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Sony A6500 versus Canon 80D

The Sony Alpha A6500 and the Canon EOS 80D are two enthusiast cameras that were officially introduced, respectively, in October 2016 and February 2016. The A6500 is a mirrorless interchangeable lens camera, while the 80D is a DSLR. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel.

Body comparison

The physical size and weight of the Sony A6500 and the Canon 80D are illustrated in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the A6500 – represents the basis or 100 percent across all the size and weight measures).

Sony A6500 vs Canon 80D front
A6500 versus 80D top view
A6500 and 80D rear side
Body view (A6500 on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 80D is considerably larger (82 percent) than the Sony A6500. Moreover, the 80D is substantially heavier (61 percent) than the A6500. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Sony E-Mount Lens Catalog (A6500) and the Canon EF Lens Catalog (80D). Mirrorless cameras, such as the Sony A6500, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A6500 (⇒ rgt) 120 mm 67 mm 53 mm 453 g 350 YES 2016 1,399 latest check
Canon 80D (⇒ lft) 139 mm 105 mm 79 mm 730 g 960 YES 2016 1,199 latest check
Canon 6D Mark II (⇒ lft | rgt) 144 mm 111 mm 75 mm 765 g 1200 YES 2017 1,999 latest check
Canon T6i (⇒ lft | rgt) 132 mm 101 mm 78 mm 555 g 440 no 2015 749discont. check
Canon 7D II (⇒ lft | rgt) 149 mm 112 mm 78 mm 910 g 670 YES 2014 1,799 latest check
Canon 70D (⇒ lft | rgt) 139 mm 104 mm 79 mm 755 g 920 YES 2013 1,199discont. check
Nikon D7500 (⇒ lft | rgt) 136 mm 104 mm 73 mm 720 g 950 YES 2017 1,299 latest check
Olympus E-M1 II (⇒ lft | rgt) 134 mm 91 mm 67 mm 574 g 440 YES 2016 1,999 latest check
Olympus PEN-F (⇒ lft | rgt) 125 mm 72 mm 37 mm 427 g 330 no 2016 1,199 latest check
Panasonic GH5 (⇒ lft | rgt) 139 mm 98 mm 87 mm 725 g 410 YES 2017 1,999 latest check
Panasonic GX8 (⇒ lft | rgt) 133 mm 78 mm 63 mm 487 g 330 YES 2015 1,199 latest check
Sony A9 (⇒ lft | rgt) 127 mm 96 mm 63 mm 673 g 650 YES 2017 4,499 latest check
Sony A6300 (⇒ lft | rgt) 120 mm 67 mm 49 mm 404 g 400 YES 2016 999discont. check
Sony RX10 III (⇒ lft | rgt) 133 mm 94 mm 127 mm 1051 g 420 YES 2016 1,499discont. check
Sony RX10 II (⇒ lft | rgt) 129 mm 88 mm 102 mm 813 g 400 YES 2015 1,299discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 80D was launched at a somewhat lower price (by 14 percent) than the A6500, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the 80D is 8 percent smaller. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.5 (A6500) and 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Sony A6500 and Canon 80D sensor measures
Sensor size
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Sensor size

Even though the A6500 has a larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the A6500 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.91μm versus 3.75μm for the 80D), which gives it a potential advantage in terms of light gathering capacity. In addition, the A6500 is a somewhat more recent model (by 7 months) than the 80D, and its sensor might have benefitted from technological advances during this time.

A6500 versus 80D MP
Sensor resolution
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Sensor resolution

For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the A6500 has a notably higher overall DXO score than the 80D (overall score 6 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.9 bits higher color depth, 0.5 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Sony A6500 (⇒ rgt) APS-C 24.0 6000 4000 4K/30p 24.5 13.7 1405 85
Canon 80D (⇒ lft) APS-C 24.0 6000 4000 1080/60p 23.6 13.2 1135 79
Canon 6D Mark II (⇒ lft | rgt) Full Frame 26.0 6240 4160 1080/60p 24.4 11.9 2862 85
Canon T6i (⇒ lft | rgt) APS-C 24.0 6000 4000 1080/60p 22.7 12.0 919 71
Canon 7D II (⇒ lft | rgt) APS-C 20.0 5472 3648 1080/60p 22.4 11.8 1082 70
Canon 70D (⇒ lft | rgt) APS-C 20.0 5472 3648 1080/30p 22.5 11.6 926 68
Nikon D7500 (⇒ lft | rgt) APS-C 20.7 5568 3712 4K/30p 24.8 13.9 1192 86
Olympus E-M1 II (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.7 12.8 1312 80
Olympus PEN-F (⇒ lft | rgt) Four Thirds 20.2 5184 3888 1080/60p 23.1 12.4 894 74
Panasonic GH5 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/60p 23.9 13.0 807 77
Panasonic GX8 (⇒ lft | rgt) Four Thirds 20.2 5184 3888 4K/30p 23.5 12.6 806 75
Sony A9 (⇒ lft | rgt) Full Frame 24.0 6000 4000 4K/30p 24.9 13.3 3517 92
Sony A6300 (⇒ lft | rgt) APS-C 24.0 6000 4000 4K/30p 24.4 13.7 1437 85
Sony RX10 III (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.1 12.6 472 70
Sony RX10 II (⇒ lft | rgt) 1-inch 20.0 5472 3648 4K/30p 23.0 12.6 531 70

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6500 provides a higher video resolution than the 80D. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6500 has an electronic viewfinder (2300k dots), while the 80D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Sony A6500, the Canon 80D, and comparable cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Sony A6500 (⇒ rgt) 2300 no 3.0 922 tilting YES 4000 11.0 6 YES
Canon 80D (⇒ lft) optical YES 3.0 1040 swivel YES 8000 7.0 12 no
Canon 6D Mark II (⇒ lft | rgt) optical YES 3.0 1040 swivel YES 4000 6.5 no no
Canon T6i (⇒ lft | rgt) optical no 3.0 1040 swivel YES 4000 5.0 12 no
Canon 7D II (⇒ lft | rgt) optical YES 3.0 1040 fixed no 8000 10.0 11 no
Canon 70D (⇒ lft | rgt) optical YES 3.0 1040 swivel YES 8000 7.0 12 no
Nikon D7500 (⇒ lft | rgt) optical YES 3.2 922 tilting YES 8000 8.0 12 no
Olympus E-M1 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 18.0 no YES
Olympus PEN-F (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Panasonic GH5 (⇒ lft | rgt) 3680 no 3.2 1620 swivel YES 8000 12.0 no YES
Panasonic GX8 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 8000 10.0 no YES
Sony A9 (⇒ lft | rgt) 3686 no 3.0 1440 tilting YES 8000 20.0 no YES
Sony A6300 (⇒ lft | rgt) 2300 no 3.0 922 tilting no 4000 11.0 6 no
Sony RX10 III (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 2000 14.0 10.8 no
Sony RX10 II (⇒ lft | rgt) 2359 YES 3.0 1229 tilting no 3200 14.0 10.2 no

Both the A6500 and the 80D are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The 80D replaced the earlier Canon 70D, while the A6500 followed on from the Sony A6300.

Summary

So what is the bottom line? Is there a clear favorite between the Sony A6500 and the Sony A6500? A synthesis of the relative strong points of each of the models is listed below.


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Advantages of the Sony Alpha A6500:

  • Better image quality: Scores markedly higher (6 points) in the DXO overall assessment.
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • Faster burst: Shoots at higher frequency (11 vs 7 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 139x105mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 277g or 38 percent) and hence easier to carry around.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More modern: Is somewhat more recent (announced 7 months after the 80D).

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Arguments in favor of the Canon EOS 80D:

  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Has a control panel on top to check shooting parameters.
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
  • Faster shutter: Has a higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Longer lasting: Gets more shots (960 versus 350) out of a single battery charge.
  • More affordable: Was released into a lower priced segment (14 percent cheaper at launch).
  • More heavily discounted: Has been on the market for longer (launched in October 2016).

If the number of relative strengths (bullet points above) is taken as a guide, the A6500 comes out slightly ahead of the 80D (9 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.

A6500 09:08 80D

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the A6500 or the 80D handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Sony A6500 (⇒ rgt) HiRec 85/100 Silver 4.5/5 5/5 4.5/5 2016 1,399 latest check
Canon 80D (⇒ lft) HiRec 84/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,199 latest check
Canon 6D Mark II (⇒ lft | rgt) Rec 80/100 4.5/5 4/5 4/5 2017 1,999 latest check
Canon T6i (⇒ lft | rgt) - 75/100 4.5/5 4.5/5 4.5/5 2015 749discont. check
Canon 7D II (⇒ lft | rgt) Rec 84/100 Silver 4/5 5/5 4.5/5 2014 1,799 latest check
Canon 70D (⇒ lft | rgt) HiRec 83/100 Gold 4.5/5 4.5/5 5/5 2013 1,199discont. check
Nikon D7500 (⇒ lft | rgt) HiRec 86/100 Silver 5/5 4.5/5 4.5/5 2017 1,299 latest check
Olympus E-M1 II (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 4.5/5 2016 1,999 latest check
Olympus PEN-F (⇒ lft | rgt) - 82/100 Silver 4.5/5 4.5/5 5/5 2016 1,199 latest check
Panasonic GH5 (⇒ lft | rgt) HiRec 85/100 Gold 4.5/5 5/5 5/5 2017 1,999 latest check
Panasonic GX8 (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 4.5/5 2015 1,199 latest check
Sony A9 (⇒ lft | rgt) .. 89/100 Gold 5/5 5/5 5/5 2017 4,499 latest check
Sony A6300 (⇒ lft | rgt) Rec 85/100 Gold 5/5 5/5 5/5 2016 999discont. check
Sony RX10 III (⇒ lft | rgt) Rec 84/100 Silver 4.5/5 4.5/5 4.5/5 2016 1,499discont. check
Sony RX10 II (⇒ lft | rgt) HiRec 82/100 Gold 4.5/5 4.5/5 4/5 2015 1,299discont. check

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Other comparisons

If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you do not see the camera that you are looking for, kindly get in touch, and I will try to add information on that model to the database.

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