Panasonic TS7 vs Sony A99 II
The Panasonic Lumix DC-TS7 (called Panasonic FT7 in some regions) and the Sony Alpha ALT-A99 II are two digital cameras that were officially introduced, respectively, in May 2018 and September 2016. The TS7 is a fixed lens compact, while the A99 II is a DSLR. The cameras are based on a 1/2.3-inch (TS7) and a full frame (A99 II) sensor. The Panasonic has a resolution of 20.2 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-TS7 and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic TS7 and the Sony A99 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The TS7 can be obtained in three different colors (black, blue, orange), while the A99 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is considerably larger (67 percent) than the Panasonic TS7. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the TS7 is water-proof up to 31m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TS7 has a lens built in, whereas the A99 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the TS7 gets 300 shots out of its DMW-BCM13 battery, while the A99 II can take 490 images on a single charge of its NP-FM500H power pack. The power pack in the TS7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic TS7 | 117 mm | 76 mm | 37 mm | 319 g | 300 | Y | May 2018 | 449 | ebay.com | |
2. | Sony A99 II | 143 mm | 104 mm | 76 mm | 849 g | 490 | Y | Sep 2016 | 3,199 | ebay.com | |
3. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | 399 | amazon.com | |
4. | Canon SX730 | 110 mm | 64 mm | 40 mm | 300 g | 250 | n | Apr 2017 | 399 | ebay.com | |
5. | Fujifilm XF10 | 113 mm | 64 mm | 41 mm | 279 g | 330 | n | Jul 2018 | 499 | ebay.com | |
6. | Nikon W300 | 112 mm | 66 mm | 29 mm | 231 g | 280 | Y | May 2017 | 389 | amazon.com | |
7. | Panasonic ZS80 | 112 mm | 69 mm | 42 mm | 327 g | 380 | n | Feb 2019 | 449 | amazon.com | |
8. | Panasonic ZS70 | 112 mm | 67 mm | 41 mm | 322 g | 380 | n | Apr 2017 | 449 | ebay.com | |
9. | Panasonic FZ80 | 130 mm | 94 mm | 119 mm | 616 g | 330 | n | Jan 2017 | 399 | amazon.com | |
10. | Ricoh WG-6 | 118 mm | 66 mm | 33 mm | 246 g | 340 | Y | Feb 2019 | 399 | amazon.com | |
11. | Sony A7R IIIA | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Apr 2021 | 3,199 | amazon.com | |
12. | Sony HX99 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 449 | ebay.com | |
13. | Sony HX95 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 429 | ebay.com | |
14. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | 3,199 | ebay.com | |
15. | Sony A7R II | 127 mm | 96 mm | 60 mm | 625 g | 290 | Y | Jun 2015 | 3,199 | ebay.com | |
16. | Sony A99 | 147 mm | 111 mm | 78 mm | 812 g | 500 | Y | Sep 2012 | 2,799 | ebay.com | |
17. | Sony A900 | 156 mm | 117 mm | 82 mm | 895 g | 880 | Y | Sep 2008 | 2,999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The TS7 was launched at a lower price than the A99 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic TS7 features a 1/2.3-inch sensor and the Sony A99 II a full frame sensor. The sensor area in the A99 II is 2979 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the TS7 has a native 4:3 aspect ratio, while the one in the A99 II offers a 3:2 aspect.
With 42.2MP, the A99 II offers a higher resolution than the TS7 (20.2MP), but the A99 II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 1.18μm for the TS7) due to its larger sensor. However, the TS7 is a somewhat more recent model (by 1 year and 7 months) than the A99 II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A99 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A99 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A99 II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Panasonic TS7 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The A99 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Panasonic Lumix DC-TS7 has a native sensitivity range from ISO 80 to ISO 3200, which can be extended to ISO 80-6400. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic TS7 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1028 | 51 | |
2. | Sony A99 II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 25.4 | 13.4 | 2317 | 92 | |
3. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
4. | Canon SX730 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.5 | 11.9 | 924 | 50 | |
5. | Fujifilm XF10 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1844 | 83 | |
6. | Nikon W300 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/30p | 20.5 | 12.0 | 938 | 50 | |
7. | Panasonic ZS80 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1103 | 52 | |
8. | Panasonic ZS70 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 19.1 | 10.6 | 106 | 36 | |
9. | Panasonic FZ80 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.5 | 11.9 | 900 | 49 | |
10. | Ricoh WG-6 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1104 | 52 | |
11. | Sony A7R IIIA | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
12. | Sony HX99 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1058 | 51 | |
13. | Sony HX95 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1057 | 51 | |
14. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
15. | Sony A7R II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 13.9 | 3434 | 98 | |
16. | Sony A99 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 25.0 | 14.0 | 1555 | 89 | |
17. | Sony A900 | Full Frame | 24.4 | 6048 | 4032 | none | 23.7 | 12.3 | 1431 | 79 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A99 II offers a substantially higher resolution than the one in the TS7 (2400k vs 1170k dots). The following table reports on some other key feature differences and similarities of the Panasonic TS7, the Sony A99 II, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic TS7 | 1170 | n | 3.0 / 1040 | fixed | n | 1/1300s | 10.0/s | Y | Y | |
2. | Sony A99 II | 2400 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | n | Y | |
3. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
4. | Canon SX730 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 5.9/s | Y | Y | |
5. | Fujifilm XF10 | none | n | 3.0 / 1040 | fixed | Y | 1/4000s | 6.0/s | Y | n | |
6. | Nikon W300 | none | n | 3.0 / 921 | fixed | n | 1/4000s | 7.0/s | Y | Y | |
7. | Panasonic ZS80 | 2330 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
8. | Panasonic ZS70 | 1166 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
9. | Panasonic FZ80 | 1166 | n | 3.0 / 1040 | fixed | Y | 1/2000s | 10.0/s | Y | Y | |
10. | Ricoh WG-6 | none | n | 3.0 / 1040 | fixed | n | 1/4000s | 1.0/s | Y | n | |
11. | Sony A7R IIIA | 3686 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
12. | Sony HX99 | 638 | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
13. | Sony HX95 | 638 | n | 3.0 / 922 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
14. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
15. | Sony A7R II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
16. | Sony A99 | 2359 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 6.0/s | n | Y | |
17. | Sony A900 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 5.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The TS7 has one, while the A99 II does not. While the built-in flash of the TS7 is not very powerful, it can at times be useful as a fill-in light.
The A99 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the TS7 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TS7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The TS7 writes its imaging data to SDXC cards, while the A99 II uses SDXC or Memory Stick PRO Duo cards. The A99 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the TS7 only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-TS7 and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic TS7 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
2. | Sony A99 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
3. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
4. | Canon SX730 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
5. | Fujifilm XF10 | - | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
6. | Nikon W300 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
7. | Panasonic ZS80 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
8. | Panasonic ZS70 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
9. | Panasonic FZ80 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
10. | Ricoh WG-6 | - | mono / mono | - | - | micro | 3.0 | - | - | - | |
11. | Sony A7R IIIA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
12. | Sony HX99 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
13. | Sony HX95 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
14. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
15. | Sony A7R II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
16. | Sony A99 | Y | stereo / mono | Y | Y | mini | 2.0 | - | - | - | |
17. | Sony A900 | Y | - / - | - | - | mini | 2.0 | - | - | - |
It is notable that the A99 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The TS7 does not feature such a mic input.
Studio photographers will appreciate that the Sony A99 II (unlike the TS7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the TS7 and the A99 II have been discontinued, but can regularly be found used on ebay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Panasonic and Sony. Further information on the features and operation of the TS7 and A99 II can be found, respectively, in the Panasonic TS7 Manual (free pdf) or the online Sony A99 II Manual.
Review summary
So how do things add up? Is the Panasonic TS7 better than the Sony A99 II or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Panasonic Lumix DC-TS7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with a built-in lens, while the A99 II requires a separate lens.
- More compact: Is smaller (117x76mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A99 II).
- Easier travel charging: Can be conveniently charged via its USB port.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 1 year and 7 months after the A99 II).
Reasons to prefer the Sony Alpha ALT-A99 II:
- More detail: Has more megapixels (42.2 vs 20.2MP), which boosts linear resolution by 48%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2400k vs 1170k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.45x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1300s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (490 versus 300) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the A99 II is the clear winner of the contest (25 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic TS7 and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the TS7 and the A99 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Panasonic TS7 | .. | + | .. | .. | .. | 3.5/5 | May 2018 | 449 | ebay.com | |
2. | Sony A99 II | .. | .. | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 3,199 | ebay.com | |
3. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | 399 | amazon.com | |
4. | Canon SX730 | .. | + | .. | .. | 4/5 | 4/5 | Apr 2017 | 399 | ebay.com | |
5. | Fujifilm XF10 | .. | .. | 4/5 | 75/100 | 4/5 | 4.5/5 | Jul 2018 | 499 | ebay.com | |
6. | Nikon W300 | .. | + | .. | .. | 4/5 | 4/5 | May 2017 | 389 | amazon.com | |
7. | Panasonic ZS80 | .. | + + | .. | .. | 4.5/5 | .. | Feb 2019 | 449 | amazon.com | |
8. | Panasonic ZS70 | .. | + + | .. | .. | 4/5 | 4/5 | Apr 2017 | 449 | ebay.com | |
9. | Panasonic FZ80 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Jan 2017 | 399 | amazon.com | |
10. | Ricoh WG-6 | .. | .. | .. | .. | 3.5/5 | 3.5/5 | Feb 2019 | 399 | amazon.com | |
11. | Sony A7R IIIA | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Apr 2021 | 3,199 | amazon.com | |
12. | Sony HX99 | .. | .. | .. | .. | 4/5 | 4.5/5 | Aug 2018 | 449 | ebay.com | |
13. | Sony HX95 | .. | .. | .. | .. | .. | .. | Aug 2018 | 429 | ebay.com | |
14. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | 3,199 | ebay.com | |
15. | Sony A7R II | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jun 2015 | 3,199 | ebay.com | |
16. | Sony A99 | 5/5 | .. | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2012 | 2,799 | ebay.com | |
17. | Sony A900 | .. | + + | .. | + + | 4.5/5 | 5/5 | Sep 2008 | 2,999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Panasonic TS7 vs Sony A99 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Panasonic TS7 | Sony A99 II |
---|---|---|
Camera Type | Fixed lens compact camera | Digital single lens reflex |
Camera Lens | 28-128mm f/3.3-5.9 | Sony A mount lenses |
Launch Date | May 2018 | September 2016 |
Launch Price | USD 449 | USD 3,199 |
Sensor Specs | Panasonic TS7 | Sony A99 II |
Sensor Technology | BSI-CMOS | BSI-CMOS |
Sensor Format | 1/2.3" Sensor | Full Frame Sensor |
Sensor Size | 6.17 x 4.55 mm | 35.9 x 24.0 mm |
Sensor Area | 28.0735 mm2 | 861.6 mm2 |
Sensor Diagonal | 7.7 mm | 43.2 mm |
Crop Factor | 5.6x | 1.0x |
Sensor Resolution | 20.2 Megapixels | 42.2 Megapixels |
Image Resolution | 5184 x 3888 pixels | 7952 x 5304 pixels |
Pixel Pitch | 1.18 μm | 4.52 μm |
Pixel Density | 71.80 MP/cm2 | 4.90 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 4K/30p Video | 4K/30p Video |
ISO Setting | 80 - 3,200 ISO | 100 - 25,600 ISO |
ISO Boost | 80 - 6,400 ISO | 50 - 25,600 ISO |
Image Processor | Venus | BIONZ X |
DXO Sensor Quality (score) | .. | 92 |
DXO Color Depth (bits) | .. | 25.4 |
DXO Dynamic Range (EV) | .. | 13.4 |
DXO Low Light (ISO) | .. | 2317 |
Screen Specs | Panasonic TS7 | Sony A99 II |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.45x | 0.78x |
Viewfinder Resolution | 1170k dots | 2400k dots |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1229k dots |
LCD Attachment | Fixed screen | Fully flexible screen |
Shooting Specs | Panasonic TS7 | Sony A99 II |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/1300s | 1/8000s |
Continuous Shooting | 10 shutter flaps/s | 12 shutter flaps/s |
Electronic Shutter | up to 1/16000s | no E-Shutter |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | UHS-I |
Connectivity Specs | Panasonic TS7 | Sony A99 II |
External Flash | no Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Panasonic TS7 | Sony A99 II |
Environmental Sealing | Waterproof body (31m) | Weathersealed body |
Battery Type | DMW-BCM13 | NP-FM500H |
Battery Life (CIPA) | 300 shots per charge | 490 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
117 x 76 x 37 mm (4.6 x 3.0 x 1.5 in) |
143 x 104 x 76 mm (5.6 x 4.1 x 3.0 in) |
Camera Weight | 319 g (11.3 oz) | 849 g (29.9 oz) |
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