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Sony A7 II versus Fujifilm X-E3

The Sony Alpha A7 II and the Fujifilm X-E3 are two digital cameras that were officially introduced, respectively, in November 2014 and September 2017. Both the A7 II and the X-E3 are mirrorless interchangeable lens cameras that are based on a full frame (A7 II) and an APS-C (X-E3) sensor. Both cameras offer a resolution of 24 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Sony A7 II vs Fujifilm X-E3

The side-by-side display below illustrates the physical size and weight of the Sony A7 II and the Fujifilm X-E3. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the A7 II – represents the basis for the calculations across all the size and weight measures).

Snapsort Sony A7 II vs Fujifilm X-E3
Compare A7 II versus X-E3 top
Compare A7 II and X-E3 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-E3 is notably smaller (27 percent) than the Sony A7 II. Moreover, the X-E3 is substantially lighter (44 percent) than the A7 II. It is worth mentioning in this context that the A7 II is splash and dust resistant, while the X-E3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Sony FE Lens Catalog (A7 II) and the Fujinon X Lens Catalog (X-E3). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A7 II» 5.0 in 3.8 in 2.4 in 21.1 oz 350 Y Nov 2014 1,999- i Sony A7 II
Fujifilm X-E3« 4.8 in 2.9 in 1.7 in 11.9 oz 350 n Sep 2017 899 i i Fujifilm X-E3
Canon M6« » 4.4 in 2.7 in 1.8 in 13.8 oz 295 n Feb 2017 779 i i Canon M6
Fujifilm X-A5« » 4.6 in 2.7 in 1.6 in 12.7 oz 450 n Jan 2018 399 i i Fujifilm X-A5
Fujifilm X-T20« » 4.6 in 3.3 in 1.6 in 13.5 oz 350 n Jan 2017 899 i i Fujifilm X-T20
Fujifilm X70« » 4.4 in 2.5 in 1.7 in 12.0 oz 330 n Jan 2016 799- i Fujifilm X70
Fujifilm X-E2S« » 5.1 in 3.0 in 1.5 in 12.3 oz 350 n Jan 2016 699- i Fujifilm X-E2S
Olympus E-M1 II« » 5.3 in 3.6 in 2.6 in 20.2 oz 440 Y Sep 2016 1,999 i i Olympus E-M1 II
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
Sony A7R III« » 5.0 in 3.8 in 2.9 in 22.9 oz 650 Y Oct 2017 3,199 i i Sony A7R III
Sony A7R II« » 5.0 in 3.8 in 2.4 in 22.0 oz 290 Y Jun 2015 3,199- i Sony A7R II
Sony A7S II« » 5.0 in 3.8 in 2.4 in 22.1 oz 370 Y Sep 2015 2,999 i i Sony A7S II
Sony A77 II« » 5.6 in 4.1 in 3.2 in 22.8 oz 480 Y May 2014 1,199 i i Sony A77 II
Sony A7« » 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7
Sony A7R« » 5.0 in 3.7 in 1.9 in 16.4 oz 340 Y Oct 2013 2,299- i Sony A7R
Sony A77« » 5.6 in 4.1 in 3.2 in 25.8 oz 470 Y Aug 2011 1,999- i Sony A77

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-E3 was launched at a markedly lower price (by 55 percent) than the A7 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Sony A7 II vs Fujifilm X-E3

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Sony A7 II features a full frame sensor and the Fujifilm X-E3 an APS-C sensor. The sensor area in the X-E3 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Sony A7 II and Fujifilm X-E3 sensor measures

Even though the A7 II has a larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the A7 II has a lower pixel density and larger individual pixels (with a pixel pitch of 5.97μm versus 3.92μm for the X-E3), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the X-E3 is much more recent (by 2 years and 9 months) than the A7 II, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the X-E3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

A7 II versus X-E3 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Sony A7 II» Full Frame 24.0 6000 40001080/60p24.913.6244990Sony A7 II
Fujifilm X-E3« APS-C 24.0 6000 40004K/30p----Fujifilm X-E3
Canon M6« » APS-C 24.0 6000 40001080/60p----Canon M6
Fujifilm X-A5« » APS-C 24.0 6000 40004K/15p----Fujifilm X-A5
Fujifilm X-T20« » APS-C 24.0 6000 40004K/30p----Fujifilm X-T20
Fujifilm X70« » APS-C 16.0 4896 32641080/60p----Fujifilm X70
Fujifilm X-E2S« » APS-C 16.0 4896 32641080/60p----Fujifilm X-E2S
Olympus E-M1 II« » Four Thirds 20.2 5184 38884K/30p23.712.8131280Olympus E-M1 II
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
Sony A7R III« » Full Frame 42.2 7952 53044K/30p26.014.73523100Sony A7R III
Sony A7R II« » Full Frame 42.2 7952 53044K/30p26.013.9343498Sony A7R II
Sony A7S II« » Full Frame 12.0 4240 28324K/30p23.613.3299385Sony A7S II
Sony A77 II« » APS-C 24.0 6000 40001080/60p----Sony A77 II
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7
Sony A7R« » Full Frame 36.2 7360 49121080/60p25.614.1274695Sony A7R
Sony A77« » APS-C 24.0 6000 40001080/60p24.013.280178Sony A77

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-E3 provides a better video resolution than the A7 II. It can shoot movie footage at 4K/30p, while the Sony is limited to 1080/60p.

 

Feature comparison: Sony A7 II vs Fujifilm X-E3

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the A7 II offers a slightly higher resolution than the one in the X-E3 (2400k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Sony A7 II, the Fujifilm X-E3, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Sony A7 II»2400 n 3.0 1230 tilting n 8000 5.0 n Y Sony A7 II
Fujifilm X-E3«2360 n 3.0 1040 fixed Y 4000 8.0 n n Fujifilm X-E3
Canon M6« »- n 3.0 1040 tilting Y 4000 9.0 Y n Canon M6
Fujifilm X-A5« »- n 3.0 1040 tilting Y 4000 6.0 Y n Fujifilm X-A5
Fujifilm X-T20« »2360 n 3.0 1040 tilting Y 4000 8.0 Y n Fujifilm X-T20
Fujifilm X70« »- n 3.0 1040 tilting Y 4000 8.0 Y n Fujifilm X70
Fujifilm X-E2S« »2360 n 3.0 1040 fixed n 4000 7.0 Y n Fujifilm X-E2S
Olympus E-M1 II« »2360 n 3.0 1037 swivel Y 8000 18.0 n Y Olympus E-M1 II
Sony A7 III« »2359 n 3.0 922 tilting Y 8000 10.0 n Y Sony A7 III
Sony A9« »3686 n 3.0 1440 tilting Y 8000 20.0 n Y Sony A9
Sony A7R III« »3686 n 3.0 1440 tilting Y 8000 10.0 n Y Sony A7R III
Sony A7R II« »2400 n 3.0 1229 tilting n 8000 5.0 n Y Sony A7R II
Sony A7S II« »2400 n 3.0 1229 tilting n 8000 5.0 n Y Sony A7S II
Sony A77 II« »2359 Y 3.0 1229 full-flex n 8000 12.0 Y Y Sony A77 II
Sony A7« »2400 n 3.0 1230 tilting n 8000 5.0 n n Sony A7
Sony A7R« »2400 n 3.0 1230 tilting n 8000 4.0 n n Sony A7R
Sony A77« »2359 Y 3.0 921 full-flex n 8000 12.0 Y Y Sony A77

The X-E3 is a current model that online retailers, such as amazon, will have in stock. In contrast, the A7 II has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7 II was succeeded by the Sony A7 III.

Review summary: Sony A7 II vs Fujifilm X-E3

So how do things add up? Is the Sony A7 II better than the Fujifilm X-E3 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

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Arguments in favor of the Sony Alpha A7 II:

  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
  • More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More heavily discounted: Has been available for much longer (launched in November 2014).

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Reasons to prefer the Fujifilm X-E3:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Faster burst: Shoots at higher frequency (8 vs 5 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (121x74mm vs 127x96mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 262g or 44 percent) and is thus easier to take along.
  • More affordable: Was introduced into a lower priced category (55 percent cheaper at launch).
  • More modern: Reflects 2 years and 9 months of technical progress since the A7 II launch.

If the count of relative strengths (bullet points above) is taken as a measure, the match-up finishes in a tie (8 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.

A7 II 08:08 X-E3

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the A7 II or the X-E3. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Sony A7 II»Rec82/1004.5/55/55/5 Nov 2014 1,999- i Sony A7 II
Fujifilm X-E3«Rec84/1004.5/54.5/54.5/5 Sep 2017 899 i i Fujifilm X-E3
Canon M6« »-80/1004/54.5/54/5 Feb 2017 779 i i Canon M6
Fujifilm X-A5« »--4/54/53.5/5 Jan 2018 399 i i Fujifilm X-A5
Fujifilm X-T20« »HiRec82/1005/5-4.5/5 Jan 2017 899 i i Fujifilm X-T20
Fujifilm X70« »-76/1004.5/54/54.5/5 Jan 2016 799- i Fujifilm X70
Fujifilm X-E2S« »-77/1004.5/5-4.5/5 Jan 2016 699- i Fujifilm X-E2S
Olympus E-M1 II« »HiRec85/1004.5/55/54.5/5 Sep 2016 1,999 i i Olympus E-M1 II
Sony A7 III« »HiRec89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III
Sony A9« »HiRec89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
Sony A7R III« »HiRec90/1004.5/55/55/5 Oct 2017 3,199 i i Sony A7R III
Sony A7R II« »HiRec90/1005/54.5/55/5 Jun 2015 3,199- i Sony A7R II
Sony A7S II« »Rec-4.5/55/55/5 Sep 2015 2,999 i i Sony A7S II
Sony A77 II« »-80/1004.5/54/55/5 May 2014 1,199 i i Sony A77 II
Sony A7« »HiRec80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7
Sony A7R« »HiRec82/1004.5/55/55/5 Oct 2013 2,299- i Sony A7R
Sony A77« »91/10081/100-4.5/55/5 Aug 2011 1,999- i Sony A77

The review scores listed above should be treated with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you cannot find the camera you are interested in, kindly get in touch, and I will try to locate and add the respective data to the application.

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