Panasonic LX100 vs TZ95
The Panasonic Lumix DMC-LX100 and the Panasonic Lumix DC-TZ95 (labelled Panasonic ZS80 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2014 and February 2019. Both the LX100 and the TZ95 are fixed lens compact cameras that are based on a Four Thirds (LX100) and a 1/2.3-inch (TZ95) sensor. The LX100 has a resolution of 12.7 megapixels, whereas the TZ95 provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Panasonic LX100||Panasonic TZ95|
|Fixed lens compact camera||Fixed lens compact camera|
|24-75mm f/1.7-2.8||24-720mm f/3.3-6.4|
|12.7 MP, Four Thirds Sensor||20.2 MP, 1/2.3" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 200-25600||ISO 80-3200 (80-6400)|
|Electronic viewfinder (2764k dots)||Electronic viewfinder (2330k dots)|
|3.0" LCD, 921k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|11 shutter flaps per second||10 shutter flaps per second|
|300 shots per battery charge||380 shots per battery charge|
|115 x 66 x 55 mm, 393 g||112 x 69 x 42 mm, 327 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-LX100 and the Panasonic Lumix DC-TZ95? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Panasonic LX100 and the Panasonic TZ95. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic TZ95 is somewhat larger (2 percent) than the Panasonic LX100. However, the TZ95 is markedly lighter (17 percent) than the LX100. In this context, it is worth noting that neither the LX100 nor the TZ95 are weather-sealed.
The power pack in the TZ95 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Panasonic LX100»||115 mm||66 mm||55 mm||393 g||300||n||Sep 2014||899||Panasonic LX100|
|Panasonic TZ95«||112 mm||69 mm||42 mm||327 g||380||n||Feb 2019||449||Panasonic TZ95|
|Canon SX740« »||110 mm||64 mm||40 mm||299 g||265||n||Jul 2018||399||Canon SX740|
|Canon G5 X« »||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799||-||Canon G5 X|
|Canon G1 X Mark II« »||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799||Canon G1 X Mark II|
|Fujifilm XF10« »||113 mm||64 mm||41 mm||279 g||330||n||Jul 2018||499||Fujifilm XF10|
|Fujifilm X30« »||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599||Fujifilm X30|
|Panasonic FT7« »||117 mm||76 mm||37 mm||319 g||300||Y||May 2018||449||Panasonic FT7|
|Panasonic LX100 II« »||115 mm||66 mm||65 mm||392 g||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic TZ90« »||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449||-||Panasonic TZ90|
|Panasonic FZ1000« »||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic GM5« »||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749||-||Panasonic GM5|
|Panasonic G6« »||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic GH1« »||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899||-||Panasonic GH1|
|Sony RX100 IV« »||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 III« »||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799||-||Sony RX100 III|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The TZ95 was launched at a markedly lower price (by 50 percent) than the LX100, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic LX100 features a Four Thirds sensor and the Panasonic TZ95 a 1/2.3-inch sensor. The sensor area in the TZ95 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3. The LX100 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the TZ95 offers a higher resolution of 20.2 megapixels, compared with 12.7 MP of the LX100. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 4.21μm for the LX100). However, it should be noted that the TZ95 is much more recent (by 4 years and 5 months) than the LX100, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the TZ95 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic TZ95 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TZ95 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Panasonic LX100 are 20.6 x 15.4 inch or 52.2 x 39.2 cm for good quality, 16.4 x 12.4 inch or 41.8 x 31.4 cm for very good quality, and 13.7 x 10.3 inch or 34.8 x 26.1 cm for excellent quality prints.
The Panasonic Lumix DMC-LX100 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DC-TZ95 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic LX100»||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67||Panasonic LX100|
|Panasonic TZ95«||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TZ95|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon G5 X« »||1-inch||20.0||5472||3648||1080/60p||-||-||-||-||Canon G5 X|
|Canon G1 X Mark II« »||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Fujifilm XF10« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm XF10|
|Fujifilm X30« »||2/3||12.0||4000||3000||1080/60p||-||-||-||-||Fujifilm X30|
|Panasonic FT7« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic FT7|
|Panasonic LX100 II« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Panasonic GM5« »||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66||Panasonic GM5|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic GH1« »||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64||Panasonic GH1|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX100 III« »||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67||Sony RX100 III|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the LX100 offers a higher resolution than the one in the TZ95 (2764k vs 2330k dots). The adjacent table lists some of the other core features of the Panasonic LX100 and Panasonic TZ95 along with similar information for a selection of comparators.
|Panasonic LX100»||2764||n||3.0||921||fixed||n||1/4000s||11.0||n||Y||Panasonic LX100|
|Panasonic TZ95«||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ95|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon G5 X« »||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y||Canon G5 X|
|Canon G1 X Mark II« »||-||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Fujifilm XF10« »||-||n||3.0||1040||fixed||Y||1/4000s||6.0||Y||n||Fujifilm XF10|
|Fujifilm X30« »||2360||n||3.0||920||tilting||n||1/4000s||12.0||Y||Y||Fujifilm X30|
|Panasonic FT7« »||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic FT7|
|Panasonic LX100 II« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Panasonic GM5« »||1166||n||3.0||921||fixed||Y||1/500s||5.8||n||n||Panasonic GM5|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic GH1« »||1440||n||3.0||460||swivel||n||1/4000s||3.0||Y||n||Panasonic GH1|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y||Sony RX100 IV|
|Sony RX100 III« »||1440||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 III|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The TZ95 has a touchscreen, while the LX100 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The TZ95 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the LX100 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the LX100 and the TZ95 have zoom lenses built in. The LX100 has a 24-75mm f/1.7-2.8 optic and the TZ95 offers a 24-720mm f/3.3-6.4 (focal lengths in full frame equivalent terms). Hence, the LX100 and TZ95 provide the same view at the wide-angle end, but the TZ95 has more tele-photo reach at the long end. The LX100 offers the faster maximum aperture.
Concerning the storage of imaging data, both the LX100 and the TZ95 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-LX100 and Panasonic Lumix DC-TZ95 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Panasonic LX100»||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Panasonic LX100|
|Panasonic TZ95«||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ95|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon G5 X« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G5 X|
|Canon G1 X Mark II« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Fujifilm XF10« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Fujifilm X30« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X30|
|Panasonic FT7« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FT7|
|Panasonic LX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic TZ90« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Panasonic GM5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GM5|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic GH1« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Panasonic GH1|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX100 III« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 III|
It is notable that the LX100 has a hotshoe, while the TZ95 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the LX100 and the TZ95 are recent models that are part of the current product line-up. The TZ95 replaced the earlier Panasonic TZ90, while the LX100 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So what conclusions can be drawn? Is the Panasonic LX100 better than the Panasonic TZ95 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DMC-LX100:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2764k vs 2330k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.53x).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/1.7 vs f/3.3).
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been available for much longer (launched in September 2014).
Advantages of the Panasonic Lumix DC-TZ95:
- More detail: Has more megapixels (20.2 vs 12.7MP), which boosts linear resolution by 26%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- Less heavy: Has a lower weight (by 66g or 17 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (380 versus 300) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More modern: Reflects 4 years and 5 months of technical progress since the LX100 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the LX100 comes out slightly ahead of the TZ95 (14 : 13 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic LX100 and the Panasonic TZ95 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the LX100 or the TZ95. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Panasonic LX100»||+ +||85/100||5/5||4/5||5/5||Sep 2014||899||Panasonic LX100|
|Panasonic TZ95«||-||-||4.5/5||-||-||Feb 2019||449||Panasonic TZ95|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon G5 X« »||+ +||78/100||4.5/5||4/5||4.5/5||Oct 2015||799||-||Canon G5 X|
|Canon G1 X Mark II« »||+||77/100||4/5||4/5||4.5/5||Feb 2014||799||Canon G1 X Mark II|
|Fujifilm XF10« »||-||75/100||4/5||-||4.5/5||Jul 2018||499||Fujifilm XF10|
|Fujifilm X30« »||-||76/100||4.5/5||4/5||4.5/5||Aug 2014||599||Fujifilm X30|
|Panasonic FT7« »||+||-||3.5/5||-||3.5/5||May 2018||449||Panasonic FT7|
|Panasonic LX100 II« »||+||82/100||4.5/5||-||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Panasonic TZ90« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic TZ90|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Panasonic GM5« »||+||77/100||5/5||5/5||4.5/5||Sep 2014||749||-||Panasonic GM5|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic GH1« »||+ +||72/100||4.5/5||5/5||4.5/5||Mar 2009||899||-||Panasonic GH1|
|Sony RX100 IV« »||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 III« »||+ +||82/100||4.5/5||4.5/5||5/5||May 2014||799||-||Sony RX100 III|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 760D vs Panasonic LX100 II
- Canon SX530 vs Panasonic LX100 II
- Canon T1i vs Panasonic LX100 II
- Fujifilm GFX 50R vs Panasonic LX100 II
- Leica M-E Typ 240 vs Panasonic LX100 II
- Leica SL vs Panasonic TZ95
- Leica V-LUX 5 vs Panasonic LX100
- Nikon D2Xs vs Panasonic LX100
- Nikon D3500 vs Panasonic LX100 II
- Nikon D500 vs Panasonic TZ95
- Panasonic LX100 II vs Panasonic TS7
- Panasonic TZ95 vs Sony A7R
Specifications: Panasonic LX100 vs Panasonic TZ95
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic LX100||Panasonic TZ95|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||24-75mm f/1.7-2.8||24-720mm f/3.3-6.4|
|Launch Date||September 2014||February 2019|
|Launch Price||USD 899||USD 449|
|Sensor Specs||Panasonic LX100||Panasonic TZ95|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||12.7 Megapixels||20.2 Megapixels|
|Image Resolution||4112 x 3088 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.21 μm||1.18 μm|
|Pixel Density||5.65 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200-25600 ISO||80-3200 ISO|
|ISO Boost||100-25600 ISO||80-6400 ISO|
|DXO Sensor Quality (score)||67||..|
|DXO Color Depth (bits)||22.3||..|
|DXO Dynamic Range (EV)||12.5||..|
|DXO Low Light (ISO)||553||..|
|Screen Specs||Panasonic LX100||Panasonic TZ95|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2764k dots||2330k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||921k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Panasonic LX100||Panasonic TZ95|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/2000/s|
|Continuous Shooting||11 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic LX100||Panasonic TZ95|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Panasonic LX100||Panasonic TZ95|
|Battery Life (CIPA)||300 shots per charge||380 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
115 x 66 x 55 mm
(4.5 x 2.6 x 2.2 in)
112 x 69 x 42 mm
(4.4 x 2.7 x 1.7 in)
|Camera Weight||393 g (13.9 oz)||327 g (11.5 oz)|
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