||549||latest||check|
|Sony A7R (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||5/5||5/5||2013||2,299||discont.||check|
|Sony RX1R (⇒ lft | rgt)||-||-||4/5||reviewed||4.5/5||2013||2,799||discont.||check|
|Sony RX1 (⇒ lft | rgt)||-||79/100 Gold||4/5||4.5/5||4.5/5||2012||2,799||discont.||check|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you do not see the camera that you are looking for, please contact me, and I will try to locate and add the respective data to the application.
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