Panasonic GH2 versus Panasonic GH3
The Panasonic Lumix DMC-GH2 and the Panasonic Lumix DMC-GH3 are two enthusiast cameras that were announced, respectively, in September 2010 and September 2012. Both the GH2 and the GH3 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. Both cameras offer a resolution of 15.9 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Panasonic GH2 vs Panasonic GH3
An illustration of the physical size and weight of the Panasonic GH2 and the Panasonic GH3 is provided in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the GH2 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH3 is notably larger (11 percent) than the Panasonic GH2. Moreover, the GH3 is markedly heavier (24 percent) than the GH2. It is noteworthy in this context that the GH3 is splash and dust-proof, while the GH2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can find an overview of suitable optics in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Panasonic GH2 (⇒ rgt)||4.9 in||3.5 in||3.0 in||15.6 oz||330||no||2010||1,499||discont.||check|
|Panasonic GH3 (⇒ lft)||5.2 in||3.7 in||3.2 in||19.4 oz||540||YES||2012||1,299||discont.||check|
|Olympus E-M1 (⇒ lft | rgt)||5.1 in||3.7 in||2.5 in||17.5 oz||350||YES||2013||1,399||discont.||check|
|Panasonic GH4 (⇒ lft | rgt)||5.2 in||3.7 in||3.3 in||19.8 oz||500||YES||2014||1,499||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||3.9 in||2.4 in||1.4 in||7.4 oz||220||no||2014||749||discont.||check|
|Panasonic G6 (⇒ lft | rgt)||4.8 in||3.3 in||2.8 in||13.8 oz||340||no||2013||599||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||3.9 in||2.2 in||1.2 in||7.2 oz||230||no||2013||749||discont.||check|
|Panasonic G3 (⇒ lft | rgt)||4.5 in||3.3 in||1.9 in||11.9 oz||270||no||2011||599||discont.||check|
|Panasonic GX1 (⇒ lft | rgt)||4.6 in||2.7 in||1.5 in||11.2 oz||320||no||2011||949||discont.||check|
|Panasonic G2 (⇒ lft | rgt)||4.9 in||3.3 in||2.9 in||15.1 oz||360||no||2010||599||discont.||check|
|Panasonic G10 (⇒ lft | rgt)||4.9 in||3.3 in||2.9 in||13.7 oz||380||no||2010||499||discont.||check|
|Panasonic GF1 (⇒ lft | rgt)||4.7 in||2.8 in||1.4 in||13.6 oz||380||no||2009||749||discont.||check|
|Panasonic GH1 (⇒ lft | rgt)||4.9 in||3.5 in||1.8 in||13.6 oz||300||no||2009||1,499||discont.||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GH3 was launched at a somewhat lower price (by 13 percent) than the GH2, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Panasonic GH2 vs Panasonic GH3
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 15.9 megapixel. This similarity in sensor specs implies that both the GH2 and the GH3 have the same pixel density, as well as the same pixel size. It should, however, be noted that the GH3 is a somewhat more recent model (by 1 year and 11 months) than the GH2, and its sensor might have benefitted from technological advances during this time.
Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the GH3 offers substantially better image quality than the GH2 (overall score 11 points higher). The advantage is based on 1.5 bits higher color depth, 1.1 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic GH2 (⇒ rgt)||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Panasonic GH3 (⇒ lft)||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71|
|Olympus E-M1 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Panasonic GH4 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|Panasonic GM5 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.1||11.7||721||66|
|Panasonic G6 (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic GM1 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||22.3||11.7||660||66|
|Panasonic G3 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60i||21||10.6||667||56|
|Panasonic GX1 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|Panasonic G2 (⇒ lft | rgt)||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|Panasonic G10 (⇒ lft | rgt)||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|Panasonic GF1 (⇒ lft | rgt)||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||513||54|
|Panasonic GH1 (⇒ lft | rgt)||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the GH3 provides a faster frame rate than the GH2. It can shoot movie footage at 1080/60p, while the GH2 is limited to 1080/60i.
Feature comparison: Panasonic GH2 vs Panasonic GH3
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the GH3 offers a higher resolution than the one in the GH2 (1746k vs 1534k dots). The following table reports on some other key feature differences and similarities of the Panasonic GH2, the Panasonic GH3, and comparable cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Panasonic GH2 (⇒ rgt)||1534||no||3.0||460||swivel||no||4000||3.0||15.6||no|
|Panasonic GH3 (⇒ lft)||1746||no||3.0||614||swivel||YES||4000||6.0||12||no|
|Olympus E-M1 (⇒ lft | rgt)||2360||no||3.0||1037||tilting||YES||8000||10.0||no||YES|
|Panasonic GH4 (⇒ lft | rgt)||2359||no||3.0||1036||swivel||YES||8000||12.0||17||no|
|Panasonic GM5 (⇒ lft | rgt)||1166||no||3.0||921||fixed||YES||500||5.8||no||no|
|Panasonic G6 (⇒ lft | rgt)||1440||no||3.0||1036||swivel||YES||4000||7.0||10.5||no|
|Panasonic GM1 (⇒ lft | rgt)||no||no||3.0||1036||fixed||YES||500||5.0||4||no|
|Panasonic G3 (⇒ lft | rgt)||1440||no||3.0||460||swivel||YES||4000||4.0||11||no|
|Panasonic GX1 (⇒ lft | rgt)||no||no||3.0||460||fixed||YES||4000||4.2||7.6||no|
|Panasonic G2 (⇒ lft | rgt)||1440||no||3.0||460||swivel||YES||4000||2.6||11||no|
|Panasonic G10 (⇒ lft | rgt)||202||no||3.0||460||fixed||no||4000||2.6||11||no|
|Panasonic GF1 (⇒ lft | rgt)||no||no||3.0||460||fixed||no||4000||3.0||6.0||no|
|Panasonic GH1 (⇒ lft | rgt)||1440||no||3.0||460||swivel||no||4000||3.0||10.5||no|
Both the GH2 and the GH3 have been discontinued, but can regularly be found used on eBay. The GH2 was replaced by the Panasonic GH3, while the GH3 was followed by the Panasonic GH4.
Review summary: Panasonic GH2 vs Panasonic GH3
So what conclusions can be drawn? Is there a clear favorite between the Panasonic GH2 and the Panasonic GH3? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Panasonic Lumix DMC-GH2:
- Less heavy: Is lighter (by 108g or 20 percent) and hence easier to carry around.
- More heavily discounted: Has been on the market for longer (launched in September 2010).
Arguments in favor of the Panasonic Lumix DMC-GH3:
- Better image quality: Scores substantially higher (11 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.1 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- More detailed viewfinder: Has higher resolution electronic viewfinder (1746k vs 1534k dots).
- More detailed LCD: Has a higher resolution rear screen (614k vs 460k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (540 versus 330) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More affordable: Was released into a lower priced segment (13 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 11 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the GH3 is the clear winner of the contest (12 : 2 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the GH2 or the GH3. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why hands-on reviews by experts are important. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Panasonic GH2 (⇒ rgt)||86/100 HiRec||79/100 Silver||4.5/5||4.5/5||5/5||2010||1,499||discont.||check|
|Panasonic GH3 (⇒ lft)||HiRec||79/100 Gold||4.5/5||5/5||4.5/5||2012||1,299||discont.||check|
|Olympus E-M1 (⇒ lft | rgt)||HiRec||84/100 Gold||4.5/5||4.5/5||4.5/5||2013||1,399||discont.||check|
|Panasonic GH4 (⇒ lft | rgt)||HiRec||85/100 Gold||5/5||5/5||5/5||2014||1,499||discont.||check|
|Panasonic GM5 (⇒ lft | rgt)||Rec||77/100 Silver||5/5||5/5||4.5/5||2014||749||discont.||check|
|Panasonic G6 (⇒ lft | rgt)||HiRec||-||5/5||-||4.5/5||2013||599||discont.||check|
|Panasonic GM1 (⇒ lft | rgt)||Rec||78/100 Gold||5/5||4.5/5||4.5/5||2013||749||discont.||check|
|Panasonic G3 (⇒ lft | rgt)||88/100 HiRec||75/100 Silver||4.5/5||4.5/5||5/5||2011||599||discont.||check|
|Panasonic GX1 (⇒ lft | rgt)||85/100 Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2011||949||discont.||check|
|Panasonic G2 (⇒ lft | rgt)||-||72/100 Silver||4/5||4/5||4.5/5||2010||599||discont.||check|
|Panasonic G10 (⇒ lft | rgt)||-||70/100||4/5||-||4/5||2010||499||discont.||check|
|Panasonic GF1 (⇒ lft | rgt)||85/100||69/100||4.5/5||4.5/5||4.5/5||2009||749||discont.||check|
|Panasonic GH1 (⇒ lft | rgt)||89/100 HiRec||72/100 HiRec||4.5/5||5/5||4.5/5||2009||1,499||discont.||check|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If the camera you are interested in is not available, please contact me, and I will try to add information on that model to the database.
- Canon 6D Mark II vs Canon G5 X
- Canon 7D vs Olympus E-M10
- Canon 7D vs Olympus E-PL9
- Canon 80D vs Panasonic G7
- Canon XT vs Canon Rebel
- Fujifilm X-M1 vs Panasonic GX8
- Nikon D7000 vs Fujifilm X-T20
- Nikon D7000 vs Sony A7
- Nikon D80 vs Nikon D70
- Olympus E-330 vs Olympus E-1
- Olympus E-330 vs Olympus E-M1 II
- Panasonic GH5 vs Canon 5D Mark IV