Panasonic FZ330 versus Panasonic GX80
The Panasonic Lumix DMC-FZ330 (called Panasonic FZ300 in some regions) and the Panasonic Lumix DMC-GX80 (labelled Panasonic GX85 in some countries) are two digital cameras that were revealed to the public, respectively, in July 2015 and April 2016. The FZ330 is a fixed lens compact, while the GX80 is a mirrorless interchangeable lens camera. The cameras are based on (FZ330) and a Four Thirds sensor. The FZ330 has a resolution of 12 megapixel, whereas the GX80 provides 15.8 MP.
An illustration of the physical size and weight of the Panasonic FZ330 and the Panasonic GX80 is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the FZ330 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX80 is notably smaller (29 percent) than the Panasonic FZ330. It is worth mentioning in this context that the FZ330 is splash and dust resistant, while the GX80 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ330 has a lens build in, whereas the GX80 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the GX80 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Panasonic FZ330 (⇒ rgt)||132 mm||92 mm||117 mm||691 g||380||YES||2015||599||latest||check|
|Panasonic GX80 (⇒ lft)||122 mm||71 mm||44 mm||426 g||290||no||2016||799||latest||check|
|Canon XC10 (⇒ lft | rgt)||125 mm||102 mm||122 mm||1040 g||..||no||2015||2,499||latest||check|
|Canon G3 X (⇒ lft | rgt)||123 mm||77 mm||105 mm||733 g||300||YES||2015||999||latest||check|
|Canon SX60 (⇒ lft | rgt)||128 mm||93 mm||114 mm||650 g||340||no||2014||549||latest||check|
|Fujifilm X30 (⇒ lft | rgt)||119 mm||72 mm||60 mm||423 g||470||no||2014||599||latest||check|
|Leica X-U Typ 113 (⇒ lft | rgt)||140 mm||79 mm||88 mm||635 g||450||YES||2016||2,950||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||120 mm||83 mm||47 mm||390 g||320||no||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||124 mm||85 mm||45 mm||469 g||310||YES||2015||1,099||latest||check|
|Olympus E-M10 (⇒ lft | rgt)||119 mm||82 mm||46 mm||396 g||320||no||2014||699||discont.||check|
|Panasonic GH5s (⇒ lft | rgt)||139 mm||98 mm||87 mm||660 g||440||YES||2018||2,499||latest||check|
|Panasonic G80 (⇒ lft | rgt)||128 mm||89 mm||74 mm||505 g||330||YES||2016||899||latest||check|
|Panasonic FZ1000 (⇒ lft | rgt)||137 mm||99 mm||131 mm||831 g||360||no||2014||899||discont.||check|
|Panasonic LX100 (⇒ lft | rgt)||115 mm||66 mm||55 mm||393 g||300||no||2014||899||latest||check|
|Panasonic GX7 (⇒ lft | rgt)||123 mm||71 mm||55 mm||402 g||350||no||2013||999||discont.||check|
|Sony RX10 II (⇒ lft | rgt)||129 mm||88 mm||102 mm||813 g||400||YES||2015||1,299||discont.||check|
|Sony HX400V (⇒ lft | rgt)||130 mm||93 mm||103 mm||660 g||300||no||2014||499||latest||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ330 was launched at a lower price than the GX80, despite having a lens build in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Panasonic FZ330 features sensor and the Panasonic GX80 a Four Thirds sensor. The sensor area in the GX80 is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 15.8MP, the GX80 offers a higher resolution than the FZ330 (12MP), but the GX80 nevertheless has larger individual pixels (pixel pitch of 3.77μm versus 1.53μm for the FZ330) due to its larger sensor. Moreover, the GX80 is a somewhat more recent model (by 8 months) than the FZ330, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the GX80 offers substantially better image quality than the FZ330 (overall score 33 points higher). The advantage is based on 3.6 bits higher color depth, 1.6 EV in additional dynamic range, and 2.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Panasonic FZ330 (⇒ rgt)||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38|
|Panasonic GX80 (⇒ lft)||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Canon XC10 (⇒ lft | rgt)||1-inch||12.0||4000||3000||4K/30p||-||-||-||-|
|Canon G3 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63|
|Canon SX60 (⇒ lft | rgt)||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39|
|Fujifilm X30 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/60p||-||-||-||-|
|Leica X-U Typ 113 (⇒ lft | rgt)||APS-C||16.1||4928||3264||1080/30p||-||-||-||-|
|Olympus E-M10 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M5 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M10 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Panasonic GH5s (⇒ lft | rgt)||Four Thirds||9.9||3680||2700||4K/60p||..||..||..||..|
|Panasonic G80 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Panasonic FZ1000 (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64|
|Panasonic LX100 (⇒ lft | rgt)||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|Panasonic GX7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|Sony RX10 II (⇒ lft | rgt)||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70|
|Sony HX400V (⇒ lft | rgt)||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GX80 offers a substantially higher resolution than the one in the FZ330 (2765k vs 1440k dots). The table below summarizes some of the other core capabilities of the Panasonic FZ330 and Panasonic GX80 in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Panasonic FZ330 (⇒ rgt)||1440||no||3.0||1040||swivel||YES||4000||12.0||8.8||YES|
|Panasonic GX80 (⇒ lft)||2765||no||3.0||1040||tilting||YES||4000||8.0||6||YES|
|Canon XC10 (⇒ lft | rgt)||no||no||3.0||1030||tilting||YES||2000||3.8||no||YES|
|Canon G3 X (⇒ lft | rgt)||no||no||3.2||1620||tilting||YES||2000||5.9||6.8||YES|
|Canon SX60 (⇒ lft | rgt)||922||no||3.0||922||swivel||no||2000||6.4||5.5||YES|
|Fujifilm X30 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||12.0||7||..|
|Leica X-U Typ 113 (⇒ lft | rgt)||no||no||3.0||920||fixed||no||2000||5.0||YES||no|
|Olympus E-M10 II (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5.8||YES|
|Olympus E-M5 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Olympus E-M10 (⇒ lft | rgt)||1440||no||3.0||1037||tilting||YES||4000||8.0||5.8||YES|
|Panasonic GH5s (⇒ lft | rgt)||3680||no||3.2||1620||swivel||YES||8000||12.0||no||no|
|Panasonic G80 (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||4000||9.0||6.2||YES|
|Panasonic FZ1000 (⇒ lft | rgt)||2359||no||3.0||921||swivel||no||4000||12.0||13.5||YES|
|Panasonic LX100 (⇒ lft | rgt)||2764||no||3.0||921||fixed||no||4000||11.0||7||YES|
|Panasonic GX7 (⇒ lft | rgt)||2760||no||3.0||1040||tilting||YES||8000||5.0||7||YES|
|Sony RX10 II (⇒ lft | rgt)||2359||YES||3.0||1229||tilting||no||3200||14.0||10.2||YES|
|Sony HX400V (⇒ lft | rgt)||210||no||3.0||921||tilting||no||4000||10.0||8.5||YES|
Both the FZ330 and the GX80 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The FZ330 replaced the earlier Panasonic FZ200, while the GX80 followed on from the Panasonic GX7.
So how do things add up? Is there a clear favorite between the Panasonic FZ330 and the Panasonic FZ330? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Panasonic Lumix DMC-FZ330:
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens build-in, whereas the GX80 requires a separate lens.
- Longer lasting: Can take more shots (380 versus 290) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More affordable: Was introduced at a lower price, despite coming with a build-in lens.
- More heavily discounted: Has been on the market for longer (launched in July 2015).
Reasons to prefer the Panasonic Lumix DMC-GX80:
- More detail: Has more megapixels (15.8 vs 12MP), which boosts linear resolution by 15%.
- Better image quality: Scores substantially higher (33 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.6 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.8 stops ISO advantage).
- More detailed viewfinder: Has higher resolution electronic viewfinder (2765k vs 1440k dots).
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More compact: Is smaller (122x71mm vs 132x92mm) and will fit more readily into a bag.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More modern: Was introduced somewhat (8 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the GX80 emerges as the winner of the match-up (10 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the FZ330 and the GX80 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Panasonic FZ330 (⇒ rgt)||HiRec||-||4.5/5||4.5/5||4.5/5||2015||599||latest||check|
|Panasonic GX80 (⇒ lft)||HiRec||82/100 Silver||5/5||4.5/5||5/5||2016||799||latest||check|
|Canon XC10 (⇒ lft | rgt)||-||80/100||-||-||-||2015||2,499||latest||check|
|Canon G3 X (⇒ lft | rgt)||Rec||-||4.5/5||3.5/5||4/5||2015||999||latest||check|
|Canon SX60 (⇒ lft | rgt)||HiRec||75/100||4/5||-||4.5/5||2014||549||latest||check|
|Fujifilm X30 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2014||599||latest||check|
|Leica X-U Typ 113 (⇒ lft | rgt)||-||-||-||-||3.5/5||2016||2,950||latest||check|
|Olympus E-M10 II (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||5/5||5/5||2015||799||discont.||check|
|Olympus E-M5 II (⇒ lft | rgt)||HiRec||81/100 Silver||5/5||4.5/5||5/5||2015||1,099||latest||check|
|Olympus E-M10 (⇒ lft | rgt)||-||80/100 Gold||5/5||4.5/5||5/5||2014||699||discont.||check|
|Panasonic GH5s (⇒ lft | rgt)||..||..||..||..||..||2018||2,499||latest||check|
|Panasonic G80 (⇒ lft | rgt)||HiRec||84/100 Gold||5/5||4.5/5||4.5/5||2016||899||latest||check|
|Panasonic FZ1000 (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4.5/5||2014||899||discont.||check|
|Panasonic LX100 (⇒ lft | rgt)||HiRec||85/100 Gold||5/5||4/5||5/5||2014||899||latest||check|
|Panasonic GX7 (⇒ lft | rgt)||Rec||79/100 Silver||5/5||4.5/5||5/5||2013||999||discont.||check|
|Sony RX10 II (⇒ lft | rgt)||HiRec||82/100 Gold||4.5/5||4.5/5||4/5||2015||1,299||discont.||check|
|Sony HX400V (⇒ lft | rgt)||HiRec||-||4/5||-||4/5||2014||499||latest||check|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, please contact me, and I will try to add information on that model to the database.
- Canon 1D C vs Nikon D7100
- Canon Rebel vs Canon 77D
- Canon T6 vs Nikon D3400
- Canon XSi vs Canon T4i
- Fujifilm GFX 50S vs Sony A6300
- Fujifilm X-E1 vs Leica Digilux 3
- Fujifilm X-T2 vs Panasonic G80
- Fujifilm X10 vs Fujifilm X30
- Nikon D5600 vs Panasonic G9
- Nikon Df vs Sony A7R II
- Panasonic G9 vs Nikon D3S
- Sony RX10 IV vs Olympus E-M10 III