Panasonic ZS80 vs Sony NEX-3N
The Panasonic Lumix DC-ZS80 (called Panasonic TZ95 in some regions) and the Sony Alpha NEX-3N are two digital cameras that were announced, respectively, in February 2019 and February 2013. The ZS80 is a fixed lens compact, while the NEX-3N is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (ZS80) and an APS-C (NEX-3N) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-ZS80 and the Sony Alpha NEX-3N? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic ZS80 and the Sony NEX-3N is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The ZS80 can be obtained in two different colors (black, silver), while the NEX-3N is also available in two color-versions, but different ones (black, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-3N is notably smaller (12 percent) than the Panasonic ZS80. In this context, it is worth noting that neither the ZS80 nor the NEX-3N are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZS80 has a lens built in, whereas the NEX-3N is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the NEX-3N and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the ZS80 gets 380 shots out of its DMW-BLG10 battery, while the NEX-3N can take 480 images on a single charge of its NP-FW50 power pack. The power pack in the ZS80 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Panasonic ZS80||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449||amazon.com|
|2.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499||ebay.com|
|3.||Canon SX740||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399||amazon.com|
|4.||Canon SX730||110 mm||64 mm||40 mm||300 g||250||n||Apr 2017||399||ebay.com|
|5.||Fujifilm XF10||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499||ebay.com|
|6.||Nikon A1000||114 mm||72 mm||41 mm||330 g||250||n||Jan 2019||429||amazon.com|
|7.||Panasonic LX100 II||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999||amazon.com|
|8.||Panasonic TS7||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449||amazon.com|
|9.||Panasonic ZS70||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||ebay.com|
|10.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449||amazon.com|
|11.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429||amazon.com|
|12.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399||ebay.com|
|13.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449||ebay.com|
|14.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549||ebay.com|
|15.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599||ebay.com|
|16.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599||ebay.com|
|17.||Sony NEX-5||111 mm||59 mm||38 mm||287 g||330||n||May 2010||699||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The ZS80 was launched at a lower price than the NEX-3N, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic ZS80 features a 1/2.3-inch sensor and the Sony NEX-3N an APS-C sensor. The sensor area in the NEX-3N is 1204 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the ZS80 has a native 4:3 aspect ratio, while the one in the NEX-3N offers a 3:2 aspect.
Despite having a smaller sensor, the Panasonic ZS80 offers a higher resolution of 20.2 megapixels, compared with 16 MP of the Sony NEX-3N. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 4.78μm for the NEX-3N). However, it should be noted that the ZS80 is much more recent (by 5 years and 11 months) than the NEX-3N, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the ZS80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic ZS80 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZS80 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Sony NEX-3N are 24.6 x 16.3 inches or 62.4 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.9 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.6 x 27.6 cm for excellent quality prints.
The Panasonic Lumix DC-ZS80 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Sony Alpha NEX-3N are ISO 200 to ISO 16000 (no boost).
In terms of underlying technology, the ZS80 is build around a BSI-CMOS sensor, while the NEX-3N uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|7.||Panasonic LX100 II||Four Thirds||16.8||4736||3552||4K/30p||22.8||12.7||979||72|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the ZS80 provides a higher video resolution than the NEX-3N. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the ZS80 has an electronic viewfinder (2330k dots), which can be very helpful when shooting in bright sunlight. In contrast, the NEX-3N relies on live view and the rear LCD for framing. That said, the NEX-3N can be equipped with an optional viewfinder – the FDA-SV1. The following table reports on some other key feature differences and similarities of the Panasonic ZS80, the Sony NEX-3N, and comparable cameras.
|1.||Panasonic ZS80||2330||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|2.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0/s||Y||n|
|3.||Canon SX740||none||n||3.0 / 922||tilting||n||1/3200s||10.0/s||Y||Y|
|4.||Canon SX730||none||n||3.0 / 922||tilting||n||1/3200s||5.9/s||Y||Y|
|5.||Fujifilm XF10||none||n||3.0 / 1040||fixed||Y||1/4000s||6.0/s||Y||n|
|6.||Nikon A1000||1166||n||3.0 / 1036||tilting||Y||1/4000s||7.0/s||Y||Y|
|7.||Panasonic LX100 II||2764||n||3.0 / 1240||fixed||Y||1/4000s||11.0/s||n||Y|
|8.||Panasonic TS7||1170||n||3.0 / 1040||fixed||n||1/1300s||10.0/s||Y||Y|
|9.||Panasonic ZS70||1166||n||3.0 / 1040||tilting||Y||1/2000s||10.0/s||Y||Y|
|10.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|11.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0/s||Y||Y|
|12.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|13.||Sony A5000||none||n||3.0 / 461||tilting||n||1/4000s||3.5/s||Y||n|
|14.||Sony A5100||none||n||3.0 / 922||tilting||Y||1/4000s||6.0/s||Y||n|
|15.||Sony NEX-F3||optional||n||3.0 / 920||tilting||n||1/4000s||5.5/s||Y||n|
|16.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0/s||n||n|
|17.||Sony NEX-5||optional||n||3.0 / 920||tilting||n||1/4000s||7.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The ZS80 has a touchscreen, while the NEX-3N has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZS80 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The ZS80 writes its imaging data to SDXC cards, while the NEX-3N uses SDXC or Memory Stick PRO Duo cards. The ZS80 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the NEX-3N cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-ZS80 and Sony Alpha NEX-3N and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic ZS80||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|2.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
|3.||Canon SX740||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Canon SX730||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|5.||Fujifilm XF10||-||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|6.||Nikon A1000||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|7.||Panasonic LX100 II||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|8.||Panasonic TS7||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Panasonic ZS70||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|11.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|12.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|13.||Sony A5000||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Sony A5100||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony NEX-F3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the ZS80 offers wifi support, while the NEX-3N does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The ZS80 is a recent model that features in the current product line-up of Panasonic. In contrast, the NEX-3N has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the NEX-3N was succeeded by the Sony A5000. Further information on the features and operation of the ZS80 and NEX-3N can be found, respectively, in the Panasonic ZS80 Manual (free pdf) or the online Sony NEX-3N Manual.
So what conclusions can be drawn? Which of the two cameras – the Panasonic ZS80 or the Sony NEX-3N – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Panasonic Lumix DC-ZS80:
- More detail: Offers more megapixels (20.2 vs 16MP) with a 10% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has a lens built-in, whereas the NEX-3N requires a separate lens.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 5 years and 11 months of technical progress since the NEX-3N launch.
Arguments in favor of the Sony Alpha NEX-3N:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (110x62mm vs 112x69mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (480 versus 380) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in February 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the ZS80 is the clear winner of the match-up (16 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic ZS80 and the Sony NEX-3N place the cameras among the top in their class? Find out in the latest Best Superzoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the ZS80 and the NEX-3N in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic ZS80||..||+ +||..||..||4.5/5||..||Feb 2019||449||amazon.com|
|2.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499||ebay.com|
|3.||Canon SX740||..||+||3.5/5||..||4/5||4/5||Jul 2018||399||amazon.com|
|4.||Canon SX730||..||+||..||..||4/5||4/5||Apr 2017||399||ebay.com|
|5.||Fujifilm XF10||..||..||4/5||75/100||4/5||4.5/5||Jul 2018||499||ebay.com|
|6.||Nikon A1000||..||+ +||3.5/5||..||3.5/5||3/5||Jan 2019||429||amazon.com|
|7.||Panasonic LX100 II||4.5/5||+||4.2/5||82/100||4.5/5||4.5/5||Aug 2018||999||amazon.com|
|8.||Panasonic TS7||..||+||..||..||..||3.5/5||May 2018||449||amazon.com|
|9.||Panasonic ZS70||..||+ +||..||..||4/5||4/5||Apr 2017||449||ebay.com|
|10.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449||amazon.com|
|11.||Sony HX95||..||..||..||..||..||..||Aug 2018||429||amazon.com|
|12.||Sony WX800||..||..||..||..||..||..||Oct 2018||399||ebay.com|
|13.||Sony A5000||3/5||+||..||..||4.5/5||4.5/5||Jan 2014||449||ebay.com|
|14.||Sony A5100||4.5/5||+||..||..||4.5/5||5/5||Aug 2014||549||ebay.com|
|15.||Sony NEX-F3||4/5||..||..||74/100||4.5/5||4.5/5||May 2012||599||ebay.com|
|16.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599||ebay.com|
|17.||Sony NEX-5||3/5||+ +||..||71/100||4.5/5||4/5||May 2010||699||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 500D vs Sony NEX-3N
- Canon 5D Mark II vs Panasonic ZS80
- Canon 60D vs Panasonic ZS80
- Canon T1i vs Panasonic ZS80
- Canon T1i vs Sony NEX-3N
- Canon T3i vs Panasonic ZS80
- Canon XC10 vs Sony NEX-3N
- Nikon D100 vs Sony NEX-3N
- Olympus E-410 vs Sony NEX-3N
- Olympus E-M1 II vs Panasonic ZS80
- Panasonic GM5 vs Sony NEX-3N
- Panasonic L1 vs Panasonic ZS80
Specifications: Panasonic ZS80 vs Sony NEX-3N
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic ZS80||Sony NEX-3N|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||24-720mm f/3.3-6.4||Sony E mount lenses|
|Launch Date||February 2019||February 2013|
|Launch Price||USD 449||USD 499|
|Sensor Specs||Panasonic ZS80||Sony NEX-3N|
|Sensor Format||1/2.3" Sensor||APS-C Sensor|
|Sensor Size||6.17 x 4.55 mm||23.4 x 15.6 mm|
|Sensor Area||28.0735 mm2||365.04 mm2|
|Sensor Diagonal||7.7 mm||28.1 mm|
|Sensor Resolution||20.2 Megapixels||16 Megapixels|
|Image Resolution||5184 x 3888 pixels||4912 x 3264 pixels|
|Pixel Pitch||1.18 μm||4.78 μm|
|Pixel Density||71.80 MP/cm2||4.39 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||80 - 3,200 ISO||200 - 16,000 ISO|
|ISO Boost||80 - 6,400 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||74|
|DXO Color Depth (bits)||..||22.8|
|DXO Dynamic Range (EV)||..||12.5|
|DXO Low Light (ISO)||..||1067|
|Screen Specs||Panasonic ZS80||Sony NEX-3N|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Panasonic ZS80||Sony NEX-3N|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||4 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Panasonic ZS80||Sony NEX-3N|
|External Flash||no Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Panasonic ZS80||Sony NEX-3N|
|Battery Life (CIPA)||380 shots per charge||480 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
112 x 69 x 42 mm
(4.4 x 2.7 x 1.7 in)
110 x 62 x 35 mm
(4.3 x 2.4 x 1.4 in)
|Camera Weight||327 g (11.5 oz)||269 g (9.5 oz)|
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