Panasonic ZS100 vs Sony A7 II

The Panasonic Lumix DMC-ZS100 (called Panasonic TZ100 in some regions) and the Sony Alpha A7 II are two digital cameras that were officially introduced, respectively, in January 2016 and November 2014. The ZS100 is a fixed lens compact, while the A7 II is a mirrorless interchangeable lens camera. The cameras are based on an one-inch (ZS100) and a full frame (A7 II) sensor. The Panasonic has a resolution of 20 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Panasonic ZS100		Sony A7 II
Fixed lens compact camera		Mirrorless system camera
25-250mm f/2.8-5.9		Sony E mount lenses
20 MP – 1" sensor		24 MP – Full Frame sensor
4K/30p Video		1080/60p Video
ISO 125-12,800 (80 - 25,600)		ISO 100-25,600 (50 - 51,200)
Electronic viewfinder (1166k dots)		Electronic viewfinder (2400k dots)
3.0" LCD – 1040k dots		3.0" LCD – 1230k dots
Fixed touchscreen		Tilting screen (no touchscreen)
10 shutter flaps per second		5 shutter flaps per second
In-body stabilization		In-body stabilization
not weather sealed		Weathersealed body
300 shots per battery charge		350 shots per battery charge
111 x 65 x 44 mm, 312 g		127 x 96 x 60 mm, 599 g

Check ZS100 offers at
ebay.com
Check A7 II offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-ZS100 and the Sony Alpha A7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Panasonic ZS100 and the Sony A7 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The ZS100 can be obtained in two different colors (black, silver), while the A7 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is considerably larger (69 percent) than the Panasonic ZS100. It is noteworthy in this context that the A7 II is splash and dust-proof, while the ZS100 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS100 has a lens built in, whereas the A7 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7 II and their specifications in the Sony FE Lens Catalog.

Concerning battery life, the ZS100 gets 300 shots out of its Panasonic DMW-BLG10 battery, while the A7 II can take 350 images on a single charge of its Sony NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic ZS100	111 mm	65 mm	44 mm	312 g	300	n	Jan 2016	699	ebay.com
2.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
3.		Canon G7 X Mark II	106 mm	61 mm	42 mm	319 g	265	n	Feb 2016	699	ebay.com
4.		Canon G5 X	112 mm	76 mm	44 mm	353 g	210	n	Oct 2015	799	ebay.com
5.		Canon G7 X	103 mm	60 mm	40 mm	304 g	210	n	Sep 2014	699	ebay.com
6.		Panasonic ZS200	111 mm	65 mm	45 mm	340 g	370	n	Feb 2018	799	amazon.com
7.		Panasonic FZ2500	138 mm	102 mm	135 mm	915 g	350	n	Sep 2016	1,199	amazon.com
8.		Panasonic LX10	106 mm	60 mm	42 mm	310 g	260	n	Sep 2016	699	amazon.com
9.		Sony A7C	124 mm	71 mm	60 mm	509 g	740	Y	Sep 2020	1,799	amazon.com
10.		Sony A9 II	129 mm	96 mm	76 mm	678 g	690	Y	Oct 2019	4,499	amazon.com
11.		Sony A7 III	127 mm	96 mm	74 mm	650 g	610	Y	Feb 2018	1,999	amazon.com
12.		Sony RX100 V	102 mm	58 mm	41 mm	299 g	220	n	Oct 2016	999	ebay.com
13.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	999	ebay.com
14.		Sony RX100 III	102 mm	58 mm	41 mm	290 g	320	n	May 2014	799	ebay.com
15.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	1,699	ebay.com
16.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	2,299	ebay.com
17.		Sony RX100 II	102 mm	58 mm	38 mm	281 g	350	n	Jun 2013	749	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The ZS100 was launched at a lower price than the A7 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Panasonic ZS100 features an one-inch sensor and the Sony A7 II a full frame sensor. The sensor area in the A7 II is 638 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.7 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

With 24MP, the A7 II offers a higher resolution than the ZS100 (20MP), but the A7 II nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 2.41μm for the ZS100) due to its larger sensor. However, the ZS100 is a somewhat more recent model (by 1 year and 1 month) than the A7 II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7 II for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic ZS100 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.

The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Panasonic Lumix DMC-ZS100 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 80-25600. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7 II offers substantially better image quality than the ZS100 (overall score 20 points higher). The advantage is based on 2.1 bits higher color depth, 1.1 EV in additional dynamic range, and 2.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Panasonic ZS100	1-inch	20.0	5472	3648	4K/30p	22.8	12.5	559	70
2.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
3.		Canon G7 X Mark II	1-inch	20.0	5472	3648	1080/60p	21.8	11.9	260	62
4.		Canon G5 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	471	62
5.		Canon G7 X	1-inch	20.0	5472	3648	1080/60p	23.0	12.7	556	71
6.		Panasonic ZS200	1-inch	20.0	5472	3648	4K/30p	22.0	12.2	449	64
7.		Panasonic FZ2500	1-inch	20.0	5472	3648	4K/30p	23.0	12.6	538	70
8.		Panasonic LX10	1-inch	20.0	5472	3648	4K/30p	22.8	12.5	581	70
9.		Sony A7C	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3407	95
10.		Sony A9 II	Full Frame	24.0	6000	4000	4K/30p	25.0	14.0	3434	93
11.		Sony A7 III	Full Frame	24.0	6000	4000	4K/30p	25.0	14.7	3730	96
12.		Sony RX100 V	1-inch	20.0	5472	3648	4K/30p	22.8	12.4	586	70
13.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
14.		Sony RX100 III	1-inch	20.0	5472	3648	1080/60p	22.4	12.3	495	67
15.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
16.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
17.		Sony RX100 II	1-inch	20.0	5472	3648	1080/60p	22.5	12.4	483	67
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the ZS100 provides a higher video resolution than the A7 II. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7 II offers a substantially higher resolution than the one in the ZS100 (2400k vs 1166k dots). The following table reports on some other key feature differences and similarities of the Panasonic ZS100, the Sony A7 II, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Panasonic ZS100	1166	n	3.0 / 1040	fixed	Y	1/2000s	10.0/s	Y	Y
2.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
3.		Canon G7 X Mark II	none	n	3.0 / 1040	tilting	Y	1/2000s	8.0/s	Y	Y
4.		Canon G5 X	2360	n	3.0 / 1040	swivel	Y	1/2000s	5.9/s	Y	Y
5.		Canon G7 X	none	n	3.0 / 1040	tilting	Y	1/2000s	6.5/s	Y	Y
6.		Panasonic ZS200	2330	n	3.0 / 1240	fixed	Y	1/2000s	10.0/s	Y	Y
7.		Panasonic FZ2500	2360	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
8.		Panasonic LX10	none	n	3.0 / 1040	tilting	Y	1/4000s	10.0/s	Y	Y
9.		Sony A7C	2360	n	3.0 / 922	swivel	Y	1/4000s	10.0/s	n	Y
10.		Sony A9 II	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
11.		Sony A7 III	2359	n	3.0 / 922	tilting	Y	1/8000s	10.0/s	n	Y
12.		Sony RX100 V	2359	n	3.0 / 1229	tilting	n	1/2000s	24.0/s	Y	Y
13.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
14.		Sony RX100 III	1440	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
15.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
16.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
17.		Sony RX100 II	optional	n	3.0 / 1229	tilting	n	1/2000s	10.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The ZS100 has one, while the A7 II does not. While the built-in flash of the ZS100 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZS100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic ZS100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The ZS100 writes its imaging data to SDXC cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-ZS100 and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Panasonic ZS100	-	stereo / mono	-	-	micro	2.0	Y	-	-
2.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Canon G7 X Mark II	-	stereo / mono	-	-	micro	2.0	Y	Y	-
4.		Canon G5 X	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
5.		Canon G7 X	-	stereo / mono	-	-	micro	2.0	Y	Y	-
6.		Panasonic ZS200	-	stereo / mono	-	-	micro	2.0	Y	-	Y
7.		Panasonic FZ2500	Y	stereo / mono	Y	Y	micro	2.0	Y	-	-
8.		Panasonic LX10	-	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Sony A7C	Y	stereo / mono	Y	Y	micro	3.2	Y	Y	Y
10.		Sony A9 II	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
11.		Sony A7 III	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
12.		Sony RX100 V	-	stereo / mono	-	-	micro	2.0	Y	Y	-
13.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
14.		Sony RX100 III	-	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony RX100 II	Y	stereo / mono	-	-	micro	2.0	Y	Y	-

It is notable that the A7 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The ZS100 does not feature such a mic input.

Both the ZS100 and the A7 II have been discontinued, but can regularly be found used on ebay. The A7 II was replaced by the Sony A7 III, while the ZS100 was followed by the Panasonic ZS200. Further information on the features and operation of the ZS100 and A7 II can be found, respectively, in the Panasonic ZS100 Manual (free pdf) or the online Sony A7 II Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Panasonic ZS100 and the Sony A7 II? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Panasonic Lumix DMC-ZS100:

• Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Has a lens built-in, whereas the A7 II requires a separate lens.
• More compact: Is smaller (111x65mm vs 127x96mm) and thus needs less room in the bag.
• Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7 II).
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Is somewhat more recent (announced 1 year and 1 month after the A7 II).

Arguments in favor of the Sony Alpha A7 II:

• More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
• Better image quality: Scores substantially higher (20 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (2.1 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (1.1 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (2.1 stops ISO advantage).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (2400k vs 1166k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.46x).
• More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
• More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
• Longer lasting: Gets more shots (350 versus 300) out of a single battery charge.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More heavily discounted: Has been on the market for longer (launched in November 2014).

If the number of relative strengths (bullet points above) is taken as a guide, the A7 II is the clear winner of the contest (19 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Panasonic ZS100 and the Sony A7 II place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the ZS100 or the A7 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Panasonic ZS100	4.5/5	+ +	..	82/100	4.5/5	4.5/5	Jan 2016	699	ebay.com
2.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
3.		Canon G7 X Mark II	4.5/5	+ +	..	81/100	4.5/5	4.5/5	Feb 2016	699	ebay.com
4.		Canon G5 X	5/5	+ +	..	78/100	4.5/5	4.5/5	Oct 2015	799	ebay.com
5.		Canon G7 X	4/5	+ +	..	77/100	4.5/5	4.5/5	Sep 2014	699	ebay.com
6.		Panasonic ZS200	..	+ +	4.5/5	81/100	4.5/5	4.5/5	Feb 2018	799	amazon.com
7.		Panasonic FZ2500	..	+	..	82/100	4.5/5	5/5	Sep 2016	1,199	amazon.com
8.		Panasonic LX10	..	+ +	4/5	81/100	4/5	4.5/5	Sep 2016	699	amazon.com
9.		Sony A7C	3.5/5	..	3.5/5	86/100	4/5	4/5	Sep 2020	1,799	amazon.com
10.		Sony A9 II	..	..	5/5	90/100	5/5	5/5	Oct 2019	4,499	amazon.com
11.		Sony A7 III	..	+ +	4.5/5	89/100	5/5	5/5	Feb 2018	1,999	amazon.com
12.		Sony RX100 V	4.5/5	+ +	..	83/100	4/5	4.5/5	Oct 2016	999	ebay.com
13.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	999	ebay.com
14.		Sony RX100 III	5/5	+ +	..	82/100	4.5/5	5/5	May 2014	799	ebay.com
15.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	1,699	ebay.com
16.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	2,299	ebay.com
17.		Sony RX100 II	5/5	+ +	..	79/100	4.5/5	4.5/5	Jun 2013	749	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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