Panasonic GH4 vs GX80
The Panasonic Lumix DMC-GH4 and the Panasonic Lumix DMC-GX80 (labelled Panasonic GX85 in some countries) are two digital cameras that were revealed to the public, respectively, in February 2014 and April 2016. Both the GH4 and the GX80 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The GH4 has a resolution of 15.9 megapixels, whereas the GX80 provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DMC-GH4 and the Panasonic Lumix DMC-GX80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Panasonic GH4 and the Panasonic GX80 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The GX80 can be obtained in two different colors (black, silver), while the GH4 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX80 is considerably smaller (30 percent) than the Panasonic GH4. Moreover, the GX80 is markedly lighter (24 percent) than the GH4. It is worth mentioning in this context that the GH4 is splash and dust resistant, while the GX80 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the GH4 gets 500 shots out of its DMW-BLF19 battery, while the GX80 can take 290 images on a single charge of its DMW-BLG10 power pack. The power pack in the GX80 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|2.||Panasonic GX80||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|3.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|4.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|5.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|6.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|7.||Panasonic GX9||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849|
|8.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|9.||Panasonic G80||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|10.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|11.||Panasonic GM5||99 mm||60 mm||36 mm||211 g||220||n||Sep 2014||749|
|12.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|13.||Panasonic GM1||99 mm||55 mm||30 mm||204 g||230||n||Oct 2013||749|
|14.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999|
|15.||Panasonic GH3||133 mm||93 mm||82 mm||550 g||540||Y||Sep 2012||1,299|
|16.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The GX80 was launched at a markedly lower price (by 47 percent) than the GH4, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the GH4 offers a slightly higher resolution of 15.9 megapixels, compared with 15.8 MP of the GX80. This megapixels advantage translates into a 0.3 percent gain in linear resolution. On the other hand, these sensor specs imply that the GH4 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 3.77μm for the GX80). Moreover, it should be noted that the GX80 is much more recent (by 2 years and 1 month) than the GH4, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels. Coming back to sensor resolution, it should be mentioned that the GX80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Panasonic Lumix DMC-GH4 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The Panasonic Lumix DMC-GX80 offers exactly the same ISO settings.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|2.||Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|3.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|4.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|5.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|6.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|7.||Panasonic GX9||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|8.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|9.||Panasonic G80||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|10.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|11.||Panasonic GM5||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|12.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|13.||Panasonic GM1||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|14.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|15.||Panasonic GH3||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|16.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GX80 offers a higher resolution than the one in the GH4 (2765k vs 2359k dots). The adjacent table lists some of the other core features of the Panasonic GH4 and Panasonic GX80 along with similar information for a selection of comparators.
|1.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0||Y||n|
|2.||Panasonic GX80||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|3.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|4.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|5.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|6.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0||n||Y|
|7.||Panasonic GX9||2760||n||3.0 / 1240||tilting||Y||1/4000s||9.0||Y||Y|
|8.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|9.||Panasonic G80||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0||Y||Y|
|10.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0||n||Y|
|11.||Panasonic GM5||1166||n||3.0 / 921||fixed||Y||1/500s||5.8||n||n|
|12.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|13.||Panasonic GM1||none||n||3.0 / 1036||fixed||Y||1/500s||5.0||Y||n|
|14.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0||Y||Y|
|15.||Panasonic GH3||1746||n||3.0 / 614||swivel||Y||1/4000s||6.0||Y||n|
|16.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||n|
One feature that differentiates the GX80 and the GH4 is in-body image stabilization (IBIS). The GX80 reduces the risk of handshake-induced blur with all attached lenses, while the GH4 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The GH4 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the GX80 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH4 and the Panasonic GX80 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GH4 and the GX80 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DMC-GH4 and Panasonic Lumix DMC-GX80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|2.||Panasonic GX80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|4.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|5.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|6.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Panasonic GX9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|8.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|9.||Panasonic G80||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|10.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|11.||Panasonic GM5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|13.||Panasonic GM1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|15.||Panasonic GH3||Y||stereo / mono||Y||Y||mini||2.0||Y||-||-|
|16.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the GH4 has a microphone port, which is missing on the GX80. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Panasonic GH4 (unlike the GX80) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GX80 is a recent model that features in the current product line-up of Panasonic. In contrast, the GH4 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the GH4 was succeeded by the Panasonic GH5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
So how do things add up? Which of the two cameras – the Panasonic GH4 or the Panasonic GX80 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Panasonic Lumix DMC-GH4:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (500 versus 290) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in February 2014).
Arguments in favor of the Panasonic Lumix DMC-GX80:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2765k vs 2359k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.67x).
- More compact: Is smaller (122x71mm vs 133x93mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 134g or 24 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced into a lower priced category (47 percent cheaper at launch).
- More modern: Reflects 2 years and 1 month of technical progress since the GH4 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GH4 emerges as the winner of the contest (12 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH4 and the Panasonic GX80 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the GH4 or the GX80 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|2.||Panasonic GX80||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|3.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|4.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|5.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|6.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|7.||Panasonic GX9||4/5||+||4/5||84/100||4.5/5||4.5/5||Feb 2018||849|
|8.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999|
|9.||Panasonic G80||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|10.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199|
|11.||Panasonic GM5||3.5/5||+||..||77/100||5/5||4.5/5||Sep 2014||749|
|12.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|13.||Panasonic GM1||3/5||+||..||78/100||5/5||4.5/5||Oct 2013||749|
|14.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999|
|15.||Panasonic GH3||5/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||1,299|
|16.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 10D vs Panasonic GH4
- Canon G1 X vs Panasonic GH4
- Canon M50 Mark II vs Panasonic GX80
- Nikon A1000 vs Panasonic GH4
- Nikon D5 vs Panasonic GH4
- Nikon D810 vs Panasonic GH4
- Nikon L840 vs Panasonic GX80
- Panasonic FZ82 vs Panasonic GX80
- Panasonic GH4 vs Sony A99 II
- Panasonic GX80 vs Sony A6500
- Panasonic GX80 vs Sony H200
- Panasonic GX80 vs Sony RX10 II
Specifications: Panasonic GH4 vs Panasonic GX80
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Panasonic GH4||Panasonic GX80|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||February 2014||April 2016|
|Launch Price||USD 1,499||USD 799|
|Sensor Specs||Panasonic GH4||Panasonic GX80|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||15.9 Megapixels||15.8 Megapixels|
|Image Resolution||4608 x 3456 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.76 μm||3.77 μm|
|Pixel Density||7.08 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200 - 25,600 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 25,600 ISO|
|Image Processor||Venus IX||Venus|
|DXO Sensor Quality (score)||74||71|
|DXO Color Depth (bits)||23.2||22.9|
|DXO Dynamic Range (EV)||12.8||12.6|
|DXO Low Light (ISO)||791||662|
|Screen Specs||Panasonic GH4||Panasonic GX80|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots||2765k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1036k dots||1040k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Panasonic GH4||Panasonic GX80|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||12 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||up to 1/8000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Panasonic GH4||Panasonic GX80|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Panasonic GH4||Panasonic GX80|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||500 shots per charge||290 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
133 x 93 x 84 mm
(5.2 x 3.7 x 3.3 in)
122 x 71 x 44 mm
(4.8 x 2.8 x 1.7 in)
|Camera Weight||560 g (19.8 oz)||426 g (15.0 oz)|
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