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Panasonic GM5 vs Sony A7 II

The Panasonic Lumix DMC-GM5 and the Sony Alpha A7 II are two digital cameras that were announced, respectively, in September 2014 and November 2014. Both the GM5 and the A7 II are mirrorless interchangeable lens cameras that are based on a Four Thirds (GM5) and a full frame (A7 II) sensor. The Panasonic has a resolution of 15.8 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Panasonic GM5   Sony A7 II
Panasonic GM5 Sony A7 II
Mirrorless system camera Mirrorless system camera
Micro Four Thirds lenses Sony E mount lenses
15.8 MP, Four Thirds Sensor 24 MP, Full Frame Sensor
1080/60p Video 1080/60p Video
ISO 200-25600 ISO 100-25600 (50-51200)
Electronic viewfinder (1166k dots) Electronic viewfinder (2400k dots)
3.0" LCD, 921k dots 3.0" LCD, 1230k dots
Fixed touchscreen Tilting screen (not touch-sensitive)
5.8 shutter flaps per second 5 shutter flaps per second
Lens stabilization onlyIn-body stabilization
Not weather sealedWeathersealed body
220 shots per battery charge350 shots per battery charge
99 x 60 x 36 mm, 211 g 127 x 96 x 60 mm, 599 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GM5 and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison: Panasonic GM5 vs Sony A7 II

An illustration of the physical size and weight of the Panasonic GM5 and the Sony A7 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

The GM5 can be obtained in two different colors (black, silver), while the A7 II is only available in black.

Size Panasonic GM5 vs Sony A7 II
Compare GM5 versus A7 II top
Comparison GM5 or A7 II rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is considerably larger (105 percent) than the Panasonic GM5. Moreover, the A7 II is substantially heavier (184 percent) than the GM5. It is noteworthy in this context that the A7 II is splash and dust-proof, while the GM5 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (GM5) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the GM5 gets 220 shots out of its DMW-BLH7 battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. The power pack in the A7 II can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic GM5» 3.9 in 2.4 in 1.4 in 7.4 oz 220 n Sep 2014 749- i Panasonic GM5
 
Sony A7 II« 5.0 in 3.8 in 2.4 in 21.1 oz 350 Y Nov 2014 1,999- i Sony A7 II
 
Panasonic GX85« » 4.8 in 2.8 in 1.7 in 15.0 oz 290 n Apr 2016 799 i i Panasonic GX85
 
Panasonic G7« » 4.9 in 3.4 in 3.0 in 14.5 oz 350 n May 2015 649- i Panasonic G7
 
Panasonic GH4« » 5.2 in 3.7 in 3.3 in 19.8 oz 500 Y Feb 2014 1,499- i Panasonic GH4
 
Panasonic LX100« » 4.5 in 2.6 in 2.2 in 13.9 oz 300 n Sep 2014 899 i i Panasonic LX100
 
Panasonic G6« » 4.8 in 3.3 in 2.8 in 13.8 oz 340 n Apr 2013 599- i Panasonic G6
 
Panasonic GM1« » 3.9 in 2.2 in 1.2 in 7.2 oz 230 n Oct 2013 749- i Panasonic GM1
 
Panasonic GX1« » 4.6 in 2.7 in 1.5 in 11.2 oz 320 n Nov 2011 699- i Panasonic GX1
 
Panasonic GH2« » 4.9 in 3.5 in 3.0 in 15.6 oz 330 n Sep 2010 899- i Panasonic GH2
 
Ricoh GR II« » 4.6 in 2.5 in 1.4 in 8.9 oz 320 n Jun 2015 699 i i Ricoh GR II
 
Ricoh GR« » 4.6 in 2.4 in 1.4 in 8.6 oz 290 n Apr 2013 799- i Ricoh GR
 
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III
 
Sony A7R II« » 5.0 in 3.8 in 2.4 in 22.0 oz 290 Y Jun 2015 3,199- i Sony A7R II
 
Sony A7S II« » 5.0 in 3.8 in 2.4 in 22.1 oz 370 Y Sep 2015 2,999 i i Sony A7S II
 
Sony A7« » 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7
 
Sony A7R« » 5.0 in 3.7 in 1.9 in 16.4 oz 340 Y Oct 2013 2,299- i Sony A7R
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GM5 was launched at a markedly lower price (by 63 percent) than the A7 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Panasonic GM5 vs Sony A7 II

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Panasonic GM5 features a Four Thirds sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 280 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the GM5 has a native 4:3 aspect ratio, while the one in the A7 II offers a 3:2 aspect.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.

Panasonic GM5 and Sony A7 II sensor measures

With 24MP, the A7 II offers a higher resolution than the GM5 (15.8MP), but the A7 II nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 3.77μm for the GM5) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.

The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic GM5 are 23 x 17.2 inch or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inch or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inch or 38.9 x 29.2 cm for excellent quality prints.

The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-GM5 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

GM5 versus A7 II MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7 II offers substantially better image quality than the GM5 (overall score 24 points higher). The advantage is based on 2.8 bits higher color depth, 1.9 EV in additional dynamic range, and 1.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Panasonic GM5» Four Thirds 15.8 4592 34481080/60p22.111.772166Panasonic GM5
 
Sony A7 II« Full Frame 24.0 6000 40001080/60p24.913.6244990Sony A7 II
 
Panasonic GX85« » Four Thirds 15.8 4592 34484K/30p22.912.666271Panasonic GX85
 
Panasonic G7« » Four Thirds 15.8 4592 34484K/30p----Panasonic G7
 
Panasonic GH4« » Four Thirds 15.9 4608 34564K/30p23.212.879174Panasonic GH4
 
Panasonic LX100« » Four Thirds 12.7 4112 30884K/30p22.312.555367Panasonic LX100
 
Panasonic G6« » Four Thirds 15.9 4608 34561080/60p21.311.563961Panasonic G6
 
Panasonic GM1« » Four Thirds 15.8 4592 34481080/60i22.311.766066Panasonic GM1
 
Panasonic GX1« » Four Thirds 15.8 4592 34481080/60p20.810.670355Panasonic GX1
 
Panasonic GH2« » Four Thirds 15.9 4608 34561080/60i21.211.365560Panasonic GH2
 
Ricoh GR II« » APS-C 16.1 4928 32641080/30p23.613.7107880Ricoh GR II
 
Ricoh GR« » APS-C 16.1 4928 32641080/30p23.613.597278Ricoh GR
 
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III
 
Sony A7R II« » Full Frame 42.2 7952 53044K/30p26.013.9343498Sony A7R II
 
Sony A7S II« » Full Frame 12.0 4240 28324K/30p23.613.3299385Sony A7S II
 
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7
 
Sony A7R« » Full Frame 36.2 7360 49121080/60p25.614.1274695Sony A7R

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).

 

Feature comparison: Panasonic GM5 vs Sony A7 II

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7 II offers a substantially higher resolution than the one in the GM5 (2400k vs 1166k dots). The adjacent table lists some of the other core features of the Panasonic GM5 and Sony A7 II along with similar information for a selection of comparators.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Panasonic GM5»1166 n 3.0 921 fixed Y 1/500s 5.8 n n Panasonic GM5
 
Sony A7 II«2400 n 3.0 1230 tilting n 1/8000s 5.0 n Y Sony A7 II
 
Panasonic GX85« »2765 n 3.0 1040 tilting Y 1/4000s 8.0 Y Y Panasonic GX85
 
Panasonic G7« »2360 n 3.0 1040 swivel Y 1/4000s 7.0 Y n Panasonic G7
 
Panasonic GH4« »2359 n 3.0 1036 swivel Y 1/8000s 12.0 Y n Panasonic GH4
 
Panasonic LX100« »2764 n 3.0 921 fixed n 1/4000s 11.0 n Y Panasonic LX100
 
Panasonic G6« »1440 n 3.0 1036 swivel Y 1/4000s 7.0 Y n Panasonic G6
 
Panasonic GM1« »- n 3.0 1036 fixed Y 1/500s 5.0 Y n Panasonic GM1
 
Panasonic GX1« »- n 3.0 460 fixed Y 1/4000s 4.2 Y n Panasonic GX1
 
Panasonic GH2« »1534 n 3.0 460 swivel n 1/4000s 3.0 Y n Panasonic GH2
 
Ricoh GR II« »- n 3.0 1230 fixed n 1/4000s 4.0 Y n Ricoh GR II
 
Ricoh GR« »- n 3.0 1230 fixed n 1/4000s 4.0 Y n Ricoh GR
 
Sony A7 III« »2359 n 3.0 922 tilting Y 1/8000s 10.0 n Y Sony A7 III
 
Sony A7R II« »2400 n 3.0 1229 tilting n 1/8000s 5.0 n Y Sony A7R II
 
Sony A7S II« »2400 n 3.0 1229 tilting n 1/8000s 5.0 n Y Sony A7S II
 
Sony A7« »2400 n 3.0 1230 tilting n 1/8000s 5.0 n n Sony A7
 
Sony A7R« »2400 n 3.0 1230 tilting n 1/8000s 4.0 n n Sony A7R

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GM5 has a touchscreen, while the A7 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GM5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic GM5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The GM5 writes its imaging data to SDXC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

 

Connectivity comparison: Panasonic GM5 vs Sony A7 II

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GM5 and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Panasonic GM5»Ystereomono--micro2.0Y--Panasonic GM5
 
Sony A7 II«YstereomonoYYmicro2.0YY-Sony A7 II
 
Panasonic GX85« »Ystereomono--micro2.0Y--Panasonic GX85
 
Panasonic G7« »YstereomonoY-micro2.0Y--Panasonic G7
 
Panasonic GH4« »YstereomonoYYmicro2.0YY-Panasonic GH4
 
Panasonic LX100« »Ystereomono--micro2.0YY-Panasonic LX100
 
Panasonic G6« »YstereomonoY-mini2.0YY-Panasonic G6
 
Panasonic GM1« »-stereomono--micro2.0Y--Panasonic GM1
 
Panasonic GX1« »Ystereomono--mini2.0---Panasonic GX1
 
Panasonic GH2« »YstereomonoY-mini2.0---Panasonic GH2
 
Ricoh GR II« »Ystereomono--micro2.0YY-Ricoh GR II
 
Ricoh GR« »Ymonomono--micro2.0---Ricoh GR
 
Sony A7 III« »YstereomonoYYmicro3.1YYYSony A7 III
 
Sony A7R II« »YstereomonoYYmicro2.0YY-Sony A7R II
 
Sony A7S II« »YstereomonoYYmicro2.0YY-Sony A7S II
 
Sony A7« »YstereomonoYYmicro2.0YY-Sony A7
 
Sony A7R« »YstereomonoYYmicro2.0YY-Sony A7R

It is notable that the A7 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The GM5 lacks such a headphone port.

Both the GM5 and the A7 II have been discontinued, but can regularly be found used on eBay. The A7 II was replaced by the Sony A7 III, while the GM5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic and Sony websites.


Review summary: Panasonic GM5 vs Sony A7 II

So how do things add up? Is there a clear favorite between the Panasonic GM5 and the Sony A7 II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

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Advantages of the Panasonic Lumix DMC-GM5:

  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Faster burst: Shoots at higher frequency (5.8 vs 5 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • More compact: Is smaller (99x60mm vs 127x96mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 388g or 65 percent) and hence easier to carry around.
  • More affordable: Was introduced into a lower priced category (63 percent cheaper at launch).

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Arguments in favor of the Sony Alpha A7 II:

  • More detail: Has more megapixels (24 vs 15.8MP), which boosts linear resolution by 26%.
  • Better image quality: Scores substantially higher (24 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (2.8 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (1.9 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (1.8 stops ISO advantage).
  • Better live-view autofocus: Features on-sensor phase-detection for quicker and more confident autofocus.
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (2400k vs 1166k dots).
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.46x).
  • More detailed LCD: Has a higher resolution rear screen (1230k vs 921k dots).
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/500s) to freeze action.
  • Longer lasting: Gets more shots (350 versus 220) out of a single battery charge.
  • Easier travel charging: Can be conveniently charged via its USB port.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.

If the number of relative strengths (bullet points above) is taken as a guide, the A7 II is the clear winner of the contest (17 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

GM5 07:17 A7 II

How about other alternatives? Do the specifications of the Panasonic GM5 and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the GM5 and the A7 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews: Panasonic GM5 vs Sony A7 II

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
 
Panasonic GM5»+77/1005/55/54.5/5 Sep 2014 749- i Panasonic GM5
 
Sony A7 II«+82/1004.5/55/55/5 Nov 2014 1,999- i Sony A7 II
 
Panasonic GX85« »+ +82/1005/54.5/55/5 Apr 2016 799 i i Panasonic GX85
 
Panasonic G7« »+ +80/1005/54.5/54.5/5 May 2015 649- i Panasonic G7
 
Panasonic GH4« »+ +85/1005/55/55/5 Feb 2014 1,499- i Panasonic GH4
 
Panasonic LX100« »+ +85/1005/54/55/5 Sep 2014 899 i i Panasonic LX100
 
Panasonic G6« »+ +-5/5-4.5/5 Apr 2013 599- i Panasonic G6
 
Panasonic GM1« »+78/1005/54.5/54.5/5 Oct 2013 749- i Panasonic GM1
 
Panasonic GX1« »+77/1004.5/54.5/54.5/5 Nov 2011 699- i Panasonic GX1
 
Panasonic GH2« »+ +79/1004.5/54.5/55/5 Sep 2010 899- i Panasonic GH2
 
Ricoh GR II« »--4.5/54.5/54.5/5 Jun 2015 699 i i Ricoh GR II
 
Ricoh GR« »-79/1004.5/54.5/54.5/5 Apr 2013 799- i Ricoh GR
 
Sony A7 III« »+ +89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III
 
Sony A7R II« »+ +90/1005/54.5/55/5 Jun 2015 3,199- i Sony A7R II
 
Sony A7S II« »+-4.5/55/55/5 Sep 2015 2,999 i i Sony A7S II
 
Sony A7« »+ +80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7
 
Sony A7R« »+ +82/1004.5/55/55/5 Oct 2013 2,299- i Sony A7R
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Panasonic GM5:
Check Ebay offers
Sony A7 II:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

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    Specifications: Panasonic GM5 vs Sony A7 II

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Panasonic GM5 Sony A7 II
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Micro Four Thirds lenses Sony E mount lenses
    Launch Date September 2014 November 2014
    Launch Price USD 749 USD 1999
    Sensor Specs Panasonic GM5 Sony A7 II
    Sensor Technology CMOS CMOS
    Sensor Format Four Thirds Sensor Full Frame Sensor
    Sensor Size 17.3 x 13.0 mm 35.8 x 23.9 mm
    Sensor Area 224.9 mm2 855.62 mm2
    Sensor Diagonal 21.6 mm 43 mm
    Crop Factor 2.0x 1.0x
    Sensor Resolution 15.8 Megapixels 24 Megapixels
    Image Resolution 4592 x 3448 pixels 6000 x 4000 pixels
    Pixel Pitch 3.77 μm 5.97 μm
    Pixel Density 7.04 MP/cm2 2.80 MP/cm2
    Moiré control Anti-Alias filter Anti-Alias filter
    Movie Capability 1080/60p Video 1080/60p Video
    ISO Setting 200-25600 ISO 100-25600 ISO
    ISO Boost 100-25600 ISO 50-51200 ISO
    Image Processor Venus BIONZ X
    DXO Sensor Quality (score) 66 90
    DXO Color Depth (bits) 22.1 24.9
    DXO Dynamic Range (EV) 11.7 13.6
    DXO Low Light (ISO) 721 2449
    Screen Specs Panasonic GM5 Sony A7 II
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.46x 0.71x
    Viewfinder Resolution 1166k dots 2400k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.0 inch
    LCD Resolution 921k dots 1230k dots
    LCD Attachment Fixed screen Tilting screen
    Touch Input Touchscreen no Touchscreen
    Shooting Specs Panasonic GM5 Sony A7 II
    Autofocus System Contrast-detect AF On-Sensor Phase-detect
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/500/s 1/8000/s
    Continuous Shooting 5.8 shutter flaps/s 5 shutter flaps/s
    Electronic Shutterup to 1/16000sno E-Shutter
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Image StabilizationLens stabilization onlyIn-body stabilization
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Single card slot Single card slot
    UHS card support UHS-I UHS-I
    Connectivity Specs Panasonic GM5 Sony A7 II
    External Flash Hotshoe Hotshoe
    USB Connector USB 2.0 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port no MIC socket External MIC port
    Headphone Socket no Headphone port Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Body Specs Panasonic GM5 Sony A7 II
    Environmental SealingNot weather sealedWeathersealed body
    Battery Type DMW-BLH7 power pack NP-FW50 power pack
    Battery Life (CIPA)220 shots per charge350 shots per charge
    In-Camera Charging no USB charging USB charging
    Body Dimensions 99 x 60 x 36 mm
    (3.9 x 2.4 x 1.4 in)
    127 x 96 x 60 mm
    (5.0 x 3.8 x 2.4 in)
    Camera Weight 211 g (7.4 oz) 599 g (21.1 oz)

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